various

This catalogue, based on works and publications in the Serralves Collection, reconstitutes the trajectory of the KWY group and its members—from Lisbon to Paris, to Munich—, their collaborations with other artists and publications and their links to international avant-garde movements.

Artist's book presenting a hundred fictional texts based on works from the Fonds cantonal d'art contemporain (FCAC) of the Republic and Canton of Geneva.

This box gathers the three volumes of the publication the Serralves Museum of Contemporary Art began in 2008, in the framework of the major exhibition dedicated to the director, on the occasion of his 100th birthday.

The aim of the volume Exhibited Cinema is to reconstruct the history of cinema in exhibition contexts and to trace its archeology, through original essays by researchers, curators, artists and filmmakers.

The subject of Vertiginous Parallels is landscape, and more precisely, the relationships between its mapping and visual or artistic (especially cinematographic and pictorial) adventures.

An unpublished manuscript, La Ferme radieuse et le centre coopératif (“The Radiant Farm and cooperative center”) describes the country planning project conceived by Le Corbusier and Norbert Bézard in the 1930's.

For this artist's book, Izet Sheshivari used three different photographic technologies to produce this selection of landscape images which play with the codes of classic road movies.

A corpus of contemporary Roman inscriptions, which testifies the importance of language—institutional as well as popular—in the collective space of the streets (artist's book).

Collection of poems by the great Russian poetess Anna Akhmatova.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

A series of photographs by Izet Sheshivari made on the island of Fårö, where Bergman shot numerous films (newspaper).

Gong!'s second issue is devoted to stylist and occasional photographer Rosa Codina. Rosa decided to devote the issue to her daughter and everything around her, in a project she entitled Autour de Alia and which she decided to base on monographic content rather than time or technique.

Different “augmented” perspectives from a visit of Giorgio de Chirico's flat.

The reprint of two out-of-print artist's books self-published in the 80's by the Japanese artists collective The Play, with a previously unreleased documentation.

A publication based on the typescripts of Hannah Weiner's singular diary.

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

“Megarave Metarave” considers the historical traces of the futuristic promises of rave culture and the early web.

Three iconic series of photographs by Juergen Teller.

An extreme experience seeking to hear the body's internal sounds. It uses both the medium of drawing and of writing to account for the metamorphoses produced by this sensorial experiment.

Facsimile of a book of drawings made between 1979 and 2010.

Jean Epstein's complete writings.

Jean Epstein's complete writings.

The place and role of women in performing arts from 1912 to 2012, between performance and dance.

A mapping of ephemeral architecture built during the siege of the Maiden Place in Kiev: a project by Bureau A, Leopold Banchini & Daniel Zamarbide (CH) with Burø, Sergey Ferley (UA), bewteen architecture, design, graphic design and political pamphlet.

12 typescripts of concrete poetry (signed and numbered artist's book).

A new reappropriation of Ed Ruscha's Various Small Fires and Milk (signed and numbered artist's book).

4th issue of the art and research magazine is dedicated to the “realized” utopia of Monte Verità.

Artist's book.

Artist's book.

Twenty-six serigraphs by the Dutch graphic designer.

Capture is such a productive fictitious rock band, that nobody can consume everything. It produces new music, words, images, videos and derived products every hour. Capture reverses the consumerism ideology and the relation between desire and objects. This publication documents the project.

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

Recording of Wolf Vostell's happening / Fluxus Concert “Sara-Jevo”, realised September 9th, 1994 at Fundació Pilar i Joan Miró in Mallorca, Spain.

The logbook and review of the first two years of the journey of the mobile contemporary art museum for children: 32 000 kilometers in 5 countries to meet 40 000 children, with 250 educational and cultural partner structures...

Issue dedicated to Marguerite Duras.

Numbered edition of Bernard Heidsieck's famous map of Vaduz.

Three new series of paintings depicting the artist's current concern with mortality and legacy.

An introduction to robotic art in twenty installations and performances. The catalogue includes a brief history of the artist and the robot's relationship by Austrian curator Gottfried Hattinger.

Schlecker by Rafa Castells displays a selection of pictures documenting the artist's day-to-day life. This first monograph also stands as an aesthetical essay on the symbolic effects of light and colour—offering a luminous discourse on photography and life.

Each issue of Gong! gives carte blanche to an artist to appropriate the space of the magazine. For its first publication, Gong! invited illustrator and fanzine publisher Mirena Ossorno.

A collection of poems inspired by the Greek mythological figure of the female sphinx.

First translation into French of the short story by Edward Page Mitchell—a major figure in the early development of the science fiction genre—, written and published unattributed in the NY Sun in 1879.

Retrospective monograph of one of the most uncompromising and experimental painters working today.

A tribute to the French artist Jean Dubuffet (1901–1985) and to the typographic strategies with which Dubuffet achieves, on a visual level, his plan to destroy language through books and lithographs.

First monograph by French painter Gaël Davrinche: an exhaustive journey through the artist's young career, punctuated with a photographic reportage in his studio. An interview by P. Nicolas Ledoux and a foreword by Richard Leydier complete this edition.

An artist's book thought of as a supplementary edition to the artist's previous book as well as an extension of a performance set in MoMa PS1 in 2013.

Susan Hiller's postcard alphabet.

Interviews with Jean-Marie Straub & Danièle Huillet conducted and recorded by Thierry Jousse.