Zoran Terzić's wide-ranging and sharply detailed essay takes up the cultural-historical figure of the idiot and follows its numerous appearances throughout intellectual history in an examination of the art of idiocy that extends outside the hypertrophic present.
By defining a concept of architecture based on the tactile experience and not on construction, this book allows us to explore both discursive practice as the study of architectural art and the integration of architectural art as a discourse of spatial practice.
The publication studies four aspects of the practice turn in media studies: Media history from a praxeological perspective, the practice turn in religion and media studies, the connecting and dividing lines of media theories concerning gender and post-colonial agencies, and a historical and theoretical examination of the current relationship of media theory and practice theory.
This publication explores the pioneering role of 19th century photographer
Eadweard Muybridge in the development of moving-image
projection. The study also maps the exceptional influence of his
experiments on contemporary world's visual form.