A collective analysis of the emergence of the “contemporary” and the transnational and transhistorical logics at work in artistic practices in Dakar in response to questions raised by globalization since the Independances, opening up new territories for sociological, economic, political and aesthetic investigations.

The second volume of François Huglo's literary portraits: du Bellay and Borer, Zénon and Valéry, Borges and Beckett, Leibniz, Proust and Redon, Kafka, Barthes and Derrida, Baudelaire and the oenologist Émile Peynaud, Bory and Novalis...

This reference book devoted to the figure and work of the choreographer Alain Buffard (1960-2013) brings together rich testimonies, extensive iconography and unpublished archival documents.

Examining how things are sold and exchanged within diverse cultural environments, past and present through a collection of contributions by social anthropologists and historians, this book builds a bridge between social history, cultural anthropology and economics and marks a major step in our understanding of the cultural foundations of economic life and the sociology of culture.

Drawing on extensive documentation and unpublished sources, this collective publication proposes an ambitious re-examination of Hans Hartung's prolific work and eventful personal trajectory as an actor in a broader history of abstraction, which also provides a fertile matrix for many other reflections on twentieth-century art.

The collection of works by artists related to architecture and architectural projects of the Frac Centre-Val de Loire, as story of the origins: a rereading of the foundations on which architectural experimentation has been built since the beginning of the 1950s.

A collective and transdisciplinary study of the representation of plants and their powers to reflect on the question of animation, cinema, photography and, more broadly, image, in the Anthropocene era and in the context of the "vegetal turn" at work in the human sciences as well as in contemporary art.

Retrospective monograph of the photographer and filmmaker Paolo Gioli, an active member of the Italian avant-garde of the 1970s: an overview of his work, with a dozen essays, an interview and the artist's writings.

Jean-François Bory's travel diary to Japan.

Divagations about René Ghil, Jean-François Bory, Lucien Suel: three authors who invented and practised the most diverse forms of “experimental poetry” and who have profoundly transformed the very idea of “poetry”.

An archeology of Swiss experimental film.

The colony as a major philosophical concept in contemporary political thought—a basis for reflection on decolonization (expanded reprint of the book published in 2008).

The catalogue of the first exhibition in France of the Japanese performers' collective contact Gonzo.

Julien Blaine's performance manifesto.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

Through the detailed analysis of Antonin Artaud's psychiatric history, Lettrist master Isidore Isou delivers a real indictment in this singular text which is both an investigation and a pamphlet.

An overview of the experimental sound practices today (contributions by Jean-Yves Bosseur, Pierre-Albert Castanet, Bertrand Denzler, Bastien Gallet, Jean-Luc Guionnet, Fabien Hein, Michel Henritzi, Tom Johnson, Eric La Casa, Lionel Marchetti, and Matthieu Saladin).

The first English-language anthology of writings by the Slovak critic Tomáš Štrauss.

An essay on art exhibition.

A science of sensitive experience prolonged by a theory of atmospheres, at the origins of philosophical aesthetics.

New monograph.

The history of the CCN (Centre Chorégraphique National) – Ballet de Lorraine, the first National Choreographic Center in France: a look back over fifty years of history for a choreographic revolution, by Agnès Izrine and Laurent Goumarre.

An in-depth study of the diorama in the United States at the beginning of the 20th century, a place for the creation and mediation of knowledge but also for the political construction of history, between art, anthropology and natural sciences.

By renewing the dialogue with anthropology, this book invites the history of science to be refounded on other, more humanistic bases.

An ambitious and transversal study on the crisis of humanism resulting from modernity, and on the historical consequences of the universalist and absolute conception carried by Futurism and the Bauhaus, proposing little explored paths for a re-reading of the artistic stakes in the 20th century.

The scenography of the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello.

The 2 volumes of the catalogue documenting the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello (special offer).

Olivier Mosset's reference monograph offers a complete panorama of the work of one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters, covering six decades of practice, from the first experiments to the monumental recent works.

A collection of essays on audio archives of poetry.

Retrospective monograph.

The proceedings of a symposium dedicated to the work of French writer, playwright and poet Olivier Cadiot.

A poetic document found during a political rally in 2019 (against prisons), without author's name nor any indication of origin. Only mention at the bottom of the last page: copying. to be freely distributed.

A story, between myth and reality, of Caravaggio, by parodic artist Arnaud Labelle-Rojoux.

Limited edition, numbered from 1 to 20, with an original artwork signed by the artist.

First French translation of Clemente Padìn's first poems.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins (limited edition, signed, including an original and unique artwork).

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins.

An investigation into the female presence in the places of art and thought, where discourses on emancipation are fabricated.

The stakes of Francis Picabia's creative process, between exaltation and rejection of the self, at the heart of the constitution of modernity.

A manifesto of the architecture of the air.

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art since the 1990s.

A talk between three artists around Julia Scher's work.

Michael Scott's ink drawings .

The development of spatial and tridimensional drawing in American art, both in theory and in practice, from the 1960s through the 1970s.

Catalogue of the second Orleans Biennale of Architecture: a call for an archipelago of solitudes.

Erin Manning expands her research on movement politics to the concept of minor gesture.

The reception of Charles Fourier's thought in Japan.

Since 2016, choreographer Lenio Kaklea has been collecting the practices of Europeans. Taking to the streets and pathways of Athens, Aubervilliers, Essen, Guissény, Nyon, and Poitiers, she has gathered nearly 600 unique stories. This compilation testifies to the familiarity and diversity of habits, of rituals, and of trades that compose and distinguish these territories.