This publication presents a comic strip made by a 20-year old Nathalie Du Pasquier in remembrance of a six months journey in Gabon
. Inspired by a clipping from a Gabonese daily, the cartoon tells the colorful story of a clumsy Don Giovanni. This edition features an introductory text by the artist, the translated strip, and a facsimile of the comic book in original French version.
Prior to becoming an artist, and before reaching Italy, while not yet twenty years old, Nathalie Du Pasquier spent six months in Gabon, an ex-French colony. She stayed in Port Gentil, the second-largest city in the country, blending in with its everyday life. She made new friends. And it was a friend of hers who would then her a newspaper cutting that Nathalie then decided to turn into a comic strip. What came out is a story with the intense colours and the contagious humour
so typical of Africa: the adventures of a clumsy Don Giovanni who brings mirth to the whole community with his undertakings. The little book offers a novel dimension to the artist's work: the comic strip, the bande dessinée, in the finest of French tradition.
The booklet is attached to a specular version, prepared especially for the occasion by the artist, who states: “It was strange to come across this book, bound together with ageing sticky tape, this forgotten relic, because I lost everything I had done before coming to Italy: the letters, the drawings and the photos. I don't even know how it survived: I would like to think that it was the first thing I did, that I can still see myself in it, because most of all it still makes me laugh.”
A famous designer
and co-founder of the Memphis group
in Milan in 1981, Nathalie Du Pasquier (born 1957 in Bordeaux, France, lives in Milan, Italy) accompanied the (post)modern adventure around designer Ettore Sottsass, with the creation of objects, fabrics, carpets, and furniture. In 1986, she started devoting herself exclusively to two- and three-dimensional painting
. Memphis's radicalism and formal inventiveness measured solely in terms of a scathing and iconoclastic postmodernism erased a little too quickly the adventure's modern foundations. Nathalie Du Pasquier's paintings are a perfect revelation of these connections: axonometric compositions applied to painting, the palette of muffled colors, objects, when they are present in the compositions, wink at the purism of a Corbusier or an Ozenfant. Mixed with memories and assimilations arising from the most tridimensional Suprematism–the architectones–some paintings and constructions also give prominence to this history of art and the applied arts.
Graphic design: Teresa Piardi, Maxwell Studio.
published in December 2018
bilingual edition (English / Italian)
21 x 29,7 cm (softcover, with plastic sleeve)
40 pages (color ill.) + 14-page booklet
ISBN : 978-88-99385-54-5
EAN : 9788899385545