The possibility of concrete truth as a working hypothesis, for an art that not only represents and documents, but engages in specific political and social situations—and for an activism that searches for intelligent, creative means of self-empowerment.

A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces (interviews with John Baldessari, Larry Bell, Morgan Fisher, Paul McCarthy, Christophe Bourseiller, etc.).

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

Designed by M/M (Paris), this book-object documents, through photographs and a text by Frédéric Boyer, the drama entitled La Faculté (The Faculty), from a text created by Christophe Honoré, directed by Eric Vigner.

Comprehensive monograph based on the special commission made by Barcelona-based Portuguese artist Carlos Bunga for the Sonae/Serralves Project in 2012.

A perspective on contemporary video and multimedia creation through the various works produced by students and invited artists-professors for the 16th edition of the “Panorama“ program at Le Fresnoy, curated by Matthieu Orléan.

An epistemology of performance.

3rd issue of the sound arts and experimental music annual review, devoted to the question of sound space.

In about 600 selected letters, this correspondence documents the biography, activities, career and work of the art historian Leo Rosenthal (1870-1932).

New monograph.

Gustave Courbet, hunting, and its contemporary representations in Germany.

Reference monograph.

New monograph.

Maurizio Nannucci documents, in the form of an artist's book, a collective action with his family and friends around the world, from Athens to Sydney through Beijing, that literally puts the art in question to better assert its omnipresence while providing a wide range of social interaction.

This catalogue documents the theoretical and practical research stemming from a project inspired by the legendary exhibition “Art by Telephone” held at the Museum of Contemporary Art in Chicago in 1969, extending it today with contributions from new artists. The works were first orally conveyed by telephone to then be interpreted, activated, and produced by art students.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

Seven encounters between artists and young audiences in 2010/2011.

The fourth title in the “Archives” series, which is dedicated to landmark exhibitions and curatorial practices, and provides sources and moving images to the growing field of research of curatorial studies and exhibition history.

A linguistic/fictional journey into questions of authorship, language and institutional rhetorics.

The social dimensions of artist's books.

Art in the city.

David Jablonowski's recent and early works.

The everyday as an artistic act: a look back at the artistic and romantic relationship between Július Koller and Květa Fulierová through a series of personal belongings and documents (artist's book).

A photographic journey of rediscovery of the native country of the Swiss photographer of Burmese origin, in search of the familiar in the "exotic".

A subjective lexicon, proposing keywords for contemporary publishers and book freaks.

The first issue of the Intuitive Notebook's series of theoretical texts features an unpublished text by philosopher of mathematics David Rabouin on the relationships between mathematics, physicality, and intuition.

This issue features two photo novels produced during workshops with the academic Bastien Gallet.

A comprehensive documentation on the Austrian art collective's exhibition and elaborate site-specific performance at the 21er Haus in Vienna.

The most monumental auto-creative work ever made by Gustav Metzger (catalogue of the exhibition at MAC Lyon, with numerous archive documents, newly commissioned texts and a conversation with the artist).

This publication documents the architecture of the Kembs-Niffer lock in Alsace, conceived by Georges Heintz and Anne-Sophie Kehr. It also features the text of a performance from 2011 by Charles Pennequin.

The Animas Report series, including a supplement booklet.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1975—and a set of original documents (1963-1975), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1971—and a set of original documents (1954-1968), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

The ultimate original portfolios conceived by Vasarely himself—some high quality prints made in 1977—and a set of original documents (1954-2013), gathered in an exclusive and luxurious box whose design falls within the vein of the artist's work.

Scoli Acosta, Art and Technology, Artists and Workers, Artists from the Margins, Adriano Costa, Mati Diop, Gavin Kenyon, Josh Kline, Museum of Malware, Outsider Art, Vanessa Place, Laura Poitras, Radicalism and Abstract Art, Ariana Reines, Resistance to Symbols, Rachel Rose, Richard Sides, Lucien Smith, Storing Memories, Thinking Contemporary Exhibitions, Matt Wolf...

This 3.5 meters-wide artist's book documents and extends a multifaceted installation by artist Andreas Fogarasi—at once a panoramic view of Istanbul, a public platform, a dysfunctional look-out and a touristic attraction.

A perspective on contemporary video and multimedia creation.

This first volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s.

This second volume of complete John Baldessari's writings traces the genesis and development of the artist's understanding of art in the early 1960s through to the present.

Artists' book history.

The catalogue of a cycle of exhibitions that took place over the course of four years, from a reflection on the notion of the “mediation” of artworks (withDavid Lamelas, Benoit Maire, Dominique Petitgand, Giasco Bertoli, Robert Breer, Esther Ferrer, Felix Gonzalez-Torres, Ben Kinmont, Jirí Kovanda, Martha Rosler...).

Sound avant-garde in architecture: a journey through architecture, art and music in the twentieth century.

Comprehensive monograph.

New monograph.

“Animal Spirits: Fables in the Parlance of Our Times” is an artist's book by Michael Stevenson and Jan Verwoert which expands upon the themes of this earlier document and re-examines them more specifically in the light of our current times.

Disturbing public space.

The catalogue of the Prize for the Most Beautiful Books in Brussels and Wallonia, accompanied by a reference book on the Belgian typographer which name has been associated with the Prize.

First publication ever to be devoted entirely to Duchamp's Broyeuse de chocolat, this volume also documents the event organized by the Kunsthalle Marcel Duchamp on the occasion of the 100th anniversary of this iconic work.

Comprehensive monograph.

2nd issue of the experimental music annual review, around the question of experimentation in music.