The videos of one of the most important private collections of contemporary art (including Nam June Paik, Annika Larson, Shirin Neshat, Kader Attia, Yoshua Okon...).

Two films straddling the line between documentary and audio-visual meditations on landscape.

This publication is based on a series of surveys and photographs made in Berlin between 2001 and 2004 by artist Raphaël Grisey. A combination of images and texts, Wo versteckt sich Rosa L. is an exploration of the memory and the history of the city. This subjective guide of Berlin also features maps to locate the photographed sites.

A collection of new work made using paper.

Super 8 films of the Ecart group, founded by John Armleder, Patrick Lucchini, and Claude Rychner.

Lavishly illustrated, this monograph contains a collection of texts and interviews with the artist, many of which are unpublished.

A series of performances in public space (with Roman Singner, Steiner/Lenzlinger, Daniele Buetti and Knowbotic Research).

A series of photos between documentary and science fiction in the vertiginous universe of plastic surgery, with a DVD of images and electroacoustic music.

New monograph to capture the characteristic dark and uncanny atmosphere emanating from the German artist's oeuvre.

An unpublished interview with the American artist, a series of photographic boards and an essay by Kay Rosen: a presentation of her recent works as well as a general introduction to her oeuvre.

Small catalogue with graphic works from Australian artist / musician.

First monograph.

A cutting edge artist book.

Pocket monograph on German artist's recent works.

Monograph.

A series of night photographs.

First monograph on the Swiss artist, winner of the Prix Manor 2005.

A retrospective of Armleder's work in 600 drawings.

A dance-theater project initiated by the German artist Antje Majewski in collaboration with the author Ingo Niermann, in a record-size album, featuring the electronic music commissioned for the piece.

Artist's book (leporello).

A series of black and white drawings by Andro Wekua.

In Hurting Horses, the artist uses a distinct literary style from one chapter to another, from autobiography to historical essay, from satirical parody to the fantastic, from letter to fiction, from detailed report to visionary daydream. These masterly pieces of literature are haunted by the great American foundation myths and establish a series of crucial links from myth to history, from history to art, from art to nature.

Positions in contemporary African art.

This small monograph follows the set-up of Robert Barry's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

An overview of the Californian art scene from 1990 to the present.

This first monograph documents the performance, sound, and video works of the Canadian multidisciplinary artist.

Written in seven chapters and seven styles, this book constitutes the first novel by the Israeli artist and filmmaker Keren Cytter.

A selection of photos of the town where lives the artist Francis Alÿs.

Mark Lewis' location photographs.

John Armleder's book focuses on the origins of his playful use of multiple styles and devaluated decorative effects for a practice claiming to be anchored in the 20th century avant-gardes.

This artist's book presents a series of works by Joan Rabascall realized in small plastic TV screens, parodying the kitsch of TV series: a playful journey with the popular culture icons of the XXth century. Full colors photos are accompanied by a text by Masashi Ogura, evoking the determining place of the small screen in Japanese culture.

An assemblage of photographs taken from distinct series. The tensions and correspondences resulting from the editorial choices broaden the scope of images (artist's book).

An artist's book in the extension of an exhibition: a reflexion on global urbanisation.

This small monograph follows the set-up of Daniel Buren's artistic programs within the corporate spaces of a bank and the ways he conceived simultaneously his site-specificity and his break away from this framework.

This small monograph shows the realization of Liam Gillick's designs in conference rooms, corridors, and offices of a bank, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist's essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.

Otto Muehl was condemned to 7 years of prison in 1991. He exchanged letters with his family and friends, he painted.

Some 45 narratives by children presented in the form of a monologue. Edited from numerous interviews and conversations recorded on playgrounds in South Africa, Peter Friedl creates a hybrid genre that is both fictionalised speech and serious counter-voice.

The correspondance between Otto Muehl and Erika Stocker forms an intense journal of Viennese actionism, and more particularly of the artist's work.

This publication documents new works by artists such as Olafur Eliasson, Isa Genzken, Sarah Lucas, Aleksandra Mir, Mathilde Rosier, Eva Rothschild or Gary Webb, invited to develop projects on the theme of nuclear war.

John Armleder's 404 Team yellow pages.

A set of drawings and two series of photos by Anna Gaskell: a journey through the dreamlike and strange universe of the American artist.

German artist's "word-images" (early works).

Script of the movie by Liam Gillick, adaptation of Underground Man - Fragments of Future Histories, by Gabriel Tarde (1896).

An urban journey.

First monograph.

Exhibition catalogue.

Portraits of the workers on the tramway line in Strasbourg, with texts by Philippe Lacoue-Labarthe and Jean-Luc Nancy.

A series of nostalgic family photographs set in exteriors with protagonists shot from behind.

Monograph conceived by the artist, documenting a series of exhibitions and Leblon's video works.

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.