Radio

A narrative.

The translated transcripts of two radio broadcasts by Artaud: To have done with the judgement of god (1947-48) and Madness and Black Magic (1946). Correspondences from that period are also included.

A territorial project but also a collective, musical, social and political experience of listening and exchange.

A village, its people, nine characters, some children, a forest. Three seasons : winter, lockdown an spring. Bruissons is the tale of a motionless journey, slightly disrupted. An exhibition – pictures, sounds. And a book.

The composition Radio Music Extended, performed by Opening Performance Orchestra, draws upon the concept John Cage brought to bear in his piece Radio Music from 1956.

A radio novel inspired by the author's previous publication, associating infuences from sound fictions, experimental music, sound poetry, and rap.

A proposal for a radio project on the diffusion of world music in the digital age, focusing on the concept of “seismographic sound”.

Dialect melodies are passed along since time immemorial and yet are only spontaneously available in the moment. Before caught and preserved they have to be released. Antje Vowinckel reflects upon this paradox through a collection of dialect recordings which are then imitated by humming musicians who try to catch the correct melodic lines.

Notes on the radio.

A 1971 detective audio play based on a real murder trial from the early 20th century. The court records are read out by two girls, accompanied by narrative background sounds and a piano piece. Liner-notes (in English and German) by Gerhard Rühm.

This publication is a literary narrative depicting radio projects on the landscape of French rivers Somme and Rance. It includes notes documenting the making of the two radio plays, as well as a series of 23 photographs.

Autobiographical fiction telling forty years of radio creation.

A new electro-acoustic composition by Berlin-based artist Stefan Roigk. The radio play like combination of poetic lectures, vocals treatments, concrete sounds and deep vocal drones is based on several live recordings and performances made between 2012 and 2015.

Radio recordings from 3 GHz to 30 KHz: a record that invites the listener to discover the electromagnetic landscapes that surround us.

These notebooks gather texts and photographs documenting the creation process at the heart of Jean-Guy Coulange's radiophonic practice.

This publication is the closing project of a series of recent initiatives around the works of American experimental composer Conlon Nancarrow, including a pirate radio station, an art journal, a museographical essay by Mario García Torres, and an exhibition.

No World is an original piece in an audio book composed from daily images, sounds and texts collected through the Internet, songs, poems, interviews and field recordings created by Winter Family between 2011 and 2014 while living between Paris and in the Caribbean neighbourhoods of Brooklyn, NYC.

This audio art book documents an experiment in binaural sound by French artist Loris Gréaud performed around the world over five years. Using binaural beats, Crossfading guides the listener to the threshold of sleep. The book includes MRI images of the artist listening to the piece.

In 2015, the web radio RadioDordogne offers five carte blanche to sound artists and composers. They each deliver a piece, born from what the territory evokes to them.

This artist's book / CD includes an innovative work made of sound and pictures related to an installation made by the artist in Japan in 2012.