The first, fundamental work in which Fourier declares his objectives for a world government and economy administered by "Passionate Attraction".

For the 20 years of Cahiers Charles Fourier: new issues, vast territories, meeting with readers of Fourier (architects, mediums, and anarchists); critical edition of Roland Barthes' researches on Fourier, actuality of Fourierism.

New monograph.

Signed and numbered print (1-25) from the "Beyrouth, photographs" series (1984).

The catalogue of the 10th edition, curated by Hou Hanru, from September 2009 to January 2010.

Catalogue of the first Rennes Biennal, exploring what artistic activity and corporate/business activity have in common (and what sets them apart): work and labour, creators of value. With 60 international artists (Adel Abdessemed, Boris Achour, Jean-Marc Chapoulie, Claude Closky, Hans Peter Feldmann, Robert Filliou, Claire Fontaine, Pierre Huyghe, Jean-Charles Massera, Mathieu Mercier, Gianni Motti, Jean-Luc Moulène, Simon Starling...).

Documenting works by artists dealing with performative issues between the 1960s and today, this catalogue, gathering numerous essays, questions the nature and the relevance of “performative” objects in contemporary practices (also available in English edition).

A series of works by international artists presented in the style of a natural history museum collection.

Filmed bilingual lectures (9 video DVDs): a perspective on contemporary French and American poetry.

Filmed bilingual lectures (9 video DVDs): a perspective on contemporary French and American poetry.

An illustrated essay devoted to Norwegian author Jon Fosse, a cross-reading of the major themes of his theater.

First publication in French on a major figure of British Pop Art, this essay analyses notably the questioning of the contemporary appearances in Richard Hamilton's works.

An innovative analysis of Dalí's work which focuses on the cultural History during the 1920's, showing that the Surrealist revolution went hand in hand with radical changes in society.

The live recording of the performance given by the artists at NBK, Berlin, 17 August 2008

The first monograph on the multiple activities of the artist / musician / performer, with numerous illustrations, texts, and an audio CD.

First publication dedicated to Christian Marclay's photographic practice.

An unfinished project by Eisenstein inspired by the deconstruction of traditional architecture and its ideologies.

An essay / manifesto to reconsider the objectivity of the sensations provided by artworks, and to reconsider contemporary art in itself rather than as a genre, alongside modern and classical art.

Conceived by the artist, an exhaustive monograph on Laurent Grasso's body of work, with texts, interview, documents and 300 color illustrations.

New monograph, conceived in close collaboration with Bertrand Lavier, with the most recent works (ceramics, ethnic scultpures) in front of some more ancient pieces.

Monograph (available in English edition).

New monograph, conceived in close collaboration with Bertrand Lavier, with the most recent works (ceramics, ethnic scultpures) in front of some more ancient pieces (also available in bilingual English / French edition).

First monograph devoted to the work of French artist/photographer: an uncanny typological inventory of social representations of mankind (and especially women), questioning the status of contemporary photograph, between documentary, constructed fiction and visual art.

A pioneering essay on W. G. Sebald (1944-2001), a major author in German contemporary literature, the founder of a literary materialism.

An essay / a collection of memories, facts, stories and ideas on Vietnam by Niele Toroni's wife.

An essay on French artist Paul Chenavard (1807-1895), romantic cursed painter-prophet, illustrating the distance between the historic claims which build the modern myth of the artist and a relative efficiency.

A complete overview of a pioneer in the field of interactive electronic and musical sculpture's work, with numerous illustrations, texts, and an audio CD with musical installations recordings.

Curiously enough, although Duchamp considered eroticism as the main topic of his work, no essay had really focused on that matter yet. This book collects the lectures of about twenty international art historians and critics during a symposium organized by Marc Décimo.

Viennese Actionism was one of the strongest effort of the 1960's to develop contemporary art and a forerunner of what is now widely known as Performance Art. Danièle Roussel interviewed not only the former actionists (Otto Muehl, Hermann Nitsch, Günther Brus, Rudolf Schwarzkogler) but also some journalists, politicians, historians and witnesses of that time.

An ironic, historic and personal assessment of the transformations of art in the years 1950-1960 by one member of the New realists: the story of collage, the return of dada, an evocation of Léo Malet, the work with Raymond Hains...

An activist analysis of new transmission models in art teaching.

A major contribution, by German philosoph and art historian Horst Bredekamp, to the current debate on the 'tree of life' in evolutionary biology. The essay deals with the aesthetic and political dimension of the coral, in Darwin's system a model of anarchic evolution which opposes the hierarchical metaphor of the tree.

Special issue devoted to Victor Considerant (1808-2008).

Between critical writing and visual art practice.

Reference retrospective monograph conceived by French artist Cécile Bart, with five essays and more than 200 reproductions, from her earliest screens/paintings, playing on the clearance of light in the diaphanous body of a fine film of Tergal cloth, to her most recent works involving threads of coloured cotton and wool.

Monograph dedicated to Swiss artist's words-images, presenting his most recent paintings, wall paintings, and installations, with 20 texts by art critics and artists friends of Robert-Tissot.

Complete monograph on a master of experimental cinema, with a general introduction, several essays, texts by the artist and interviews (available in English edition).

A set of incisive, funny and poetic drawings by the Belgian artist, capturing the small events of his everyday life or sudden ideas which could become works.

A video work by Samuel Bianchini created as an extension to a dance solo by Paul-André Fortier, accompanied with a musical creation of Johnathan F. Lee.

Retrospective catalogue of the French art center.

Retrospective catalogue of the ancient rural synagogue transformed in a major contemporary creation space: installations views, presentation of each exhibition, artists' contributions and essays.

This publication presents the 2004-2006 program of Forde independent contemporary art space (with John Baldessari, Philippe Decrauzat, Scott King, Wade Guyton, Mathieu Mercier, Mai-Thu Perret, Seth Price...).

The Institute for Contemporary Art in a two volumes boxset: memories, symposiums, conferences, images of the main exhibitions, specific projects.

An essay on Gary Hill's video work, taking Maurice Blanchot's writing as a starting point, between literature, philosophy, aesthics and psychoanalysis.

A performance of The Secret Machines conceived and filmed by Charles de Meaux.

New edition of the American compositor's writings, with an essay on his oeuvre and some testimonies by Steve Reich and Joan La Barbara.

Retrospective catalogue of the graphic design studio's works.

First publication devoted to the French architects collective specialized in wood constructions, gathering twelve exemplary buildings.

Complete monograph on a master of experimental cinema, with a general introduction on its œuvre, several essays, texts by the artist and interviews.