A story of the Grévin wax museum in Paris from 1881 to 1921.

An essay conceived as an intellectual portrait of the German writer, psychologist and art theorist Karl Philipp Moritz, whose purpose is to investigate the relationships between aesthetics, psychology and anthropology in the second half of the 18th century, and the importance of their simultaneous development for the debates about art after 1800.

Rereading L'Origine du monde and the relationship between Gustave Courbet and James Whistler.

The first French translation of Yve-Alain Bois' reference study on modernism

Common sense: a philosophical investigation (after Alfred North Whitehead).

This historical essay assesses the impact of Dadaist ballet Relâches on the French artistic community by restoring the historical context that has transformed the collaboration of Picabia, Satie and Börlin into a unique event in the history of dance and performance.

The avant-garde of the 1990s.

Different perspectives (art history, philosophy, photography, film, architecture, history of science...) on the heterogeneous forms the discourse of pictures can take (an anthology).

An interdisciplinary reflection on the new figures of subjectivity in the digital age.

Third publication in the framework of the “Transphère” Exhibition cycle, this catalogue documents a work by Rei Naito, a Japanese artist who has built an international reputation with her minimalist and conceptual creations. The installation Émotions de croire (The emotion of belief) is a moving reflection on the atomic bomb, and a place of mourning and hope.

First retrospective monograph dedicated to the “agency” created in 1984 by Jean-François Brun, Dominique Pasqualini and Philippe Thomas: an immersion into the collective's history through numerous press archives and exhibition views. The publication also includes an unpublished interview with Brun and Pasqualini, and a glossary.

A critical analysis of Hijikata Tatsumi's Butoh dance.

A collection of original essays focusing on the specific interaction of dance and drawing during the second half of the 20th century.

A collection of original essays focusing on the specific interaction of dance and drawing during the second half of the 20th century.

A biographical essay which explores the origins and influences of Charlemagne Palestine, as well as themes related to his life and artistic practice—spirituality, music, performance, avant-gardism—together with an acute analysis of his main works. The study is followed by an interview with the artist, which provides a clever balance between personal anecdotes and reflection.

A biographical essay which explores the origins and influences of Charlemagne Palestine, as well as themes related to his life and artistic practice—spirituality, music, performance, avant-gardism—together with an acute analysis of his main works. The study is followed by an interview with the artist, which provides a clever balance between personal anecdotes and reflection.

First monograph dedicated to guitarist and singer Keiji Haino—the cursed angel of the Japanese underground rock scene, with a previously unpublished CD (Haino solo & Fushitsusha).

First monograph.

First monograph.

Luc Ferrari's writings, most of them previously unpublished.

Documentation around 17 commissioned artworks set in middle schools, as part of the Percent for Art Program established in the French Department of Seine-Saint-Denis.

Three textual pieces on Kafka, Sade, and Lautréamont, inspired by the author's dreams and nocturnal readings.

24 unpublished letters by Gustave Courbet.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

Outside museums, on the roadsides, a journey through the gardens and backyards of Europe and America to discover the "madmen's art": an illustrated essay on the birth and the future of Art Brut (new expanded edition).

The critical edition of Hans Hartung's autobiographical writings.

The critical edition of Hans Hartung's autobiographical writings.

An analysis of the work of an unheralded artist both profound and captivating written by his friend, artist and curator Stefan Banz.

The history of the emergence and appropriation of the score in extra-musical domains (theater, dance, performance).

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

Reflecting upon the necessary conditions for the development of the New Patrons Protocol, the French conceptual artist calls for a better involvement of museums as well as for an art history that would relate creative processes with political conditions.

The two dancers and choreographers share and compare ideas and references that underpin their respective work.

Crossing perspectives on living among screens.

The AICA France Art Criticism Prize: a retrospective catalogue (2013-2015)

The political dimension of Visual Studies, between Francophone and Anglo-American studies.

45 chapters of 45 sentences at 45 years.

Catalogue of a project designed for Maison de la culture du Japon in Paris as part of the “Transphere” Exhibition cycle. Atelier Bow-Wow and Didier Fiuza Faustino have long explored the issue of the habitat, inventing innovative and often provocative “machinery / habitats”. Here they have come together to create a “magical environment”.

Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.

An analysis of new collaborative artistic practices interconnecting artists, designers, graphic designers, architects and researchers with different social and economic backgrounds, outside the strict boundaries of the art world.

A set of contributions that explore the conditions of possibility of speculative (and truly engaged) “gestures”, in the context of a widespread crisis of the modes of thinking of modernity (contributions by Didier Debaise, Donna J. Haraway, Bruno Latour, Pierre Montebello, Isabelle Stengers...).

The end of the “human world” A discussion-panorama of trends in current thinking (Badiou, Meillassoux, speculative realism, Latour, Stengers, Descola, Viveiros de Castro...) in Pierre Montebello's own metaphysical perspective.

A compilation of insightful, first-hand accounts of art making, art criticism, and exhibition organizing from the early-1970s to the present.

First monograph.

New monograph.

Dedicated to the long-lasting ties between Mexico and France, this survey catalogue's common thread is the foundation of a Fourierist-inspired community in Jicaltepec in the 19th century. The historical event interacts throughout the volume with the works of artists questioning the notions of travel, exile, relationships and utopia.

A sourcebook / critical anthology of social art history.

A sourcebook / critical anthology of social art history.

The catalogue of Daito Manabe & Motoi Ishibashi's first exhibition in France. On this occasion they created an installation using LED lights and smartphones—a new work combining the real and the virtual, the seen and the unseen. This volume also gives an overall comprehension of Manabe and Ishibashi's practice: together they merge art and technology in projects that are at the cutting edge of innovation.