The remastered anniversary reissue of the guitarist's first solo album, released in 1974, accompanied by a new album made by Fred Frith in similar conditions, celebrating the fifty years that separate them.

Artist and curator discuss the role and value of art in the 21st century, and the potential for artistic creation to contribute to the development of new knowledge.

Fan book parody, People Painting is an artist's book made up of a collection of found images of famous personalities (from the 1920s to 2020) painting or posing in their studios.

A conceptual punk re-enactment by The Curators.

Two essays by psychoanalysts Angelo Antonio Moroni and Pietro Roberto Goisis on Rachel Whiteread's singular project and experience in Bergamo, Italia.

A selection of paintings by Cosima zu Knyphausen over a period of five years, accompanied by an essay by Rahel Schrohe, and a poem of the artist.

Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file.

An archive of sounds for interspecies communication, stemming from Renato Leotta's research on Posidonia Oceanica, an underwater plant endemic to the Mediterranean Sea.

New electromagnetic recordings by Christina Kubisch: a suite of pieces focusing on the electromagnetic sound qualities of trams, buses and related infrastructure.

An essay on the new challenges facing exhibition curators.

An immersive book experience: with numerous special printing features, this luxurious accordion-fold volume documents and embodies Aitken's exploration of mirrored surfaces in architecture.

Curator, art historian, writer Chus Martínez and writer and curator Filipa Ramos bring together a group of artists who have been using clay, pottery and ceramics to imagine, project and shape the world they live in.

The "suspensive" artist Chloé Moglia invites authors and researchers to write with her, what the gesture of standing above the void generates as perceptions and thoughts. In this first issue of Les Feuilles (The Leaves), through verticality, dizziness and risk, it is a question of strength and consideration.

After Laughter Comes Tears, in its exhibition and book forms, brings together artists from different generations who are experimenting with the idea of the performative.

Gilles Aillaud, Andy Robert, Marisol, Ellen Gallagher, Giovanni Anselmo, Marjorie Welish...

Anna Oppermann, Benoît Piéron, Maria Toumazou, Coumba Samba, Kiyan Williams, Ali Eyal, Samuel R. Delany, Maryanne Amacher, Roe Ethridge, Aleksandra Kasuba...

The transdisciplinary journal continues its return around the theme of the chanson.

FasFari is composed of short vocal emissions that deal with a form of speech before the act of saying, sound particles that invoke meaning without ever fully unfolding it, and barely suggest a body and a biographical identity.

The facsimile and English-language reprint of the volume published in 1721 by Austrian architect and historian Johann Bernhard Fischer von Erlach, a historical and theoretical work covering all architectural periods and styles, from Stonehenge to Chinese imperial arches, which had a considerable influence throughout Europe.

Gelenkstellen – Loose Joints opens a space for mental and physical movement by translating the motif of loose joints, which is central to Hella Gerlach's sculptural practice, into the format of a book.

Dreaming Alcestis is an artist's book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name.

Two works recorded 14 years apart, registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages.

A record of a symposium on the legacy of the late Luxembourgish artist Michel Majerus (1967-2002).

The musician and visual artist's new album, somewhere between folk and experimental music.

She Mad gathers materials and documentation on Martine Syms' seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as research materials.

The publication Alexander Tovborg: The Church. Photographed by Mishael Fapohunda, edited and designed by Åbäke, follows the artist's eponymous exhibition at Kunsthal Charlottenborg, Copenhagen (2023), in which Tovborg investigated the mysteries and paradoxes of faith, as well as the power of images.

Sculpture is the first monograph dedicated to the work of New York-based British artist Jesse Wine, bringing together a substantial body of work produced between 2016 and 2023.

A kino-political theory of the 21st century.

Issue 37 of Palais de Tokyo magazine addresses the relationships between mental health, contemporary creation, and art and culture venues, in particular through the prism of institutional psychotherapy, a set of practices aimed at disalienating institutions—initially psychiatric ones.

The partitions, to be activated by the reader, by Aziyadé Baudouin-Talec, Mickaël Berdugo, Jocelyn Cottencin & Olivia Grandville, Matali Crasset, Zoée Dahan, Ines Dobelle, Garance Dor, Frédéric Dumond, Diane Giorgis, Vincent Menu, Alain Michard, Aurélie Noury, Nicolas Richard.

This volume presents a little-known facet of Japanese culture: the know-how of traditional wooden architecture.

The challenges of participatory artistic research.

A collectible publication on Magali Reus' thinking of objecthood (an immersive and highly refined artist's book—three assembled volumes, different types of paper, transparency play on layers—based on three new series by the Dutch artist).

A collective manifesto for feminist art schools.

This double issue aims to provide an "out of placeness" by looking beyond Western-centricity to a transnational, pluralist horizon, exploring the new imaginaries created by artists and thinkers from the "Global South", from Brazil to the Democratic Republic of Congo.

A series of watercolor studies of vases by the Swedish artist, printed in risography.

A veritable panorama of Art Brut at an international level, through 180 works selected from Bruno Decharme's collection.

Le meilleur système is a hybrid and meta text. At once a poetic collection and a critical reader, nourished by references to genre literature, it explores the narrator's dissociative affects and her experience of racial passing.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing.

From the negative hands on the walls of the Chauvet caves (minus 30,000 years ago) to the most recent experiments of a number of contemporary artists, an entire history of art can be written under the prism of breathing. Between these two milestones, this study attempts to highlight the innovative force of breath and the importance accorded to breathing as a creative gesture and artwork on its own.

Cinema as a method of investigating the visible and a journey into the theoretical thinking of images.

An in-depth historical study of the artistic and political project of the Situationist International (1952-1972).

An artistic reflection on the political and social structures that shape the emotional state of loneliness and its perception in contemporary society.

Reading acts as a visual treasure trove, compiling an assortment of panels that capture the very essence of Disney's letter-centric storytelling.

A new series of works by the Senegalese painter, in dialogue with the Musée des Beaux-Arts de Rouen's Impressionist masters.

An artist's book by Jérémie Gindre with backgrounds taken from The Observer's Book of Weather by Reginald M. Lester (1955): a picture book of meteorological oracles, a wink as much to cinema and comics as to the natural history museum.

Artist's book: a "cinematographic" display of previously unpublished visuals by Olivier Sévère, reflecting the phenomenon of mirage, the appearance and disappearance of images, and the presence and absence of water. A text by anthropologist Sophie Brones accompanies the narrative of these Tunisian desert landscapes.

Ukrainian American visual artist Yelena Yemchuk's sixth photobook: a series dedicated the Malanka Ukrainian folk holiday celebrated on Old Year's Day.

A complete documentation on a multimedia exhibition by Berlin-based artist Ixmucané Aguila, giving voice to voiceless descendants of victims of genocide in Namibia.

Beni Bischof's 2024 calendar.