Le rôle des infrastructures et de la logistique au sein de la scène artistique actuelle.
The term “art handling” describes aspects of the (professional) art scene that often remain invisible: installation and de-installation, technical and conservation-related documentation, storage, transport, and legal issues. Discussions around materiality reveal that infrastructure and logistics are of constitutive significance to the production and presentation of artworks. Over the course of the professionalization of the global art scene, the requirements relating to installation-based, ephemeral, and performative artworks, and how these are handled by the institutions, have continually become stricter, and issues of documentation have accordingly become more complex. On the one hand, new work concepts or works are changing the requirements for the “infrastructure” of museums. On the other hand, such “infrastructures” that now exist in many places are also directly stimulating the emergence of certain art forms.
Edité par Lucie Kolb, Christoph Lang, Wolfgang Ullrich, Judith Welter.
Textes de Monika Domman, Rachel Mader, Simone Miller, Peter Schneemann, Wolfgang Ullrich, Tobias Vogt, Beat Wyss, conversation entre Sonia Kacem, Franziska Koch, Judith Welter, Monika Schori et Christoph Lang.
