Video art

Musician Kamran Sadeghi took field recordings from an anthropological research on Tierra del Fuego as a starting point to compose his digital musical score for a video installation by Mario Pfeifer.

This artist's book documents a dialog, exchange, and collaboration between Per-Oskar Leu and Benjamin Tiven, from summer 2013 through the winter of 2015.

Light, skin, titan and body-consciousness to navigate between shelter and space: this artist's book shows collages of objects layered around in life size, then spreads out into the book space and installation works using photography and film.

A drivel is a short story wrote by Keren Cytter in a style reminiscent of Witold Gombrowicz, though its meaning gets lost in the continuous intertwining of characters, their stories and their memories.

New monograph.

An innovative study of David Claerbout's work, following the shady—and dark—logic, until now never raised by critics, that structures many of his films with mineral duration and slowness, but also number of “invisible” photographs.

The cinematic essay thought as a hybrid form between fiction and documentary, cinema and contemporary art: a cartography of the contemporary cinematic essay in 47 critical texts written by filmmakers, artists, historians and art theoreticians.

A photographic account of Carsten Höller's journeys to the Democratic Republic of the Congo for the purpose of a film about Fara Fara music.

With Rubber Man (2015), Khvay responds to the colonial legacy of land use and its effects on Cambodia's indigenous forests and culture today.

First monograph.

Reference monograph: an extensive survey of Patrick Bernatchez's drawings, sculptures, sound installations and films.

Comprehensive monograph (second edition).

A triptych video project on dance and the age of the body.

The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.

Essay, sentimental diary, and critical pamphlet, Techno Casa binds together the textual production originally composed for a series of eleven video works presented during 2013 through site-specific installations.

Reference monograph.

An overview of Koka Ramishvili's work from 1988 to 2015, between photography, painting and video.

A textual rendering of fifteen films from 1997 to 2015, completed by authors' comments and introductory notes by Narkevičius himself.

The first monograph dedicated to Tobias Madison's work, including a newly commissioned text by John Beeson, and two conversations with the artist.

Sekula's final work dedicated to labor solidarity in and around the docks.

First monograph, with texts by Frank Lamy and Pierre Giquel, and Cécile Paris interviews with architect Edith Commissaire, choreographer Julie Desprairies and philosopher Peter Szendy (the book is accompanied by a free online application).

Liz Magic Laser's recent works.

A monograph / artists' book that engages with the recent film installations of Pauline Boudry / Renate Lorenz.

Monograph / artist's book based on seven films by the Canadian filmmaker, whose work creates a dialogue between film, photography and painting (with a script by Mark Lewis and an essay by Chantal Pontbriand).

Comprehensive monograph.

A project about the issue of animation and cinema in the field of visual arts, and the possibility to give life to the draw, the silhouette, the puppet, or the photographic image.

An unique artist's book based on Paul Sietsema's 16 mm eponymous film, with laser-cut portals and transparent screenlike pages.

Reference monograph of one of the most influential modernist filmmaker in British cinema, with twenty texts by Malcolm Le Grice and commissioned essays by Yann Beauvais and Philippe Langlois on his cinema and its relationship with art and music.

Box set including a book and a film on DVD.

A “monologue” by the Cambodian photographer who offers an intimate reflection on the traumas of the recent history of his country.

Documentation of Inferno, a prophetic short film on the inauguration and the destruction of a replica of Solomon's Temple in São Paulo

A milestone film from American composer and filmmaker Phill Niblock, presented for the first time in DVD with two alternate soundtracks, T H I R is a mesmerizing and hypnotic film from his Environments series shot in upstate New York in 1972. This film is one of Niblock's finest and undiscovered jewels—a must have classic release.

Monograph / catalogue.

The first monograph dedicated to Fortino's performances and videos takes the form of a 160 pages volume which constitutes a synthesis of the work and research conducted by the artist at ESAAA art school, Annecy, and beyond.

An embracive and well-documented overview of three works by Stan Douglas covering the emergence of political and multicultural emancipation projects during the Seventies, from Portugal's 1974 revolution and the end of colonialism, to the emergence of multicultural music such as jazz-rock, funk, disco, and afrobeat.

In Mohammed Laouli's Golf project, residents of a poor neighbourhood nearby Rabat are invited by the artist to play golf in their own streets, thus subverting the signs of power.

An intimate portrait gallery of Ari Marcopoulos' brother (artist's book).

Reference monograph.

First monograph.

A film by Gilles Coudert that takes a close look at Ange Leccia's work, interweaving the exploration of Leccia's exhibition “Logical Song” (2013) at the MAC/VAL – Val-de-Marne Contemporary Art Museum with perspectives from a series of interviews (with 3 films by the artist).

Third volume of the anthology (1975-2000), focusing on photography, film, video, and new media.

Video art history.

Essays about the work of Victor Burgin.

The first publication devoted to the artist's films.

The role of history and commemoration in Germany today.

First monograph.

Five Pieces for Projection introduces recent projection work from 2010 to 2014, with an essay by Hanne Loreck, an afterword by Eva Schmidt and texts by Victor Burgin.

The first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole.

Soun-Gui Kim engages her collaborators—philosophers Jacques Derrida and Jean-Luc Nancy, and John Cage—in conversation about contemporary art and the relationship of artists to the globalized art world and market, from the perspective of Eastern thought.