American critic Isabelle Graw conducts an innovative genealogical study on the success of painting as a medium. Keeping a close eye on painting's fourteenth century theoretical foundations, Graw analyses the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers. It also includes conversations with artists who confront their vision with that of the author.

DVD gathering the video recordings of two musical performances by Frédéric Acquaviva, in French and English, made at EMS in Stockholm and La Plaque tournante in Berlin.

A piece for mezzo, mouths, skins and Buchla, recorded with mezzo-soprano Loré Lixenberg (vinyl sleeve with a CD inside).

Eight essays on the German avant-gardes (Hugo Ball, Max Beckmann, Marcel Breuer, Franz Marc, Merzbau, Expressionnism, Dada…).

Since 2012, Mathieu Copeland et Philippe Decrauzat produce videos stemming from “a desire to film sound, record places, and dive into the process of a material construction and destruction.” This publication—between artist's book and critical essay—considers all films produced until then by the art critic and the artist, and offers a basis for reflexion and work for those to come.

A collection of texts written between 1983 and 2016, enabling us to comprehend the singularity of Sivan's work. Prefaces in opening section offer insights into this unusual poetry, pointing the links between Sivan's poetic universe and those of Denis Roche, Raymond Roussel, Charles Olson, Maurice Roche, Marcel Duchamp…

Second issue dedicated to the notion of risk in art, together with a booklet celebrating the 100th anniversary of Fountain, the iconic work by Duchamp. The magazine also features tributes to two recently deceased artists, Gusztav Metzger and Felipe Ehrenberg.

Anniversary dictionary of the The French National School for Decorative Arts, which brings together the students and teachers who contributed to the reputation of the school, from Rodin to Xavier Veilhan, Martial Raysse, Francis Picabia, Cieslewicz, and Matisse.

A study on the relationship between literature and madness from the 18th century until now.

This monograph documents over a decade of works and exhibitions, and offers an intimate portrait of an artist who put the language at the center of his visual practice.

Double QR-Code LP (an empty sleeve with no discs), edition of 100 copies. The recording to listen online is a 5-hour composition for computer voice, first presented in Paris on March 25, 2000: a deepening of the idea of a dematerialized disc.

The book of the 14th edition of the international exhibition, curated by Emma Lavigne, with more than 50 artists.

The third issue in a series of publications revolving around the materiality of language: a collection of 18 works and texts by international artists and scholars who examine the physical act of writing.

The catalogue raisonné of the The Franche-Comté Frac, including exhibition views, archives, reproductions, documents, index and essays.

At the heart of this collection of short writings are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism.

What would a current-day demon look like? The Swiss artist playfully rehabilitates these evil figures in 170 minimalist portraits—rendering them as an ideal type of the postmodern, at once terrifying and comical.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

This work is the result of a historiographical research work carried out to revive the highlights of the Centre d'Art Contemporain Genève since its creation in 1974 to the present day. Articulated in two sections, the book traces, through nearly 500 richly illustrated pages, the singular history and the moments of grace of the first Kunsthalle of French-speaking Switzerland.

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

A collection of texts on the various aspects of radio creation, published on the occasion of the twentieth anniversary of the ACSR – the Belgian-based studio dedicated to radio and sound creation.

Documentation around 17 commissioned artworks set in middle schools, as part of the Percent for Art Program established in the French Department of Seine-Saint-Denis.

A dense and enlightening analysis of the “signature” and the development of the story of Marcel Duchamp's Fountain in its historical integration.

Outside museums, on the roadsides, a journey through the gardens and backyards of Europe and America to discover the "madmen's art": an illustrated essay on the birth and the future of Art Brut (new expanded edition).

First QR-Code EP, edition of 100 copies, recorded at EMS, Stockholm, December 2015, with the voices of Frédéric Acquaviva and Loré Lixenberg.

This Flipbook by Michalis Pichler is a reformulation of the artist's film Une Seconde d'Éternité (d'après un idée de Charles Baudelaire) by Marcel Broodthaers (8mm film, b/w, 1 sec.).

Nightfall gives an overview of Gothic imagination in the arts, from the 18th century to the present day. This pocket-sized catalogue examines the persistent influence of the pioneering works of modern gothic fiction through a series of essays and a rich iconography.

Project monograph by the Serbian artist revolving around a precious edition of Marcel Proust's collected works translated by Croatian poet Tin Ujević.

New collection of essays by Boris Groys in which the philosopher discusses the works and artists that influenced his thinking, from Paweł Althamer to Andy Warhol.

This catalogue gathers works from different periods of the artist's career, though giving particular prominence to his drawings in analog and digital form—the Pixel-Bildli and Hice for Weiss series, or his plastic mosaics. A foreword by Salvatore Lacagnina and a contribution by Arthur Fink introduce the reader to Bruhin's multifarious work, while a conversation with the artist helps unfold his eclectic strategies.

October issue of Supernova's fanzine, including an unpublished text by J.G. Ballard. Each copy is accompanied by an original color stencil by French artist Serge Stephan.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

This catalogue examines the role of the Museion Bolzano in the urban environment of Bolzano city in Italy by looking back at the museum's history and mission from the perspective of artists in all disciplines: architects, filmmakers, performers, musicians, composers, etc. These are joined by a number of major historical works that have inspired the exhibition throughout its conception and helped our understanding of museographic history.

First monograph.

A collection of texts by Robert Lebel on surrealism.

Drawing on key texts by S. M. Eisenstein, Deleuze and Guattari, Alain Badiou, Donna Haraway et al., and analyzing works by iconic artists and contemporary ones, this volume brings together theory and art, showing how both turned to animals to find new ways of problematizing “life.”

Alexandre da Cunha plays the Drawing Room Confessions.

Richard Wentworth plays the Drawing Room Confessions.

Bruce McLean plays the Drawing Room Confessions.

The text published in Villa is a risograph printed transcript of a heretofore unpublished manuscript by Emilio Villa, written around 1962 and addressed to the painter Mario Schifano. The publication remains faithful to the original document and thus there have been no spelling or language corrections.

A complete study on Tinguely's Torpedo Institut, an ever-evolving & never-ending iconoclastic exhibition venue shut down after his death – and against his will. Gathering the Swiss artist's latest works, and those of his closest friends (Niki de Saint Phalle, Daniel Spoerri, Ben...), this “total anti-museum” is now reassigned to its rightful place among Tinguely's oeuvre in the form of this exceptional publication.

A facsimile edition of a surrealist poem by Robert Lebel and originally published in 1943. Illustrated with seven constructions by artist Isabelle Waldberg.

This monumental first retrospective monograph dedicated to Louis Michel Eilshemius brings together works from over 70 institutions and private collections, providing the reader with a profound insight into the oeuvre of this unusual artist. In an expansive essay, Stefan Banz examines for the first time the questions of whether and to what extent Eilshemius influenced Duchamp's artistic thinking.

This richly illustrated publication reviews the additions to the Generali Foundation collection made under Sabine Folie's leadership between 2008 and 2014.

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

L'Écart et l'Accolade gathers 23 texts of various kinds dedicated to contemporary artists, artistic practices, the art critic, exhibitions and curatorial activities.

When artistic gestures achieve the maximum effect through the smallest of means: the catalogue of the Lulennial, a biennial organized by Fabiola Iza and Chris Sharp at Lulu, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

Catalogue.

In the Holocene is based on a 2012 group exhibition of the same name at the MIT List Visual Arts Center that explored art as a speculative science, investigating principles more commonly associated with scientific or mathematical thought.

A special issue dedicated to words written by artists—essays, articles, poetry, scripts, drafts, letters, telegrams, notes and footnotes, and text-based artworks.