Rubio's tongue-in-cheek comics and artworks bridge high culture with kitsch while exploring constructions of mixed-race identity.

Retrospective monograph.

The Decorator's Home delves into Marco A. Castillo's exploration of the development of industrial design in the 1960s and 1970s Cuba, examining its complex and often contradictory ties to the revolutionary ideals of the time.

Hybridizations presents the most recent work of the French artist ORLAN which reflects, from the aesthetics of ancient Mesoamerican cultures, on the canons of beauty, cultural exchanges, and the symbolic and material powers of native peoples in a globalized world.

This first meticulous revision of the artistic work by Guadeloupean artist Minia Biabiany points the reasons why her practice has become unavoidable to reflect on the continuous process of Caribbean colonization, by destabilizing colonial structures within the territory, body and language.

An anthological and retro-prospective publication on the work of Mexican artist Eugenia Martínez, introducing re-sensitizations to the local and global feminist movements that are being shaped and transformed every day.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.