The first artistic perspective on prehistoric art through the rigorous study of its formal conventions and stylistic developments.

John Wynne's untitled installation for 300 speakers, pianola and vacuum cleaner, at once monumental, minimal and immersive, using sound and sculptural assemblage to explore and define architectural space and to investigate the borders between sound and music.

An exhaustive catalogue of all exhibited works by M/M (Paris). Revised 320 pages edition.

Catalogue.

An artist's book that renews the genre of the travel guide.

Reprint of Roswitha Hecke's 1978 cult book.

A conversation about 12 artist's books.

Produced during the 1970's & 1980's, this series of linocuts by Roland Topor consists on a variation on sex and death. The hardness of the line gives the illustrations an apparent solemnity softened by their amusing titles.

As in mythological tales, the characters in Anne Van der Linden's paintings and drawings are mortals, animals, angels and demons, all coexisting in a lascivious Pandemonium. Vivid colors and rough strokes render well the grotesque essence of these bestial & erotic scenes whose symbolism could be compared to Frida Kahlo's surrealistic language.

Luxuous reproduction of a Bruno Richard sketchbook from 1987.

A collective done in collaboration with Andréas Marchal from Gestrococlub who invited 66 international artists to show the vampire inside them (featuring Quentin Faucompré, Mathieu Desjardins, Andreas Marchal, Aleksandra Walieszewska, George Tourlas, Amandine Urruty, S. Maruo, JM Bertoyas, Julien Carreyn, Denis Grrr, Jon Vaughn, Riton La Mort, Thi Kim Thu, Baron Humide, etc.).

Jean-Pierre Raynaud's artist house, from its construction to its final transformation: demolition.

Artist's book.

This artist's book is an illustrated and disenchanted reflection on democracy and its imperfections. Using two different colors, the artist dissociates two layers of meanings—the text and the image—while maintaining a close dialectic.

A-Z of fictional artists.

Artist's book: the first overview of Stefan Marx' practice.

Comprehensive monograph.

The catalogue for the Saint-Étienne 2010 International Design Biennial.

Twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.

Compiled for the first time here, the critic, artist, gallerist, dealer, translator John Kelsey's selected essays gamesomely convey some of the most poignant challenges in the art world and in the many social roles it creates.

Artist's book inspired by "Alice in Wonderland."

Artist's book inspired by "Alice in Wonderland", rendering the fantasies of childhood and the joys of gathering.

French translation of Manovich's major book The Language of New Media, the first systematic and rigorous theory of new media.

First monograph on Californian artist / musician's surreal-oriented universe (collages, sculptures, costumes, performances, music, films and videos), with essays by Doug Harvey, Stéphanie Moisdon and a conversation between the artist and Mike Kelley.

2nd issue of the adult art magazine (limited edition).

A collection of texts about noise music: gesture, act, concept and performance.

The artist as a theoretician: six essays (one text in English) on the question of reciprocity between theory and art practice.

Viande de chevet (“bedside meat”) gathers the burgeoning work from a collective of United Dead Artists's illustrators, in the same vein as Tendon Revolver publications.

A study of the musical (and political) aspects of one of the most subversive artistic movements of the 60's.

Catalogue of an exhibition held at Portikus, Frankfurt am Main, part of a serial project designed by Yang in which she staged additional installations in other international exhibition sites.

One of the two box sets of the HYPER TROPHY project.

One of the two box sets of the HYPER TROPHY project.

An iconoclastic recipe book combining body and mind, savagery and eroticism, pleasure of the senses and black humor. With an afterword by Rudy Ricciotti.

An anthology of texts by philosophers, theoricians and art historians (H. Belting, H. Bredekamp, G. Didi-Huberman, E. Coccia, J.-L. Nancy, W.J.T. Mitchell...) around the specific logic of the image and the transformation of the contemporary visual field.

Photographic portrait of the near surroundings of Ruhrschnellweg, freeway 40 in Bochum, Dükerweg with allotments, car tuning, cemetery, Burger King, noise barrier and fire station.

Reference monograph devoted to a radical pictorial work closer to the subject that is simultaneously a reflection on the photographic practice itself: all series of photographs of objects since 1989 (guitar amps, safes, tables listing, writing desks, lithographic stones, electrical panels, canvas versos...), with two essays.

An anthology exploring the possibilities of documenting time-based works.

30 copies limited edition accompanied by a signed color photographic print of Molinier's fetish doll by Philippe Bonan.

Mapping Boetti's work.

A contemporary interpretation of the Vanitas theme.

A manifesto in which Jean-Michel Othoniel explains his use of glass material in his work.

The poetic of the fragment (artist's book).

A sociological and musical study which shows how French female rapper Diam's contributed to introduce a series of social issues within the public debate.

An in depth analysis of one of the most inventive (but also the most misunderstood) post-war avant-garde movements.

First comprehensive German edition of legendary texts by Robert Morris.

The catalogue raisonné of Marcia Hafif's works during the Italian period, with about 500 paintings and drawings from the 70's, with a long interview and an essay by Eric de Chassey: an indispensable tool for anyone who, today, wishes to understand the evolution of occidental abstraction, through this woman painter figure, emblematic of the era's mutations.

An artist's book revisiting the well-known film sequence from Eisenstein's "Battleship Potemkin."

Conceived as an homage to Musique Concrète pioneer Pierre Schaeffer's Solfège de l'objet sonore, Dataphonics is a project that focuses on the relationship between the data of sound and the sound of data. The work deploys frequencies at the very edges of human hearing, sounds that, as Ryoji Ikeda explains, “the listener becomes aware of only upon their disappearance.”