Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

Sheila Hicks' recent monumental and architectural-based projects.