Anthologies

What does it mean to be a curator who writes, and, more specifically, how can curators write about textiles? This publication steps outside the framework of the typical exhibition catalogue to occupy "the space between literature and criticism".

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

A much-needed mapping of the Indian art scene.

Renewing our understanding of Ruscha's art.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

A collection of texts and interviews, some previously unpublished, covering a period of 40 years, with rare illustrations.

A musique concrète piece divided into five movements, based on the handling and editing of recordings captured within circuses between 1988 and 1993.

A transdisciplinary reevaluation of the dialogical character of humanism.

This first collection of texts in French by Félix Candela (1910-1997), a major figure in twentieth-century modern architecture, brings together writings and interviews published in the specialized press, as well as lectures and speeches delivered on various occasions by the Spanish-born Mexican architect and engineer between 1953 and 1994.

An epistemological reflection on sensitive forms of research writing at the crossroads of art, design, anthropology and ergonomics, based on singular inquiry-creation projects.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

Twenty renowned international curators write about one of their exhibitions or projects that transformed their ideas about curating.

JJ brings together articles by cultural critic, auto/biographer, and lesbian icon Jill Johnston (1929-2010), translated into French for the first time, as well as texts, poems and drawings by Pauline L. Boulba, Aminata Labor, Nina Kennel and Rosanna Puyol.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

A polyphonic approach to the emergence, since the 2000s, of new institutional forms dedicated to performative artistic practices.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

A series of recordings that unveils the diverse creativity of young Turkish female artists.

A multidisciplinary exploration of the technological devices, the machines, and the objects conceived by the brilliant mind of Philip K. Dick.

What gets counted within the category of heritage, and who gets to do the counting?

A reflection on the relation between art, museum institutions and climate activism.

Published on the occasion of Mudun Short Story Prize, an international competition that pays tribute to cities around the Arab world which was launched by the Barjeel Art Foundation, Sharjah (UAE), Mudun: Stories from Arab Cities brings together the 19 stories—10 in Arabic and nine in English—that were shortlisted for the prize, including the winning submissions.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

Inspired by how rivers bend and curve connecting ecosystems, Meandering is a case study for community-oriented artistic research into the cultural, spiritual, and ecological trajectories of waterways.

What Can Theatre Do invites artists and thinkers to explore the potential of the performing arts, the political role of theatre and its ability to imagine alternative realities and future scenarios, ranging from essays to artistic interventions.

Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art.

The multiple meanings and uses of textiles in art, culture and society.

The complete texts and photographs published in the fanzine dedicated to free jazz.

A reflection on the role of art in the interconnected struggles for climate and ecological justice.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

A collective reflection on the question of objects in artistic situations, at the crossroads of art history and theory, social sciences and artistic practices.

A vast selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

Spanning a pivotal time in Arab art, from the 1950s through to the 1980s, this book celebrates the lives, careers, and personas of some of the region's pioneering artists (from Huguette Caland to Hamed Nada and Etel Adnan) and features archival material, images of artworks as well as of the artists themselves.

The first book dedicated exclusively to the female protagonists of Latin American electronic music.

New visualities and visualizations of literature in the digital age: the possible contributions of design thinking to literary theory.

A curatorial approach towards deliberative cultures of assembly and a realistic scenario of decentralized power and decision-making (an anthology edited by Markus Miessen).

A record of a symposium on the legacy of the late Luxembourgish artist Michel Majerus (1967-2002).

A collective work to highlight the unique perspective of Pierre Guyotat, one of the greatest authors of the French language and a major figure in the memory of the Algerian conflict, on the war of independence and post-independence Algeria.

Cinema as a method of investigating the visible and a journey into the theoretical thinking of images.

The Complex Answer presents the reader with a selection of texts—from 2010 to 2021—that introduce an exercise in how a practice of art and exhibition making has been influenced by philosophical thinking.

A collective reflection on the landscape as an ever-changing social, economic, and ecological construct, addressing questions of power, identity, and natural resources (contributions by T. J. Demos, Tiago Torres-Campos, Tiffany Kaewen Dang, Hagit Keysar and Ariel Caine, Teresa Mendes Flores, Chris Malcolm, Irmgard Emmelhainz...)

Some insights into the imaginaries that inhabit techno-scientific realities, transforming our relationship with the world, closing or opening up the future.

A journal of critical and political poetry