John Rajchman,
How to Do the History of French Theory in the Visual
Arts: A New York Story / François Cusset,
From Time to
Space: When Critical Theory Turns Global / Paul Sztulman,
Meeting
Jean-François Chevrier / Stefan Germer,
54, boulevard
Raspail / Visual Insert: Ingrid Luche / Nicolas Ceccaldi,
“Biarritz
by Georges Ancely—Photographs 1880-1895” / Tom McDonough,
“Ecstatic Alphabets/Heaps of Language” /
Clara Schulmann,
“Because Thought is Dark!” / André
Rottmann,
Peripheral Passages. On John Knight's Curb Appeal /
Clément Auriel,
Matisse Rebooted / Limited Edition:
Wade
Guyton.
Launched in 2009 in Paris, May revue examines, once or twice a year, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.
It features essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts.
