In the staccato, nervous, vivid and even resonant language of the flea markets that Oriol Vilanova frequents, Le prix des choses discusses economics as a flow—that is, the exchange of goods for monetary value.

Fifty verses by New-York musician Moondog (new edition).

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

The script (with drawings) for Peter Greenaway's film tells of a 19th century Chinese love affair and its consequences, based apparently upon a real historical situation taking liberties with history to make an extravagant fantasy.

A collaborative research and artistic project about restitution, reparation and transformation taking place in multiple locations over several years.

A comprehensive overview of the legal framework governing artistic practice, intended for creators, authors, and artists.

A project that considers the role of the Tirailleurs in liberating France from Nazi Germany, how their efforts contributed to the liberation of Germany itself, and their impact on securing peace in Europe post-1945.

The anthology black monument explores how artists and communities across Europe, North America, the Caribbean, and Southern Africa disrupt colonial monumentality.

Forest Encounters invites you into the forest and its many meanings. It brings together voices from different disciplines, geographies, and cultures. Artists, foresters, art historians, philosophers, anthropologists, wildlife researchers, landscape architects, and writers all participate in this collective reflection on the diverse meanings, challenges, and perspectives related to the forest.

An art book by Adama Delphine Fawundu that celebrates life through the female figures—grandmothers, mothers, daughters, artists, caregivers, storytellers, and cooks—who have shaped the artist's cultural and personal history.

At the intersection of art, technology, and humanitarian inquiry, this book provides insight into Ghost Agency's desire for agency across artistic reasearch, institutions, and civic life in the digital age.

A look back at the career and work of Vasıf Kortun, an exhibition curator, author, and educator.

We Lost Control Again surveys the questions raised by the work of artist Rikke Luther between 2015 and 2025, exploring the long-range effects of this era of collapse, and the effect on social orders and the stability of the Earth system.

Mud … and the Earth System explores Rikke Luther's groundbreaking research in Earth system sciences and highlights the challenges of communicating these findings to the public.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

Museums of Tears extends Francesco Vezzoli's 2024 exhibition at Museo Correr, Venice, combining historical works and new commissions to explore antiquity, emotion and illusion. Conceived as an artist's book rather than a catalogue, it transforms the museum guide into a hybrid archive and portable museum of memory, beauty and mourning.

An ambitious publication by the artist duo mountaincutters, offering an in-depth insight into their multidisciplinary practice.

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe (new expanded edition).

Mike Cooper returns to Discrepant with The Dream Island of Birds, a release that blurs the lines between memory, field recording, and reimagined sound.

Música para Plátanos takes its name—and much of its inspiration—from the group's recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

All 693 images in a series created by Luc Delahaye over several years using details from photographs cut out of newspapers, marking a turning point in the evolution of this great photographer’s work, which bridges documentary and artistic practices.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

The most comprehensive publication on Ser Serpas' work to date, Loogie traces the first decade of the artist's multidisciplinary practice anti-chronologically, bringing together 650 illustrations alongside newly commissioned texts.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

Artists, media theorists, scientists, and science-fiction writers explore the reciprocity between ecology, industry, technology and consumption.

An examination by artists, publishers, and scholars of recent publishing concepts emerging from the experimental literature and art scene (new edition).

This array of source material from Peter Wächtler's 2024 show at Simian, Copenhagen, traces a free-spirited voyage towards the outer edges of professional exhibition-making and beyond.

A critical and multispecies exploration of how plants shape space, knowledge, and hierarchies across historical, ecological, and epistemic terrains. 

Considered among the most important field recordings of traditional Ethiopian music ever made, the recordings made in Addis Ababa by Ragnar Johnson and Ralph Harrison in 1971 capture the full richness and diversity of the country’s folk music.

Considered among the most important field recordings of traditional Ethiopian music ever made, the recordings made in Addis Ababa by Ragnar Johnson and Ralph Harrison in 1971 capture the full richness and diversity of the country’s folk music.

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

This publication presents the full orchestral score of Naked Blue, composed by Devonté Hynes, alongside stills from the eponymous short film by Mati Diop and Manon Lutanie.

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

First monograph.

An exploration of the relationship between art and science through a cross-disciplinary journey featuring some 100 works of art and scientific artifacts by approximately 30 artists, from the Renaissance to the present day.

The first French translation of a selection of twenty writings by Gui Bonsiepe, a leading figure in design.

A programmatic book for rethinking and implementing montage as a medium in contemporary art.

This first book by Valentin Fleuret presents his 2025's iconographic research among books destined for pulping at the Rennes 2 University Library. Comprising 30 iconographic plates containing more than 200 images, this book follows in the tradition of appropriation while renewing it through the subject it addresses.

A broad exploration of precariousness—whose contours and realities are constantly evolving—examined through the lenses of architecture, the city, and the landscape.