First monograph.

The chronicles of the digital poetry movement, by one of its pioneers and main actors in France.

135 poems, calligrams and other visual experiments, spread over 54 years of poetic activity, by one of the major actors of the poetic avant-garde in France.

Fourteen comical, absurd, ironic, moving short novels, by Jean-François Bory, unfaithful successor to Dada and active author of the avant-garde movements of the 1960s/1970s.

A selection of essays that Jean-François Bory devoted to his favorite and somewhat marginal authors, ranging from Nadar to Raoul Hausmann via d'Annunzio.

From “The Left Bank Publisher” to “Miss Fukushima”, 102 portraits of a person or a profession in 10 expressions in the form of an inventory.

From “The Left Bank Publisher” to “Miss Fukushima”, 102 portraits of a person or a profession in 10 expressions in the form of an inventory, with an original and unique artwork.

Reissue of the main publications by Angéline Neveu (1946-2011), a political figure of the poetic underground scene in France.

This publication brings together two new texts by Stéphane Nowak Papantoniou, with an audio link granting access to a recorded version of the publication, accompanied by a composition by sound artist motif_r.

This publication brings together two new texts by Stéphane Nowak Papantoniou. The limited edition includes an original and unique artwork, as well as a CD with a sound declension of the poem, recorded by the author and accompanied by a composition of the sound artist motif_r.

Collection of transcripts of performance poetry by Christian Prigent. This edition comes with a CD including the recordings of these performances, featuring the author and actress Vanda Benes.

A seminal text of Contemporary Mexican poetry, inspired by the Tarahumara and peyote rituals. Included in appendix is the first manifesto of infra-realism, written by Anaya in 1975.

A magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

The historical-memorial narrative in comics, from Art Spiegelman to Marjane Satrapi, as a new form of representation of History, between individual and collective memory.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

Philosopher Ludger Schwarte presents a critical essay against the notion of contemporaneity in art and pleads for a renewed temporality: an art of futurity.

A collective exploration of 45 years of protean poetic activities, between printed text, exposed text and proffered text, with some thirty contributions by academics and poets, with numerous illustrations.

French art historian Anne Lafont delivers an unpublished study on the close and paradoxical relations of art and race in the Enlightenment. A new voice in current works on issues of race, art, images and colonization.

The first French translation of Neuhaus's writings.

It is a hundred and fifty years since Hector Berlioz is caught between storm and passion, violence and adolescence. This book wants to get out of these cliches, even to sink into others.

A detailed investigation into the Japanese noise scene (Japanoizu), with a sharp critical eye and an in-depth knowledge of local sources, by a specialist of alternative cultures and experimental musics in Japan.

A biography of the founder of Pataphysics, by Alastair Brotchie.

Special issue dedicated to Brazilian poet Augusto de Campos.

A critical examination of the relationship between aesthetics and politics through the iconic figure of Carla Lonzi (1931-1982), an innovative art critic and one of the founders of neo-feminism in Italy.

An investigation into the artistic and political issues of participatory art since the 1990s.

Catalogue documenting the project for the restructuring of the Besançon Museum of Fine Arts and Archeology by Architectures Adelfo Scaranello.

A collection of texts by Soviet avant-garde filmmaker and theoretician Dziga Vertov, including a critical apparatus and visual documents.

First publication dedicated to Jamaican-born American photographer Percy Rainford, a longtime collaborator of both Marcel Duchamp and architect Frederick Kiesler. Drawing from extensive archival research and interviews, author Michael R. Taylor showcases the work of this remarkable avant-garde photographer, while also shedding new light on his collaborations with Duchamp and Kiesler.

20 proposals for the intersection of artistic practice and research in academic milieu.

This monograph spans forty years of drawings and works on paper, offering an insight into a lesser-known part of Moulène's artistic practice. A jubilant documentation rich with autobiographical elements.

Second volume of the catalogue dedicated to the collection of digital art at the Espace Multimedia Gantner, presenting 23 new acquisitions as well as a glossary and two unpublished texts on the place of digital art in contemporary art and the issues related to conservation and restoration.

An an extensive analysis of the advent of Christian visual culture in the Kingdom of Kongo and its and development across four centuries.

Marcel Duchamp, Henri-Pierre Roché, and the Neuf Moules Mâlic (Nine Malic Moulds): the genesis, the history and the destiny of an artwork as exceptional as the relation between an artist and his collector, of which it was the vector.

Two studies by the pionneer of the popular music studies.

A history of photography through its accidents.

This trilingual catalogue documents nine essential works from the Taiwanese artist through nine interviews with curators and institution officials, illustrated with archives and exhibition views.

Rémy Zaugg's early work.

All poems written by Apollinaire during World War I, gathered for the first time.

A poetic story in prose at the crossroads of genres, difficult to locate as it only describes the non-place in which it is built.

Claude Favre delivers a poetry made of readings and borrowings, a present poetry, attentive to the movements of men and to those who constrain them.

A philosophy of decolonization that intends to show how, in knowledge and the arts, the past can be passed.

The growth of thought on ornament, applied arts and architecture in the industrial age, between ornamental impulse and decorative project.

Based on a set of mostly unpublished archives, this book focuses on the role played by art dealers at the turn of the last century in the definition, promotion and circulation of African objects as artworks, in Europe and the United States.

“Primitivism” as a tool for analysis of post-war French society, between a modernization and decolonization movement, and possible forms of resistance.

The first publication ever dedicated to the musical works of American painter Louis Michel Eilshemius: Halfway between romantic tradition and futurist audacity, these sound pieces which prefigure the use of sampling are interpreted with virtuosity by the young pianist Imke Lichtwark in the accompanying CD. The book also includes texts by Roberto Ohrt, Sven Daigger, Stefan Banz, and by Eilshemius himself.

Special offer for the purchase of two volumes dedicated to correspondence of Gustave Courbet.

A review of the epistolary correspondence of Gustave Courbet, by an ethnologist, a writer, a psychoanalyst, a hunter, a philosopher, a gastroenterologist, a psychiatrist, two curators, and six art historians.

A series of wood carvings by Peter Schuyff, reproduced on a scale of 1:10, alongside a short sorry by Arthur Miller staging the relationship between man and beaver.