Women (female artists)

Publication based on the eponymous futuristic / dystopian project of the Italian artist and film-maker.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

Monographic catalogue based on the project specifically created by Stéphanie Brossard for her native island of La Réunion: a deconstruction of common narratives and a creolisation of forms and thoughts, in a poetic gesture made up of skilful appropriations and wild reimaginings.

By means of photographs, videos, installations and sound pieces, Esther Hoareau depicts phantasmagorical landscapes which nevertheless share certain appearances and appeal to a truly collective imagination (monograph).

Snapshots of a photographer's inner life.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us.

Koma Kapital speaks of the violence of our society and the world of work on our individualities, and their ability to either shape us, or destroy us. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by the author (drawing on paper).

A complete study of Sylvie Fleury's installation, a tribute to Claes Oldenburg.

An exploration of the synesthetic phenomenon, where language and perception interweave in poetical ways.

Four artist's posters.

The work of Ceija Stojka (1933-2013) is considered today an invaluable testimony on the deportation and the holocaust of the Romani people during the Second World War. For the very first time, this publication considers equal to her graphic work the notes she wrote on the back of her drawings and paintings.

Feathers presents a collection of notes written by the Swiss artist during the conception of an aborted documentary in 2005. Taking the shape of a diary, it offers a unique gateway into Manon's daily life, interweaving memories and reflections on her artistic practice.

Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.

A selection of recently exhibited works of the Californian artist.

This major monographic publication is the first in-depth study of the oeuvre of Swedish artist Ann Böttcher.

A retrospective of Anne Van der Linden's paintings and drawings from 2015 to 2020.

New monograph / catalogue.

This monograph showcases Elisabeth Wild's kaleidoscopic and vibrantly colored collages titled Fantasías.

A kaleidoscopic peek into the traditional circus of Riga.

The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize.

An in-depth introduction to the artistic practice of Lea Porsager.

An overview of the Israeli artist's photographic production.

A look back at social and intimate history of the automotive industry in the 1960s and 1970s, between the USSR and Italy.

A project developed by American artist Marianne Vitale around the history of an American hospital built in France during the First World War (with an essay by Rachel Valinsky).

The first edition of the Rabat Contemporary Art Biennial— the first all-female Biennial of Contemporary Art—, held in the Moroccan capital and devised by Abdelkader Damani, director of the Frac Centre-Val de Loire, from September to December 2019.

First monograph.

A publication project about listening and sound relations.

A series of photographic performances by Fabienne Létang, confined to her studio, with texts by Liliane Giraudon, Amandine André and A.C. Hello.

From Pantin to Paris-North Station, via "somewhere in Latin America": an implosive writing for a mapping of violence. Both a poetic document and a choreographer's notebook.

An essay on the love relationship between Sade and Renée Pélagie, his wife, followed by an anthology of letters from Sade to Renée Pélagie.

An essay on the love relationship between Sade and Renée Pélagie, his wife, followed by an anthology of letters from Sade to Renée Pélagie. The limited edition, numbered from 1 to 20 and signed, contains an original artwork by Liliane Giraudon (drawing on tracing paper).

An conversation around the question of time and the links between the short and long term, the present, the past and the possible futures in the artistic practice of Marie Velardi.

A concise and poetic meditation on materiality and consciousness by Turkish artist and writer Deniz Gül.

Voce a vento (a vinyl LP + an artist's book) represents the result of a choral, visual and performative intervention realized by Claudia Losi in the Cilento countryside in Southern Italy in 2018.

The first ever portrait album of Ash Fure's music, performed by the International Contemporary Ensemble, Interlochen Arts Academy Orchestra, Rebekah Heller, Brandon Lopez, and Nate Wooley. Released as a limited edition hardcover book with a digital download code included, featuring documentation from Ash Fure's immersive performances, commentary by the composer, an interview with Nate Wooley (Sound American editor), and contributions from Zachary Woolfe (New York Times), Steve Smith (New Yorker), and others.

Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” (1977) as the raw material for R&B songwriting.

The soundtrack of Lili Reynaud-Dewar's film shot in Marfa (a horror movie about gentrification, the privatization and commodification of art, land, ideas, freedom, and depicting a group of 8 young artists struggling to find meaning in their engagement in the field of visual arts), composed and performed by Nicolas Murer.

The album from Marina Rosenfeld's complex audiovisual installation around the microphone, amplification, notation and listening.

C.C. Hennix realizes Karlheinz Stockhausen's famous “intuitive music” masterwork from the late Sixties.

A series of still lifes and interior scenes by the Swiss artist.

The third solo album by Paris-based Japanese experimental musician and sound artist Tomoko Sauvage, recorded in a former water tank in Berlin, a building with a special architecture and acoustics.

Conceived as a children's book, Stories of Little and Big Blossoms is a collection of illustrated short stories about Elham, a little Iranian girl exiled in Germany, and her difficulties to fit in this new environment. A poetic work on exile, friendship, courage and open-mindedness, inspired by the childhood of author and illustrator, Shirin Azari.

A photographic journey in contemporary Turkey, looking for traces of the protean presence of Mustafa Kemal Atatürk, the founder of the Republic, in more than 600 pages.

Female identity through the images of five Italian women photographers, 1965-1985: a reflection on identity and its representation in recent history.

Set alongside guest contributions, this catalogue offers, from the works of the two Dutch artists Nicky Assmann and Jan Robert Leegte, a fresh take on the fundamental concept of nature, in an age when science and technology are capable of replicating its phenomena.

Thulani Davis' collection of poetry about music.

A phenomenology of voice and hearing.