Conceived as an artist's book, this monograph is the outcome of a collaboration between the Basque artist based in California Erlea Maneros Zabala and the American writer Dodie Bellamy.

A series of sculptures, drawings, and videos that question alienating norms through the lens of sociology and psychoanalysis.

A new monograph devoted to Éric Baudelaire's work and collaborative method, tracing the connection between his films and his curatorial projects.

A new monograph devoted to Éric Baudelaire's work and collaborative method, tracing the connection between his films and his curatorial projects.

An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

A rereading of the prematurely interrupted work of the Franco-Israeli artist Absalon (1964-1993) through the notions of body, performance and illness, detaching him from the architectural and post-minimal field in which he has often been included, proposing new interpretations via a selection of works by other artists of his generation and a network of conceptual and formal affinities.

The work of Ceija Stojka (1933-2013) is considered today an invaluable testimony on the deportation and the holocaust of the Romani people during the Second World War. For the very first time, this publication considers equal to her graphic work the notes she wrote on the back of her drawings and paintings.

A painter and an inventor, Eugène Frey (1863-1930) pioneered techniques of animated sets for the theatre at the same time period as the cinema was invented. While he is contextualized beside the creations of Loie Fuller, Georges Méliès or Lotte Reiniger, he is reinterpreted by the artist João Maria Gusmão. First publication devoted to the work of Eugène Frey, the luxurious catalogue of the exhibition at the New National Museum of Monaco presents texts by Stéphane Tralongo (University of Lausanne) and Laurent Mannoni (Cinémathèque française), as well as a work of fiction by João Maria Gusmão.

This publication offers a feminist and queer interpretation of artistic practices of the last forty years. It gathers a selection of works and texts from the late 1960s to the present, newly commissioned essays and an anthology of artists's texts.

Stemming from a series of works by Sidsel Meineche Hansen, this monographic catalogue offers a range of perspectives on urgent issues around gender, sexuality and labour in the digital age.

In this book, the 1923 manifesto “Active Art” by Latvian philosopher Andrejs Kurcijs triggers a series of responses by writers, artists and curators on the notion of activism, past and present: art for political purposes, art for its own purpose or art with no purpose.

This book traces this evolution of Laura Lamiel's work. It presents a chronology of her exhibitions from the last 20 years alongside an anthology of critical writings, a previously unpublished interview with the artist and two original essays that offer a new analysis of her work.

Monograph / artist's book.

Monograph / artist's book.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

A publication conceived by Portugese artist Francisco Tropa in collaboration with writer Thomas Boutoux and graphic designer Pedro Falcão, which adopts the form of magazine one flips  through in bars or in waiting rooms. A true/false weekly style magazine with refined imagery printed on glossy paper, The Mustache Hidden in the Beard is dedicated to cultural and scientific topics, design, life styles but also real estate through a series of cutting, quirky articles, investigations, portraits and reports.

Edited by artist Joachim Hamou, this publication offers a current analysis of the similar issued shared by the fields of contemporary art and of the performing arts, through essays, interviews, and an unpublished play by British artist Cally Spooner.

A documentary and speculative publication on a genealogy of political, social, ecological and identity-based struggles in the Brittany region and the West of France, from the 1960s to the Zone to Defend of today, based on numerous documents and films made by filmmakers and collectives.

A score of performative gestures, drawn from the conceptual art and body art scenes from Central and Eastern Europe in the 1970s and 1980s.

Catalogue.