Anti-catalogue in form of a newspaper in which the artist analyses and documents preliminary works and art pieces exhibited at Air de Paris gallery in 2014.
Kempens is the name of the artist's home region. It is also the title of a local newspaper for which Jef Geys used to work. He now uses the name of this newspaper for his own periodical, which he sees as an educational and artistic outlet for his own critics and researches. This edition of Kempens notably covers Cow passports and !Women's questions!, two series displayed at the gallery Air de Paris in 2014.
Published following the exhibitions of the artist at Air de Paris, from January to March 2014, and Cneai, Chatou, from February 8, to June 22, 2014.
See also
Jef Geys – Kempens Informatieboek.
Jef Geys (1934-2018) was a prominent Belgian conceptual artist known for his multifaceted and often provocative work that intersected art with everyday life. Born in Leopoldsburg, Belgium, Geys was a teacher by profession, a role that deeply influenced his artistic practice. His work is characterized by its exploration of social, political, and cultural themes, often challenging the boundaries between art and daily experience.
Geys gained recognition for his innovative approach to art, which included photography, installation, sculpture, and publications. One of his notable projects was the "Kempens Informatieblad," a self-published newspaper that combined local news with critical commentary on contemporary art and society. This project exemplified his commitment to making art accessible and relevant to the broader public.
Throughout his career, Geys exhibited internationally, including notable appearances at Documenta in Kassel and the Venice Biennale. His work remains influential, celebrated for its critical engagement with the world and its capacity to blur the lines between art, education, and activism.
