FOREWORD
Faisal Al Hassan
THE POSSIBILITY OF TRANSCENDING REALITY
THE PLACE OF THE WRITER OR, THE IMPORTANCE OF WRITERS BEING DEAD
Haytham el-Wardany
PAPER NOR ME_XX2: BEYOND THE PAPER PRINCIPLE
Moad Musbahi
A TRILOGY: PALM TREES LEAVE THEIR PLACE,
TEXTS CHANGE THEIR FORM
Hussein Nassereddine
BOOKWORM
Farah Khelil &
antoine lefebvre editions
A SHORT HISTORY OF THE STATE
The State
EARTH BUILDING
Ahmad Makia
MANEUVERING HISTORY
THE MAKING OF PRINTED IN BEIRUT
Jabbour Douaihy
HISTORY OF THE BOOK IN LEBANON
Hala Bizri
VISUAL MODERNITY IN INDIA: LITTLE MAGAZINES AND THE VERNACULAR PUBLIC SPHERE
Noopur Desai
THROUGH THE WORLD WILD WEB
Jaffat El Aqlam
BORROWED FACES: STORIES OF PUBLISHERS DURING THE COLD WAR
Fehras Publishing Practices
PUBLISHING AS AGENT OF CULTURAL ENGAGEMENT: BEIRUT (mid 1940s–early 1980s)
Huda Smitshuijzen AbiFarès
MASTER REVOLUTION
THE STORY OF A DEMOCRACY ON PAPERAli Hussein Al-Adawy
181 A DIALOG BETWEEN RHYTHM AND FORM Khalid Albudoor and Nujoom Alghanem in conversation with Rand Abdul Jabbar, Uns Kattan and Hammad Nasar
226 SCRAPBOOK
Bady Dalloul
SHAPESHIFTING TEXTS AND OTHER PUBLISHING TACTICS
THE RAINY DAYS SERIES
Ali Yass
REBELS THE WORLD OVER—SAY BARA
Barakunan
SALON SALON
Bernhard Cella
GETTING LIGHTER, STILL LABOUR-INTENSIVE
Elaine W. HO
THE PROPOSAL AS A PUBLICATION FORMAT
Raafat Majzoub
PUBLISHING AT POINT ZERO
Yazan Ashqar
GHOSTED PUBLICS—THE 'UNACKNOWLEDGED COLLECTIVE' IN THE CONTEMPORARY TRANSFORMATION OF THE CIRCULATION OF IDEAS
Andrew Murphie
UNLEARNING HOW TO
TACTICS FOR DAILY POETICS: A CONVERSATION WITH
KAYFA TA
Federico Antonini & Giulia Crispiani
NO PART OF THIS BOOK MAY BE REPRODUCED,
IN ANY WAY, BY PHOTOCOPYING, RECORDING, OR OTHERWISE, EXCEPT WITH THE PRIOR WRITTEN CONSENT OF THE PUBLISHER
Ali Eyal
BIOGRAPHIES
PARTICIPANTS
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