Graphic design / typography

Issues 27 to 30 of the critical review dedicated to graphic design.

A series of drawings revisiting the history, the landscapes and the fantasy of Tyrol in Austria (leporello).

All flag designs proposals rejected by the Council of Europe until 1955, published for the first time, with a text by German-French artist and writer Marie Rotkopf, who tackles the EU's neoliberal political cynicism and Germany's expansion of power with biting irony.

Issues 23 to 26 of the critical review dedicated to graphic design.

Julien Blaine's new collection of poetic, visual and typographic experiments.

The sixth issue of the annual magazine mixing graphic design, publishing and architecture is devoted to the double theme of “Minimal & Maximal”.

Between 2017 and 2020, researchers in the fields of art, design, computer science, psychology, sociology, digital humanities and mathematics explored the historical publication of the artist Paul Klee, which appeared in 1925 at the Bauhaus. The research work led to the project being part of a logic of patrimonialisation and transmission of knowledge based on digital technologies.

The latest instalment in Mads Emil Nielsen's sequence of graphic scores and recordings, including the Danish composer's own subjective translations of visual materials and sound pieces accompanied by visual notations: published as a limited edition art print folder, Framework 3 consists of risographed scores and recordings on 10" vinyl and CD—with recordings by Nielsen, along with graphic scores by Katja Gretzinger and contributions by Nicola Ratti.

An observation on evolution of material plasticity, a story about plastic whose native land is Mesoamerica (artists' book).

First monograph dedicated to one of the most recognized independent French graphic design studios.

Gathering found visual material, this publication retraces the story of an artistic failure: that of a joint project by Federico Pepe and his father Antonio, a cabinet of curiosities featuring latex sculptures of fetuses looking like Mickey Mouse.

A limited-edition box set documenting the seventh and penultimate episode of COCO, the project that brings together video art and music by artist and designer Federico Pepe and artist and photographer Jacopo Benassi.

Issues 19 to 21 of the critical review dedicated to graphic design.

François Havegeer and Sacha Léopold (Syndicat) invited Aurélien Mole, Jérôme Dupeyrat, Mathias Augustyniak (M/M Paris) and Thierry Chancogne to express their views on art posters, artist posters, posters made by artists, posters made with artists, posters made for artists, and the occasional participation of graphic designers (special issue of the critical review dedicated to graphic design).

The catalogue of the 33rd Ljubljana Biennial of Graphic Arts, curated by art collective Slavs and Tatars, examines the relationship between graphic arts and satire.

Exhibition catalogue.

Issues 16 to 18 of the critical review dedicated to graphic design.

The fifth issue of the annual magazine mixing graphic design, publishing and architecture questions these disciplines through the theme of obsession.

This bilingual publication retraces a journey and a set of studies, graphic creations and texts that lead to a process of drawing research in a digital environment.

A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

A total and exploded socio-politico-poetic inquiry into the poetic milieu, based on a textual-visual-sound device.

The testamentary work of Jacques Sivan: a graphic poem on the body and its reincarnation through the language.

The Japanese master's new large-format artist's book: a graphic hallucination on 40 pages of Bichrocolor collage drawings.

During Mac DeMarco's European Tour in the fall 2017 Stefan Marx joined the band for a few stops to draw on stage during Mac DeMarco's live performance. Hiding in the back of the band, he got time to capture a unique view on the five musicians, the whole performance, some behind the scenes moments and the audience. This artist book contains most of the drawings from these concerts and is compiled by Stefan Marx, it is his 26th publication with Nieves.

A collection of texts, interviews and testimonials about new teaching practices of design.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

A panorama of the world of do-it-yourself fanzines.

This publication celebrates 10 years of Poptronics, a French online media dedicated to net-culture: net-art, video games, music and sound art, hacktivism, post-digital art… For its tenth anniversary, Poptronics brought up a collective archive of its materials, revisited by the French digital art scene.

Special issue dedicated to Brazilian poet Augusto de Campos.

A visual archive of the Islamic State's destruction of artifacts.

Epistolary portrait of a seaman by his daughter (artist's book).

All poems written by Apollinaire during World War I, gathered for the first time.

This LP presents two sound works from the German composer's project “the O. theorem,” which focuses on Nikolai Obouhow's revolutionary concept of “total harmony”. Liner notes by Volker Straebel and Hans W. Koch.

Through photographic documentation and essay, Altar documents the widespread human urge to elevate secular things to the status of “ritual objects” and combine them to form private altars. Whether they're dust catchers, knickknacks, souvenirs, found objects, meaningful artworks or earnestly and deeply revered objects, they all tell a peculiar story—not in words, but in things—about whoever built the altar.

This publication revives the fascinating adventure of Pierre Keller's invention and dissemination of the “Kilo-Art,” the “Swiss standard for art measurement.” For the two years 1972 and 1973, the young artist—now a key figure of the contemporary artistic and pedagogical scene in Switzerland—dedicated his life to what he called “conceptual art with realization.”

An educational investigation on the relationship between design and techniques.

Issues 10 to 12 of the critical review dedicated to graphic design, around Robert Brownjohn, Klaus Scherübel, Julia Born, Simon Starling et Poster of Girl, Revue Emmanuelle.

Facsimile reprinting of Danne & Blackburn's graphics standards manual for the redesign of NASA's visual identity in 1975.

Julien Blaine's new collection of poetic, visual and typographic experiments.

Facsimile reprinting of Paul Rand's graphics standards manuals for the redesign of the visual identity of the multinational technology company IBM from 1962 to 1987.

Some four thousand Polaroids depicting nearly fifteen years in the life of artist and former director of the Lausanne art school, ECAL. This photographic diary offers an intimate and erotic portrait of Keller, from its time in 1970s New York to trips to South America and Europe. With texts by Hans Ulrich Obrist and Stéphanie Moisdon.

Bienvenue intends to bring back to life the forgotten story of the publication of Pour Jean Sénac, a book dedicated to gay poet and Algerian nationalist Jean Sénac. This edition gathers old and contemporary documents by graphic designer Christophe Jacquet on the project, and features a long conversation between Jacquet and Thierry Chancogne.

Contemporary perspectives on artists' publications twenty-three interviews with twenty-five artists who make publishing an artistic practice).

Artist's book exploring the notion of rigor in experimentation through the constraints of the grid and structure.

This unique, small format companion to the exhibition “Revolution Every Day” is inspired by the tradition of Soviet tear-off calendars. The book has 365 calendar pages with daily entries featuring a range of images and texts drawn from primary and archival source materials that explore the historical and experiential dimensions of revolution. It presents short essays and original contributions from curators, artists, and scholars, and illustrations of all of the works in the exhibition.

Since 2012, Mathieu Copeland et Philippe Decrauzat produce videos stemming from “a desire to film sound, record places, and dive into the process of a material construction and destruction.” This publication—between artist's book and critical essay—considers all films produced until then by the art critic and the artist, and offers a basis for reflexion and work for those to come.

Vitesse Photon Target is a long-running poem combining typographic and syntactic experiments with the theme of space research.

Weekly tear-off calendar featuring 52 drawings of a cartoon dog in a wide range of situations expressing the feelings and conceptions that our modern society associates with Sundays.

Halway between the catalogue and the conceptual publication, Road to Victory presents Pittas' re-reading of exhibition designer Herbert Bayer's 1942 eponymous propagandist show at MoMA. It gathers works by Pittas stemming from his reflection on this historical exhibition, archives, and an anthology of essays by acclaimed authors.