Textile

Artist designer Canedicoda built a a temporary tailor's atelier, where clothes were build directly onto the visitors' bodies. Conceived halfway between a journal and an inventory, this publication documents each phase of the project, collects pictures of the 100 actual garments, as well as participants' feedbacks.

Crossing perspectives on the results of an educational project around textile design and architecture.

This catalogue / artist's book inaugurates a new series dedicated to the site-specific installations exhibited in the nave of the CAPC. The eponymous project by artist Leonor Antunes is a sculptural ensemble influenced by textile and architectural works, thus recalling the commercial past of the nave as well as the cultural legacy of modernism. The publication features an interview with the artist and a text by textile artist Anni Albers.

Celebrating the 100th title in the “L'art en écrit” series, this leporello by Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst.

This catalogue discusses the symbolic of the red thread in the work of the Chilean artist and poet. The publication includes a special documentation on quipus—large-scale immersive installations of thread, wool, and yarn—poetic texts and narratives by Vicuña, and two essays that shed light on a ritualistic symbolism relating to the function of textile, language, and menstrual blood.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

This monographic publication delivers an in-depth exploration of Liz Magor's sculpture and installations produced over the course of 40 years.

This publication, conceived as an extension of the eponymous exhibition and its design, gathers scientific contributions from leading researchers and art and dance historians alongside in situ installation views, paying tribute to Léon Bakst, the greatest set designer of the modern era (new edition).

An intervened facsimile of a anthropological catalogue listing the items belonging to three collections of Mexican fabrics and weaving patterns constituted during the mid-seventies.

Arrivederci recalls the artist's personal journey in Sardinia to explore textile craftsmanship. Favini narrates the stories of each piece of fabric he gathered and used for his new body of work—from its origin to the exhibition display. The publication is enriched with photographic documentation and texts by curators and stylist Antonio Marras.

This richly illustrated monograph documents a series of sculptural works engaging with the histories of 20th-century architecture, design and art—particularly the heritage of the Black Mountain College and the international Modern Movement.

6th issue of the art and research magazine is dedicated to Nathalie du Pasquier.

A DVD-book which documents Korean artist Kimsooja's transfigurational installation at the Centre Pompidou-Metz, as part of the France-Korea year.

New monograph, with thirty emblematic paintings, a text by the artist, and an essay by Francesco Manacorda.

Investigating the complex and ever-changing story of Italian fashion from 1945 to 1968 through a contemporary lens, this catalogue offers a symphonic account of the many creative components that continue to interact and shape the success and enormous appeal of the “Made in Italy” brand.

Inspired by Persian tapestry, Kour Pour's paintings are highlighting the artist's interest in the cyclic life of images, shifted back-and-forth between the online realm and the material world. This first monograph includes images of all the paintings on display, some installation views and a photographic documentation of the art work's making process, along with an essay by the curator Nicola Ricciardi.

Catalogue.

First monograph.

CvB Singles Uptown Remix presents a survey of work created since 2000—rags, mushrooms, a “soft” fence, an enormous octopus and other curious objects from Cosima's diverse oeuvre.

First monograph.

An exhibition of textiles by women artists and designers who explore the social ramifications of couture and industrial/manual fabric production.

First monographic publication on American artist Mark Barrow.

Fully illustrated retrospective monograph based on Kimsooja's project presented at the Korean Pavilion of the 55th Venice Biennale in 2013, with numerous newly commissioned and re-published texts.

Limited edition of Kimsooja's monograph, accompanied by a Korean Bottari and a screenprinted bag.

This catalog accompanies the eponymous exhibition at TBA21 in Vienna which consists of a complex installation of videos, photographs, and archival material, composing a subtle and sensuous portrait of the Israeli choreographer, dancer, researcher, and textile artist Noa Eshkol.

Various documentary approaches of Kimsooja's work (8 films).

Aurélie William-Levaux's colorful embroidery immerse us in a world of poetry and tender eroticism. A dreamlike work that covers a soft feeling of lightness with an emphatic feminist aspect.

Mapping Boetti's work.

A set of new embroideries with a selection of older works by German artist, gathered for a specific installation: a reflection on the living space and the architectural environment.

Monograph conceived in close collaboration with the artist, with three essays.

First monograph of the French textile artist.

The second issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to weaving.

Autobiography by Nathalie Du Pasquier is a collection of materials that often return during her art practice, "materials constantly reused in different ways."

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

Artist's book.

A reflection on the genealogy of objects (artist's book).

This monograph provides an exhaustive look at the practice of Yann Gerstberger, a French artist exiled in Mexico, whose work is deeply rooted in Mexican popular culture and pre-Columbian mythologies. The publication gathers series of works (sketches, photocopies, neon paper drawings and collages, tapestries), two essays, and poems by Gabriela Jauregui. The edition features an annex booklet devoted to exhibition views.

This publication presents a comic strip made by a 20-year old Nathalie Du Pasquier in remembrance of a six months journey in Gabon. Inspired by a clipping from a Gabonese daily, the cartoon tells the colorful story of a clumsy Don Giovanni. This edition features an introductory text by the artist, the translated strip, and a facsimile of the comic book in original French version.

Comprehensive monograph in the style of a catalogue raisonné, giving unique insight into the multidisciplinary practice of Reto Pulfer for the past fifteen years (with texts by Anselm Franke and Benoît Maire).

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

Halfway between the catalogue and the artist's book, From Some Paintings gathers a selection of still life paintings made between 2000 and 2010. Translated into black and white images, these works represents small everyday objects, alternating full size reproductions and details.

This two-volume publication consists of an artist's book by Nathalie Du Pasquier with drawings, photographs, and reproductions of her paintings and a publication with photographic portraits of her works from the past decades by Delfino Sisto Legnani.

Catalogue of Orozco's eponymous in-situ work at Château de Chaumont-sur-Loire: inspired by the princely apartments's old tapestries, the installation looks back at the castle's history and draws on a reflection on memory.

Part monograph, part artist's book, a publication accompanying Ulla von Brandenburg's eponymous video work—a “danced film” dedicated to color.

A series of seven silk-screen prints depicting close-up images of Antunes's sculptures inspired by the works of Anni Albers and Lina Bo Bardi (artist's edition).

Devoted to the graphic practice of the artist, Giorgio Griffa – Works on Paper points up the singularity and importance of drawing in Griffa's creative process while introducing a rare selection of drawings and watercolours.

The Blue One Comes In Black offers a new contribution to the thinking around Liz Magor's long standing practice by gathering newly commissioned critical texts and creative writing, as well as texts by the artist herself, some of which were previously unpublished.This book not only highlights important works from throughout Magor's career but also present her latest work for the first time in a publication form.

This monograph aims to highlight the very diverse features and extraordinary richness of Arte Povera painter Giorgio Griffa. With a selection of the artist's writings and comprehensive chronology.

Rike Frank and Grant Watson's research project examines the referential and analytical qualities of textiles through both contemporary and historical works.