Following the social unrest and immolation acts in Southern Algeria in 2011, writer and journalist Mustapha Benfodil wrote this fictional monologue of a village's mortuary employee to reflect on the wounds of the Algerian society.

Artists' book history.

Issue dedicated to John Baldessari.

A singular digital catalogue, designed in close collaboration with the artist, that allows to understand how Roe Ethridge thinks, edits and organizes his images.

A tribute to Gianni Piacentino's art and to his sense of independence with works spanning 1966 to the present.

Fully illustrated retrospective monograph based on Kimsooja's project presented at the Korean Pavilion of the 55th Venice Biennale in 2013, with numerous newly commissioned and re-published texts.

Limited edition of Kimsooja's monograph, accompanied by a Korean Bottari and a screenprinted bag.

Facsimile reprint of the long-unavailable and much sought-after 1974 artist's book by Robert Overby (1935-1993), one of the most fascinating figures of the 1970s Californian art scene.

The catalogue of a cycle of exhibitions that took place over the course of four years, from a reflection on the notion of the “mediation” of artworks (withDavid Lamelas, Benoit Maire, Dominique Petitgand, Giasco Bertoli, Robert Breer, Esther Ferrer, Felix Gonzalez-Torres, Ben Kinmont, Jirí Kovanda, Martha Rosler...).

First retrospective monograph on a legend of West Coast conceptual art.

Reference monograph.

Reference monograph: an overview of Paulina Olowska's work, with an interview with Adam Szymczyk and an essay by Jan Verwoert.

New monograph / artist's book with which Latifa Echakhch proposes an immersion into her visual world, around a series of exhibition views and personal notes and comments.

A conversation between two artists, conducted in the form of spontaneous reflections on the images with which they confront each other.

Reference monograph (available in English edition).

Contemporary art and the “colonial present.”

First monograph dedicated to the dense, abundant and exuberant work of French painter and sculptor Raymond Reynaud (1920-2007), a figure of art brut.

New monograph, dedicated to Jay DeFeo's late work: paintings of the 1980s as well as the exceptional corpus of drawings of the 1980s and her photographic oeuvre of the 1970s.

Neomaterialism explores the meaning of the world of commodities, and reintroduces various notions of dialectical materialism into the conversation on the subjectivity and vitalism of things.

Ulf Linde summarizes his decades of investigation into the geometry of Duchamp's works.

First monographic publication on American artist Mark Barrow.

Artist' book (Andro Wekua's recent works).

Artist's book by graphic designer Frédéric Teschner (leporello).

A vast photographic archive conceived as an extension of Petra Feriancová's project for the Czech and Slovak Republic Pavilion at the 55th Venice Biennale.

The third publication in the On the Table series, that explore the encounter between food and art, is dedicated to pies, pâtés, and pastries...

A series of portraitures of arbitrarily selected people drawn with a single stroke of a ballpoint pen.

Catalogue of the exhibition inspired by G. K. Chesterton's The Man Who Was Thursday (works by Robert Crumb, Jeremy Deller, James Ensor, Gilbert & George, Rodney Graham, Mike Kelley, Joachim Koester, Bruce Nauman, Tony Oursler, Félix Vallotton, Lawrence Weiner...).

The first in-depth study of the reception of “French Theory” by American artists since the early 1960's.

Summer issue, highlighting Andra Ursuta, Shanzhai Biennial, Sergei Tcherepnin, Yngve Holen and Petrit Halilaj; investigating an updated notion of materiality; exploring the curatorial practice of Massimiliano Gioni; featuring regulars, tips, and three special inserts.

Guy Reid's singular lime wood sculptures.

Artist's book.

The experimental scene in Cairo, radio studios in Warsaw, PaaLabRes, a history of musical destructions by Matthieu Saladin (part 2), Sandra Remski's writings during live shows, the retro-krautrock-mania...

Contemporary forms of humanism and universalism as they circulate and are produced in art and photography.

An exhibition of textiles by women artists and designers who explore the social ramifications of couture and industrial/manual fabric production.

The catalogue of the Italian Pavilion at the 55th Venice Biennale (works by Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa).

Sound avant-garde in architecture: a journey through architecture, art and music in the twentieth century.

A fragmented & paranoïac narrative starring psychic murders and Disney's character Pete.

New monograph.

Art as the result of a thinking process (a vast survey of recent debates around art schools and their methods).

Avant-garde in Italy between 1968 and 1976.

First monograph.

A transversal survey of various forms and practices of contemporary poetry (experimental, performative, digital, sound poetry, etc.), on the occasion of the magazine's 35th year anniversary.

First monograph, with three essays and an interview.

Ericka Beckman's Super-8 Piaget trilogy: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980).

Reference monograph (available in English edition).

Reference monograph.

Konrad Smoleński, an active participant in both the independent music scene and the visual art scene, combines punk rock aesthetics with the precision and elegance typical for minimalism. This book reflects on the artist's practice in the context of his most challenging and conceptually complete effort to date.

Herminie Hanin (a figure of art brut, “fou littéraire” with a tendency to paranoia, inventor of the plane trap) inaugurates the series “Les Hétéroclites” (“Heterogeneous”), created by Marc Décimo to explore the relations between literature, art, insanity and creation.

Artist's book.