various

This reference monograph on New York artist Lisa Beck, who develops since more than 30 years an abstract language which is as playful and discreet as it is effective and sharp, presents a significant body of work ranging from the 1980s to the present, and also offers to revisit Beck' recent solo exhibitions (with essays by Samuel Gross and Bob Nickas).

A collective work bringing together thirty contributors, based on an experimental research project conducted with artists and theoreticians (philosophers, sociologists, historians, scientists...) around the question of the formats of art, a forgotten yet decisive issue that crosses contemporary artistic practices in depth.

An extensive documentation on Céleste Boursier-Mougenot's installation for the French Pavilion of the 56th International Art Exhibition of the Venice Biennale.

Miriam Sturzenegger's Renovieren is a compilation of texts about space, time, and the relationship between them, as well as with her work.

A fiction reflecting on the issues of language and information.

Collection of poems by Cameroonian poet Kouam Tawa.

Catalogue.

L'Écart et l'Accolade gathers 23 texts of various kinds dedicated to contemporary artists, artistic practices, the art critic, exhibitions and curatorial activities.

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

The artistic and pedagogical experimentations and the alternative networks developed in California from the late sixties.

Alessandra Eramo (Ezramo) talks about growing up in Tarano, a city shaped by Catholicism and superstition, by industrial pollution and the ancient tradition of mussel farming. Includes link to the audio files of the sound installation Se Dio Vuole.

Reference monograph: an extensive survey of Patrick Bernatchez's drawings, sculptures, sound installations and films.

Artist's book.

An analysis of the implications, challenges and specificities of the artist's magazines, as an artistic practice.

Geographer, orientalist and philosopher Augustin Berque exposes the eastern foundation of his reflection on mesology, redefining the being (and the human subject) in its relation to the environment.

A both poetic and political text on ordinary racism towards the Romani people.

A text by poet and language explorer Yannick Torlini.

Richard Di Rosa / Femina ou la réappropriation des modèles / Jean-Baptiste Bernadet / Cool – As a State of Mind / Matières à récits 2.0 / Etel Adnan / Lee Bul / Close to me / Julien Beneyton / Jim Fauvet.

A book-film.

The “micro-interventions” in the public space in the age of social movements and citizen action.

A triptych video project on dance and the age of the body.

A lively improvisation lead by a quartet of instrumentalists blending drone and chamber music.

Reissue of the first album recorded by the Polish composer in 2008 at the age of 21: a work composed to breviary prayers and hymns for two voices (vocalist Maja Sieminska and Wesołowski himself), string quartet and electronics.

Reissue of the first album recorded by the Polish composer in 2008 at the age of 21: a work composed to breviary prayers and hymns for two voices (vocalist Maja Sieminska and Wesołowski himself), string quartet and electronics.

A large survey of Monika Sosnowska's sculptural work.

A travel guide to discover non utopian worlds.

A previously unpublished series of photographs taken in 1989 in Arles and Paris, retouched by Boris Mikhailov 26 years later, offering a fresh perspective on his work.

Artist's edition (two-fold brochure).

Artist's book.

An history of the Gauche Prolétarienne—the most important revolutionary organisation in France after May 68.

This essay examines the concept of “missing citizens”, taking as a point of departure the violence in the French suburbs, and focusing on contemporary migrations and the construction of citizenships.

A lavishly illustrated monograph, structured around an extensive and thorough discussion between Lionel Estève and Herman Byrd, that works as an entry gate to the artist's work, which interrogates the multiplicty of infinity and reality.

A retrospective of Stéphanie Nava's drawings in five exhibitions (with an essay by Marie de Brugerolle).

This study of the origin and creation of the FRACs (Regional Funds of Contemporary Art) between 1981 and 1986 reviews the history and assesses one of the flagship measures of French decentralized cultural policy.

Catalogue.

An overview of Koka Ramishvili's work from 1988 to 2015, between photography, painting and video.

First issue of the fanzine published by French collective Supernova: an artistic and literary stimulus in full black & white.

A multifaceted travel story in which a modern-day female hunter-gatherer leaves Greenland to find her love back in China. The narrative includes a set of illustrations and a concluding notebook.

Outer space as the place for dreams, revolts, and revolutions: forty authors and artists explore utopian and political possibilities beyond earth.

This third volume reviews the last two tours of the first mobile contemporary art museum for children. From September, 2013 to January, 2015, the MuMo crossed the roads of France and Spain, covering 118 stages to meet 117 400 children from 620 classrooms. The book contains a photographic essay illustrating the words of the participants, children and adults.

Sekula's final work dedicated to labor solidarity in and around the docks.

A poetics of the body.

A long length poem by French poet, translator and writer Jean-Philippe Cazier.

First monograph.

An original music by Murcof which is the framework of Patrick Bernatchez's film “Lost in Time”, a sound project that is part of the explorations around Bach's “Goldberg Variations” initiated in Berlin in 2010.

“Livre VI” of the (SIC) journal takes the form of a book by Dutch-speaking Belgian philosopher Dieter Lesage (director of RITS | School of Arts). “Art, Research and Politics. Essays in Curatorial Criticism (1999-2014)” spans fifteen years of Lesage's critical interventions in the field of art, politics, and culture, analyzing and unraveling curatorial rhetorics and strategies which during that period marked the so-called art world.

First monograph, with texts by Frank Lamy and Pierre Giquel, and Cécile Paris interviews with architect Edith Commissaire, choreographer Julie Desprairies and philosopher Peter Szendy (the book is accompanied by a free online application).