Jean-Pierre Raynaud

A complete light on the unpublished work given by Jean-Pierre Raynaud to Ukraine, a modern version of Picasso's Guernica, a universal symbol of the denunciation by art of the horrors of war, whose exact monumental dimensions the French conceptual artist now takes up in order to realize, almost a century later, the counterpart according to his own aesthetic codes.

The third and final volume of the catalogue raisonné of Jean-Pierre Raynaud’s work begins in 1998, with the artist’s exploration of skulls and flags.

The second volume of Jean-Pierre Raynaud's collected works begins in 1974, with the artist's exploration of 15 x 15 cm white tiles with black grout, and continues through 1997.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art, with an original collage signed by the artist.

A retrospective of the artist's life through his works, which he briefly discusses.

A "self-portrait" in which Jean-Pierre Raynaud draws on the book's inherent sense of time to trace his artistic journey since 1962, using personal texts written spontaneously and a selection of emblematic works.

Jean-Pierre Raynaud's artist house, from its construction to its final transformation: demolition.

A conversation between the historian and the artist.

The first volume of the catalogue raisonné of Jean-Pierre Raynaud's work covers the period from 1962 to 1973, revealing three major trends: the wooden pieces from 1962 to 1963, the psycho-objects from 1964 to 1970, the walls, the beginning of the artist's work on the House, and the first uses of 15 x 15 cm white tiles with black grout.