What does it mean to be a curator who writes, and, more specifically, how can curators write about textiles? This publication steps outside the framework of the typical exhibition catalogue to occupy "the space between literature and criticism".

Camille Henrot, Meriem Bennani, Matt Copson, Diego Marcon, Caroline Poggi & Jonathan Vinel, David Douard, P. Staff, Anne Imhof, Luca Guadagnino...

Benjamin H. D. Buchloh and Hal Foster's Exit Interview, Ade Darmawan and Timoteus Anggawan Kusno, Manifesta 15, Lee Ufan...

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

Artistic expressions of mourning.

A catalogue that features a group of 20 artists from Saudi Arabia, the Middle East, the Maghreb and the international scene and explores the profound changes of a period marked by the presence of technology, the post internet era.

A chorus of voices on notions of Black social life, public communion and humanities of the Indian Ocean.

The fifth issue of the Catalogue Perpétuel documents the exhibitions, projects and concerts at the Consortium Museum from July 2021 to May 2022.

A collective exploration of sound, music and the socio-political dimensions of listening, from researchers and artists with perspectives from the global South.

The Dream Academy publication explores art education policy in Northern Norway, with the establishment of the Art Academy in Tromsø in 2007 as a pivot point.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

Stefano Arienti's photographic "autobiography" (artist's book).

This monograph explores the work and the artistic activities of Italian radical performer, poet, visual artist and feminist Tomaso Binga through a specific lexicon, and also features a selection of her poems.

First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

The images shot on Egyptian film sets by prominent photographer Fouad ElKoury over more than a decade capture the essence of Arab cinema.

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

Retrospective monograph.

Contested Landscapes is dedicated to different rural regions—their landscapes, their producers, and their work. The paths of the family of the artist Sandra Schäfer and those of the famous German photographer August Sander cross in the Westerwald, a rural area in Germany shaped by farming and mining.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

A double vinyl and a catalogue that constitute a proper extension of the exhibition with which the Capc in Bordeaux continues to question the forms that the museum can take, with the aim of creating a renewed awareness of what it means to breathe, both on an individual and collective level, at a time when the world is living in a climate of generalized asphyxia.

This double issue of the critical graphic design journal examines the origins of the automation and mechanization of translation and writing.

The Forgive Us Our Trespasses Reader explores radical and emancipatory significations and fabulations of trespassing, turning towards practices that transgress and reshape the boundaries of, among other dimensions, currency, governance, religion, spirituality, language, and artificial intelligence.

A philosopher's journey into the heart of New York artistic life.

Comprehensive documentation on 43 outstanding socially committed artistic projects over the past twenty years.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida's "Vocal Trio" represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today.

A collection of the artist's writings from 2019 to 2024.

The second release by Stefan Prins on Sub Rosa brings together four recent, large-scale compositions in which traditional instruments—from bass woodwind trio to electric guitar and symphonic orchestra—merge seamlessly with electronics, feedback, and field recordings.

Across objects, writing, sound and choreography, British artist Cally Spooner addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last five years.

Canadian experimental artist Mark Templeton revisits and revives his sound archives with Andrew Pekler.

Retrospective monograph.

76 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists, published by e-flux between April–May 2024, arranged into 11 thematic chapters—ranging from the live question of cultural censorship through to the role of diagrams and notation in contemporary artistic practice.

An edition like an archaeology of our more or less contemporary iconography of bread. A lacunary and subjective encyclopedia that reflects its presence in our lives and its political, social, economic, and aesthetic evolutions (artist's book).

The nine printed issues of the Urbane Künste Ruhr Magazine from 2019 to 2023 create an experimental publication in bound form that documents the institution's projects over the entire period.

Garrett Bradley, Maija Peeples-Bright, Tarik Kiswanson, Matthew Barney, Charles Atlas, Tracey Emin...

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

This volume brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010.

A complete documentation of a site-specific project conceived by Francesco Arena, allowing to get more into the heart of the artist's creative process.

Crys Cole's third solo release for the Black Truffle label, Making Conversation documents a different facet of her work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

Judith Eisler's first monograph, bringing together paintings made between 1997 and 2024, featuring an essay by Kirsty Bell, an introduction by Christopher Bollen, and an interview with Wade Guyton.

First monograph.

A new collection of writings by the composer and mathematician Spencer Gerhardt, considering among other topics the rich points of contact between minimalist musical aesthetics and intuitionistic mathematics.

Ingo Giezendanner's wild herbarium.

Anne Houel's first book is dedicated to the monumental sculpture Tobrouk, installed on Ouistreham's Riva-Bella beach for one year in 2023, then moved to the Musée d'Art, Histoire et Archéologie in Évreux.