The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

An approach of the war by its traces.

A comprehensive survey of visual studies and visual culture, from its origins in art history to the current perspectives opened by new technologies, virtual reality and artificial intelligence.

The non-human images, challenging our own relationship to the world.

A caustic diagnosis of the situation of the current art, by one of its major protagonists.

An analysis of the technocritical acts and strategies by artists, hackers and activists in the (post-)digital age.

A science of sensitive experience prolonged by a theory of atmospheres, at the origins of philosophical aesthetics.

A conversation, accompanied by an introduction by Andrea Soto Calderón, to better understand the crucial role that images occupy in Jacques Rancière's work, and how images are the site of imaginative and reconfiguring operations.

A history of photography through its accidents.

Different perspectives (art history, philosophy, photography, film, architecture, history of science...) on the heterogeneous forms the discourse of pictures can take (an anthology).

Crossing perspectives on living among screens.

The political dimension of Visual Studies, between Francophone and Anglo-American studies.

The concept of time in art history.

A unique multidisciplinary approach to Visual Studies.

The return of the anthropological question has completely redesigned the issues of representation. A state of play.

An innovative analysis of our relationship to the image.

A book to deconstruct the aesthetic regime of the image, for a new diagrammatic thinking, after Deleuze and Guattari, between art and philosophy.

Thirteen texts (including an unpublished essay by Georges Didi-Huberman) to think art and history together, from the tools developed by the theorist of the future of images.

French translation of Manovich's major book The Language of New Media, the first systematic and rigorous theory of new media.

A collection of texts examining issues and practices of documentation in contemporary visual arts.

An anthology of texts by philosophers, theoricians and art historians (H. Belting, H. Bredekamp, G. Didi-Huberman, J.-L. Nancy, W.J.T. Mitchell...) around the specific logic of the image and the transformation of the contemporary visual field.