Switzerland

Monograph / interview.

The first monograph dedicated to the collaboration between two artists.

Collection of interview and essays (Parrino, Morris, Armleder, Veilhan, Walsh, Mosset, Gygi, Miller...).

Exhibition catalogue (texts by Christophe Cherix, Sarah Lombardi, Olivier Mosset, Caroline Nicod, Bernard Wyder, interviews by John Armleder, Rene Berger, Pierre Keller).

All black and white photographs reproduced in the book as well as the cover image were taken by Gygi during the winter 1990-1991. Immediately thereafter, the quasi totality of the negatives were stacked in a press and pierced with a drill. 4 - color leaflets present recent works of the artist.

This biography of Hermann Hesse by his friend Hugo Ball is one of the best exposés of his spiritual journeys, and also an approach of Ball's own fundamental themes

Exhaustive first presentation of Christian Robert-Tissot's work.

Monograph dedicated to an iconic couple of the design scene from the 1990's. Their use of uncommon materials with Baroque influence contributed to the development of the “Barbare” style which had a strong impact on contemporary French design aesthetics.

Monograph dedicated to an iconic couple of the design scene from the 1990's. Their use of uncommon materials with Baroque influence contributed to the development of the “Barbare” style which had a strong impact on contemporary French design aesthetics.

Unpublished text with an original and unique artwork on Rhodoid, signed by the artist.

First study on the Ecart collective.

Unpublished text, original silkscreen enhanced by hand and signed.

The series of engravings A Sheet of Paper, with which Rémy Zaugg develops his reflection on the exchange of the glance between the spectator and the work

Catalogue.

Paintings, photographies of two exhibitions, exhibitions plans.

Reference monograph.

Reference monograph, with an introduction by Max Bächer and texts by the artist and architect.

Original lithograph on paper, numbered and signed by the artist.

Reference monograph, with an introduction by Herbert Read and autobiographical texts by the artist.

Reference monograph, with an introduction by Herbert Read and autobiographical texts by the artist.

Reference monograph, with an introduction by Herbert Read and autobiographical texts by the artist.

In Meta Cars, Beni Bischof transforms found images of cars into visual distortions. Through digital manipulation and radical simplification, the original shapes are abstracted—reduced to ghostly and ridiculous silhouettes that feel both familiar and alien.

Beni Bischof's zine created on occasion of the Bally fall / winter 2024 collection.

A series of rail graffiti by the KCBR collective, renewing the practice with an original reflection on the medium, concealment (including, of course, with regard to police services), the trace, public reception and ephemerality, as the works are obliterated by the artists themselves immediately after completion.

A large retrospective of the Swiss cult photographer's work over two decades.

A vinyl release composed by Alexandre Babel in close collaboration with artist Latifa Echakhch, featuring significant contributions from the Berlin based musicians Rebecca Lenton, Theo Nabicht, Jon Heilbron and Nikki Schlierf. The record is meant to accompany the eponymous exhibition at the Swiss pavilion of the 59th Venice Art Biennale.

The first publication on the archive created by the Swiss writer, painter, activist and prostitute Grisélidis Réal (1929-2005) since the 1970s, containing more than 10,000 documents that trace the international mobilizations for the rights of sex workers and their struggles against exclusion and stigmatization.

Monograph gathering together a selection of works by Miriam Cahn and the texts of authors such as Alberto Salvadori, Luigi Fassi, Carolin Emcke, Dieter Roelstraete, Estelle Hoy and Francesca Recchia.

How to teach art / can we become an artist?

This small volume features drawings created by by the famous Swiss illustrator for Basler Rabattmarke BKG Liga.

Flipbook.

Philipp Mueller's photographs of the emerging techno scene in Switzerland in the early 1990s.

The artist Denise Bertschi highlights the little-known Swiss presence between the two Koreas in the aftermath of the war in 1953, and questions the supposed neutrality of the country.

The first artist monograph featuring the work of Swiss-Guinean artist Namsa Leuba.

The iconic everyday objects, “soft” sculptures, ceramic pieces and collages by the Swiss duo.

This collection presents the first five issues of Everything: reports on the studio of the same name led by Kersten Geers, Fabrizio Ballabio, Jelena Pancevac and Guido Tesio at the Accademia di Architettura in Mendrisio.

New monograph.

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

A rereading of the work of the great Franco-Swiss graphic designer, pioneer of minimalism and precursor in terms of typography.

Julian Charrière's filmic journey to some of the most inhospitable areas of our planet.

This book examines the modes of execution in contemporary art from the viewpoint of production, by means of a series of eighteen interviews. It presents a plural and polyphonic thinking, bringing together the words of different participants concerned with the realisation of artworks and several generations of artists.

An essay on the modes of re-enactments, appropriation or reinterpretations of artists' books.

Catalogue, with a series of photograms, exhibition views, an interview and a text by Clara Schulmann.

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

Since 2003, Thomas Hirschhorn has produced large drawings of about three by four by himself, or with the philosopher Marcus Steinweg, which he calls "Maps", in which he interacts with colored images, fragments of texts and his own comments. This volume focuses on this particular aspect of his practice.