This text is the script of a performance by Claude Closky, which took place in February 2022 at the Pernod Ricard Foundation. Invited by Jill Gasparina to an Interview on Art, Claude Closky twisted the exercise by writing a text-partition, based partially on interviews given by the artist since the 1990s.

Monograph entirely dedicated to the drawing production of the artist Alan Fertil, who died prematurely in 2015.

Autobiography by Micah Lexier is apparently just a blank pages book, but it is not. Each page is pierced, and at the back is printed the same colophon. That's because you can rip off every page of it and fix it everywhere. Micah Lexier identifies the holes as one of the main themes of his practice.

An extension of Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.

The connections between design, skateboarding and graffiti in the practice of the American industrial designer.

An overview of the work of the Chilean-born artist, through numerous reproductions, a conversation between Enrique Ramírez and Marta Gili and two essays by Louise Déry and Nelly Richard.

A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.

The everyday life of Stefan Marx in Berlin, in a new 300-page volume of drawings.

A survey of Louise Nevelson's research on collage.

The portfolio of the exhibition at the Jeu de Paume, the first major retrospective in France on the filmmaker and biologist specializing in underwater fauna Jean Painlevé (1902-1989), considered one of the founding fathers of scientific cinema and a source of inspiration for the avant-gardes and the surrealist movement.

A collection of writings by Alina Popa and Florin Flueras written over a seven-year period (new expanded edition).

Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

How urban spaces are finding new life through communities of gardeners, cooks, ceramicists, and creatives.

The manufacture of contemporary art objects.

Summer 2022 issue: Biennals return: Venice, Whitney, Sydney; David Cronenberg; Lydia Ourahmane; Sonia Delaunay...

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

The Art & Crime issue (with Asco, Darja Bajagic, James Bridle, Tea Hacic-Vlahovic, Sam Kriss, Stéphane Mandelbaum, Arlette-Louise Ndakoze, Cady Noland, Brad Phillips, Tommaso Pincio & Francesco Tenaglia, Tobias Timm...).

Contemporary poetry in Arabic: Sara Elkamel; Marc Ribot; Bill Nace interviewed by Michel Henritzi; David Grubbs by Laurent Nerzic; Werner Durand interviewed by Deborah Walker; Paulina Owczarek interviewed by Gérard Rouy ; focus Insub.Records; 80 album reviews...

How our experience of presence, time, and history are articulated in contemporary artistic practices.

Very cheap non-human animal imitations amicably mimics the wonderful presentations of songs from birds and other protagonists of the animal world, made available by the ornithologist and publisher Jean-Claude Roché in the 1980s.

The multiple faces of popular dances in contemporary choreographic creation.

The photographic archives of Roberto Polillo who abundantly documented the concerts of the greatest American jazz musicians in Italy in the years 1960-1970.

A project of digital images-sculptures by graphic designer and scenographer Grégoire Romanet: the achievement of a work of research, collection and transformation of a visual matter resulting from the commercial web, led during two years.

A journey through the sculptural work of the Franco-German artist through a series of installations in the public space.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

Urban Kitsch, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalisation of the Indian economy.

The second issue of the annual review of the École des arts décoratifs de Paris, devoted to the question of the vulgar, explores through creations, portfolios, interviews, fictions and theoretical texts the polysemy of this word which embodies all the tensions of our time.

The fifth issue of the transversal journal, at the crossroads of art and thought, political philosophy, gender studies and academic knowledge, is devoted to the theme of water and fluids.

A journey through the years 1960-1980, following Pierre Tilman's friendships with the artists, poets, jazz musicians and creators who marked the artistic and literary landscape of the time.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

Vegetal life at the forefront of philosophical thought.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if this word came from the origins.

First monograph.

The third album of the band formed by four autistic singer-singers, an educator-guitarist more passionate about art brut than educational techniques, and three musicians from the band Moriarty.

Special issue: a retrospective of L'Humidité, the most important art and experimental poetry magazine of the 1970s, created and directed by Jean-François Bory from 1970 to 1978.

CURA. 38 "The Generational Issue" is the magazine's first survey about artists' portraits that aims to investigate some of the most meaningful protagonists of the new generation who, stressing the urgencies of current times, are shaping the landscape of the present and the future in contemporary art.

New perspectives on the process of translation from the works of more than thirty international artists.

The first in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

An essay on the Italian period (1962-1976) of the American artist, never studied before although it has deeply influenced the imagination and the work of Paul Thek.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

The film by Charles de Meaux, with Fan Bingbing, Melvil Poupaud, Jin Shi-Jye, Wu Yue, Thibault de Montalembert, Féodor Atkin, in book (texts by Philippe Azoury, Anne Dary, Donatien Grau, Élisabeth Lebovici, Brice Pedroletti, Thomas Schlesser), on Blu-Ray and DVD.

First monograph.

An in-depth ex-post reflection on Documenta 14 by one of its curators, Pierre Bal Blanc, with the contribution of Adam Szymczyk.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

An experimental noise project that synchronises sound with image and takes the form of a durational solo performance as installation (the publication accompanying Marco Fusinato's immersive project for the Australia Pavilion at the 59th International Art Exhibition of La Biennale di Venezia, with texts by Branden W. Joseph, Elizabeth Povinelli, Chus Martínez, Thurston Moore, Stephen O'Malley, Bruce Russell, etc.).

The fourth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the Fortune Teller.

New monograph.