Contemporary art

A sequel to Texte, Texte 2 is another pocket-size artist's book presenting a mix bag from Bischof's exuberant collection of headlines, slogans, jokes, junk mail, lyrics, dialogues from movie scenes, aphorisms and a whole lot more—a present-day selection and yet a subjective quintessence of the textual archive he has amassed over the years.

A journey through the visual universe of Fabian Marti, whose mystical photograms celebrate the alteration of consciousness through substances and shapes.

The first monograph dedicated to the chronicler of New York's underground, Still, Looking – Works 1969-2016 explores the interrelation between Sullivan's photographic work and his paintings & drawings. Includes essays by art historian William J. Simmons and critic Linda Yablonsky.

Vitrine is the catalogue of the namesake project organized by GAM museum in Turin. Beginning four years ago, “Vitrine” has as its primary objective the research in the field of contemporary art. The title of the 2015-2016 edition, “Possibilità” (Possibilities), refers to the transformations that take place during one's life and their fluid and uncertain nature which is retraced in art.

My House is a Le Corbusier / Broken English is a two-sided book containing two different projects by Cristian Chironi. Intersecting and diverging, both projects raise questions surrounding communication, reading and interpretation and concomitant linguistic and socio-political implications. The double-cover book is divided into two specular sections so the reader can choose to begin with either of the projects.

This artist's book presents the sum of a multitude of journeys, people and stories collected and edited by Donatella Bernardi and stemming from her own family archives. The artist connects this whole documentation with works by Lebanese artist Saloua Raouda Choucair and her daughter Hala Schoukair, as well as with the Swiss Confederation Fine Art Collection.

Botanical trajectories and symbolic dimensions of Merano's palm trees (artist's book).

What language should be used to describe a place? This question is the starting point and the core question of Claudia Losi's project and namesake book, a collection of transversal contributions, from art to geography, from semiotics to psychology, which interrogates the way we perceive places and the role of our imagination in such a process.

A collection of texts defining utopia as a place existing only within the domain of language, Utopia gives a synthesis of historical utopias and a snapshot of the 1970-1980's poetic scene.

Documenting a video installation addressing the consequences of historical sea travel.

A sourcebook / critical anthology of social art history.

A sourcebook / critical anthology of social art history.

Théo Mercier, Malika Djardi, Markus Öhrn, the online art market, Apichatpong Weerasethakul, French post-punk, being an artist in Central Asia, nudity on stage, the footballer as a modern artist, “Iran” special feature with Barbad Golshiri and Amir Reza Koohestani…

Combining the artist's early works and the most recent series inspired by van Gogh's oeuvre, this monograph underlines the variety of Brown's practice as well as his exceptional way of interpreting and appropriating the Old Masters.

New monograph: Josephine Meckseper's work exposes the paradoxes of consumer culture through the combination of mass-produced objects with images and artefacts of historical and political events.

Conceptualized by Nina Canell and Robin Watkins, this monograph accompanies the artist's first solo exhibition in Asia and consists of ten short new texts around which fragments of communication with the authors have been punctuated by observational photographs and sculptural documentation. Contextualized by both recent and earlier works, the exhibition and book considers sculpture as a medium of storage, transmission and reception.

A photographic documentation of an installation work by Abraham Cruzvillegas as part of his “autoconstrucción” project referring to the concepts of incommunicability and intelligibility through the figures of Mexican composer Julián Carrillo and Günter Grass's fictional character Oskar Matzerath.

The complete issues of Szaflarski's self-produced journal devoted to textual practices.

100 photographs of tools on magazines to celebrate the century of the Danish constitution which gave the right to vote to women and nown-owning citizens—including farmers, servants, apprentices and journeymen in the trade and craft (artist's book).

I Marziani discovers and reconsiders certain chapters of Italian art history from the last century through works on paper (most of which have never been shown in museums) from the angle of new visual and intellectual intersections.

Side Effects follows an international artistic exchange born from questioning the “sides effects” of artistic activity—sideline jobs, multiple works, choice, accident. This hybrid publication contains archives, photographs, notes and drawings as well as texts, interviews and images from art historians, sociologists, critics and artists.

Vortex Populi is a visual essay focusing on five works by Didier Fiuza Faustino in which the French artist and architect reflects on public space and popular struggle through an examination of the use of crowd control barriers in clashes between protestors and authoritarian forces.

Special feature on Fetishism (ready-mades, the aesthetics of commodity, Benoît Pype and Kapwani Kiwanga, interview with Musa paradisiaca…), “Events” section honours artist Mathieu Lefèvre, essay by Jean-Alexandre Perras and Érika Wicky on Tate Britain's exhibition “Sensorium,” exhibitions and books reviews…

Special section “The New Look: Art and Fashion Photography” featuring Philip-Lorca diCorcia, Heji Shin, Petra Collins, Laurie Simmons, among others, Summer 2016 Previews of 45 shows worldwide, Jonathan Rosenbaum on Jacques Rivette, Rhea Anastasia at Hauser Wirth & Schimmel, A Cinema of Resistance: Jean-Marie Straub and Danièle Hulet, Brian Dillon on Yan Xing, plus exhibition reviews from New York, Chicago, Cologne, Warsaw, Auckland, Sao Paolo, and more.

New monograph.

Since the mid-2000s, David Hominal has been one of the most original and vigorous voices of the contemporary art scene. This first monograph offers an overview of Hominal's practice, underlining his engagement in representation, expression of the Self, and the traditions of art and art history.

Since the mid-2000s, David Hominal has been one of the most original and vigorous voices of the contemporary art scene. This first monograph offers an overview of Hominal's practice, underlining his engagement in representation, expression of the Self, and the traditions of art and art history.

Echoing his exhibition in the Château de Versailles, Xavier Veilhan opens the doors of seven modernist houses, from California to Europe. Through his contemporary works he creates a dialogue with the singular architecture of these places (original soundtrack by Nicolas Godin / Air).

Counterculture & cyberculture: exploring human potential from psychotropic substances to technological advances.

Details from Heaven and Hell is the new chapter of Matt Mullican's cosmology, whose first models dates from 1973, and has evolved over the years and materialized in various media and performances.

Martial Raysse's reference monograph: a comprehensive, luxurious and lavishly illustrated publication recounting Raysse's multiple pictorial metamorphosis since 1957.

Martial Raysse's reference monograph, with an original lithograph, numbered and signed.

Umberto Eco's open work theory, David Hammons, Bret Easton Ellis and Alex Israel's collaborative text paintings, individuality and community in Mélanie Matranga's environmental art, Bill Kouligas's Berlin-based record label PAN, åyr art collective, Martine Syms's inquiries into representations of blackness, a late-in-life interview with William N. Copley, reviews…

An anti-method of meeting that reaffirms the uncertain outcome of gathering moments.

This catalogue provides a set of photographs and drawings by the artist, as well as documents and installation views that reflect the obsessions of Carreyn, from the female body and pop occultism to symbolism and surrealism.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.

This lavish publication presents Nestlé's corporate art collection, located in Vevey and nestled in the landmark building created by Jean Tschumi in the late 1950s.

Shirana Shahbazi's photo-project Tehran North is a subjective road movie captured from a car driving through the Iranian capital at night, offering a black and white kaleidoscopic vision of Tehran's urban landscape (artist's book).

Luxembourg underground: this artist's book offers a vertical journey through the city's subsoil structure.

The catalogue raisonné of the artist's books published by Bernard Villers's publishing house Le Nouveau Remorqueur (2003-2015).

A pocket, non illustrated mid-career catalogue raisonné of a practice now spanning over two decades.

Facsimile edition of an artist book by Marcel Broodthaers based on a verse from Baudelaire's poem La Beauté.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

With its title echoing to Gilles Deleuze works The Movement Image and The Time Image, The Image-Matter, between philosophy, contemporary art and science, offers tools to create new mental images to understand this new vision of the world shaped by nanotechnologies and help us to do the necessary metamorphosis of our imaginary.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

This magazine-style artist's book by European contemporary artist Nicole Tran Ba Vang parodies the stereotypes and prejudices of advertising and fashion, exploring the fantasies of a consumer society.

This publication explores the painting practice of New York-based, Italian-born artist Matteo Callegari.

Slide Shows is a three-volume box set, with over 1.500 original drawings and texts in which Friedman gives his own personal understanding of the multiple ways of thinking the world through a series of “cartoons.”

The emergence of the new digital technologies and social media has transformed the very concept of the mass gathering. The present volume brings together a collection of studies that analyze this transformation and seize the opportunity to reevaluate the cultural and medial historiography of the masses.