Between an artist's book and a art publication, Greyzones is an attempt to grasp the scope and width of the work of artist duo Inge Nabuurs and Erwin van Doorn.

A selection of the artist's drawings and paintings from 2019 to 2023, accompanied by a text by Jennifer Higgie and an interview with Éric Troncy.

The first monograph of Puerto Rican born artist Lee Quiñones presenting his monumental work and following his evolution over five decades.

The second installment in the Dongola Architecture Series, dedicated to the great voices of contemporary architecture in the Arab culture, delves into the life and work of the distinguished Syrian architect and architecture historian Nasser Rabbat.

The first monograph by New York-based Chilean photographer Sebastian Sabal-Bruce.

This second project released on Sub Rosa by the Japanese artist Kaoru Tashiro, manages to create a subtle dialogue between four composers, and four musical pieces, mixing a delicate blend of Japanese and European sensibilities. Those different approaches convergence thanks to the highly recognisable sensibility of Kaoru Tashiro's way to play.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The second volume si devoted to musician mediums.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The second volume si devoted to musician mediums.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The first volume is an exploration of spiritualism and haunted houses. It features records of spiritual séances and medium trances, haunting spirits and haunted places, audios of Sir Arthur Conan Doyle, Harry Houdini...

Pope.L, Phill Niblock, Cauleen Smith, Thomas Hirschhorn, Paul Pfeiffer, Hurvin Anderson, Bruce LaBruce's Top Ten...

A collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities.

The third issue of the magazine Bagarres, made of constraints and rules of the game.

Anniversary issue: 30 artists celebrate 30 years of Neural + 20 of Crónica; interviews with Olga Goriunova, Siegfried Zielinski, Luciana Parisi, Hito Steyerl, Jussi Parikka; The Neural Archive; reports: xcoax 23, Renaissance 3.0 ZKM; books/DVDs & music reviews...

A considered examination of ability in our pseudo-post-pandemic era, Interdependencies: Perspectives on Care and Resilience approaches the intersection of artistic practice, accessibility, and activism with heightened cultural nuance and urgent self-examination, focusing on the mutual dependencies that exist between people, societies, and institutions.

An exploration of the multifaceted nature of time through the artworks of seven artists, encompassing different artistic approaches and investigations, ranging from the transformation of objects and their meanings over time and history, to the current role of artificial intelligence in the creation of images and its relationship with the visual arts, as well as the geopolitical tensions of the present day.

Artists in exile; Algiers, capital of politicized soccer; on the human trafficking route in Sierra Leone; the theft of Russian novels from European libraries; interviews with post-punk band Fat White Family and director Sean Price Williams; ecofeminist philosopher Émilie Hache on possible "matriarchies"; Kim Noble; Taysir Batniji; Wonwoo Kim...

The glass as a listening device.

An analysis of contemporary artistic practices among artists from Estonia, Latvia, and Lithuania in the context of evolving global networks and art production.

Gérard Berréby looks back at the first publishing experience of the man who was to become the director of Allia publishing house: the decision, in the early 1980s, to produce a pirate edition of Aragon's book—at the time opposed to any reprinting—, an unprecedented gesture that provoked numerous reactions in the literary world, and raised a number of questions linked to appropriation and self-publishing.

A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.

A record of outsider music (sound objects and voices) made by patients at Le Havre psychiatric hospital, accompanied by Aude Romary on cello and Nosfell.

A zine and exercise book about the applied art of questioning, by the writer Cordula Daus and the choreographer Charlotta Ruth.

A selection of the artist's work from 2020 to 2023, accompanied by a text by Glenn Adamson.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavor referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

A book about active mythic thinking and scientific storytelling, about fright, trauma, and potentials for transformation.

Works on paper by the Belgian artist.

The story of the Galerie Janine Rubeiz, a major venue on Beirut's cultural and artistic scene.

Eight Seconds: Black Rodeo Culture, the first book by Ivan McClellan, offers an inside look at Black cowboy culture across the United States in the 21st century, creating a bridge between present and past through sports, community, and love of the land.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

A hybrid between travel chronicle and studio process notebook, this artist book tracks the construction of a failed modernist fantasy in the island of La Palma and the hallucinogenic properties of wild plants that grow across the Canary Islands.

Photographer and filmmaker Manuel Wetscher brings together in an artist's book a unique archive of photographs by his father Richard Jenewein, discovered years after he died of AIDS. A universal family album documenting childhood, which questions the evocative power of an altered narrative and deals with the effects of a taboo and the poetic force of images.

Script is the second book of artist J.J. Zana and a continuation of the series started with Cycles. Composed of fragments, it gathers eleven sections—with a central part telling about his experiments with drugs.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).

Charles Fourier or utopia as reality.

A series of exchanges relating to questions of gender, sexual difference and sexualities, enabling not only a rereading of Jean-Luc Nancy's corpus and its developments through the prism of what Nancy has called sexistence, but also the reinscription of the elaboration of this concept in a web of biographical elements and, hence, an exploration of the philosopher's actual sexistence.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

The twelfth album by DAAU is the soundtrack to a series of short, abstract animation films by Rudy Trouvé, who also acted as a creative director during the recording process.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

Antoine de Galbert offers a glimpse into his collection, freed from the traditional norms of art history: an immersion into his artistic universe, through a selection of over two hundred works presented without hierarchy or classification.

With the theme "Building," this issue is interested in the future of architecture as a practice of creating housing for the living within urban agglomerations. It questions the ways architecture, as the creation of living spaces, always requires collaboration with several participants including, hopefully, the users.

A genuine investigation, in the opposite direction to the narrative imposed by art historians, of artistic, cultural and political developments in the Western world after the Second World War, between Paris and New York.

First monograph.

The first book to draw a comprehensive cartography of the relationship between visual arts and digital culture since the early 2000s, tracing the history of memes "from Duchamp to TikTok."

This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).

The publication is the first institutional monograph on the multimedia practice of artist and director Ali Cherri. It aims to highlight the constellation of ideas, themes, and formal concerns running through his most recent, highly significant projects.

Massa Confusa is a combinatorial codex cataloguing João Maria Gusmão's recent material transformations in the studio, featuring an accompanying text by the artist and faithful reproductions.

Two previously unpublished interviews with Jim Dine, about his performances in New York City in the early 1960s, an important period in his career that the artist has so far rarely discussed.