New monograph.

An essay by Frédéric Valabrègue on the American avant-garde artist, one of the main actors of the Fluxus movement.

Art critic Rahma Khazam brings together a heterogeneous collection of authors offering a variety of interpretations on the work of artist and poet Franck Leibovici.

First French translation of Judy Chicago's autobiography-manifesto.

Catalogue of the double exhibition examining integral themes within American artist Jay DeFeo's (1929-1989) practice, featuring Sam Falls, Rachel Harrison, Wyatt Kahn, Ron Nagle, Gay Outlaw, Tobias Pils, R.H. Quaytman, Ugo Rondinone, Bosco Sodi, and Oscar Tuazon.

The first volume of the retrospective catalogue of Le Consortium contemporary art center (new edition).

Special offer for the purchase of the two volumes of the retrospective catalogue of Le Consortium contemporary art center.

The second volume of the retrospective catalogue of Le Consortium contemporary art center (1998-2017).

A long and vertiginous poem, virtually infinite, by Michèle Métail, built on the principle of concatenation and inspired by the editing techniques of electroacoustic music.

A long and vertiginous poem, virtually infinite, by Michèle Métail, built on the principle of concatenation and inspired by the editing techniques of electroacoustic music, with an original and unique artwork.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin.

120 true and oxymoronesque scores-instructions composed by Frédéric Acquaviva between 2015 and 2017 in Berlin. Luxury limited edition, signed, including an original artwork and the sound artwork “Oxymoron Music” on CD.

Narrative essay developping the notion of abhumanism, a critical philosophy which questions the centrality of mankind in our relationship to the world. With illustrations by Camille Bryen and a foreword by Michel Giroud.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

Six essays dealing with still rarely discussed aspects of the work of Joseph Beuys, Max Bill, Fischli | Weiss and Ai Weiwei, but also Jules Verne, in their relationship with the various artistic concepts of Marcel Duchamp.

The encounters between the most prominent French philosophers of the 1960s and 1970s and the artists of their times, most particularly the protagonists of the Narrative Figuration movement.

The history of capitalism of the 1960s revisited in the light of the artworks that challenged it.

An in-depth and circumstantial study of the work of Franz Radziwill (1895-1983), a major and controversial representative of “magical realism” in painting.

A collective reflection on the historical stakes of French avant-garde movement Lettrism.

This catalogue presents an unpublished series of work by Tomoko Yoneda: the Japanese photographer has followed in the footsteps of Albert Camus, through Algeria and France, carrying on her reflection on the memory of places by way of her sensitive and poetic photographs. It is a subtle evocation of the youth of the author of “The Stranger.”

Julien Blaine's new collection of poetic, visual and typographic experiments.

The life and work of Winnaretta Singer, Princesse de Polignac, who used her fortune to support the arts, sciences and literature, and whose influence on the musical and literary worlds of the twentieth century is immeasurable.

A synthesis of the multiple dimensions of the protean oeuvre of a legendary artist, which we measure today to what extent they find an echo in contemporary environmental, cinematographic, aesthetic and social issues.

A landmark study on the psychological effects of oppression on Black Americans during the 1940s.

Known for his extravagant neo-surrealist paintings, the Dutchman emigrated to New York Peter Schuyff is also a guitarist and singer. Illustrated with drawings by Eliane Gerrits, this book brings together the lyrics of the folk and psychedelic songs of the band The Woodwards, which he forms with the English singer Stevie Guy.

The first study dedicated to Fabio Mauri's performative work.

A history of poetry-performance in Paris, from the post-war period to May 68.

A historiographical study of German art theorist, writer and activist Carl Einstein (1885-1940), that also explores several layers of the history of the early twentieth century, and proposes a critical reflection on some epistemological tropisms of today.

The sound arts and experimental music annual review's 4th issue, on the theme of utopias.

A critical perspective on Guyton's work.

Comparative Studies of Neo-Avant-Gardes in a Bipolar World.

This book, the first major publication in English devoted to the Korean critic and art historian Lee Yil (1932-1997), is a collection of texts on aesthetics, theory and history of art by the main observer of “Dansaekhwa”, or Korean monochrome. It also brings together essays and monographic prefaces that gave wide coverage to artists who had been active from the end of the Korean war up until the mid-1990s.

Crossing perspectives on performance acts within the discursive space of contemporary art.

A reflection on history and the historical document, based on the chronicles of a village written in the 19th century by a Walloon worker.

A thriller novel set in a dystopian Europe where a medicine against depression radically changes people's behavior…

Collection of poems.

Conférences sur l'affinité de la peinture avec le reste des beaux-arts (“Conferences on the affinity of painting with other fine arts”) shed a new light on the career of the inventor of the famous Morse code, best known at his time as one of America's most promising painters of his generation.

The first French translation of the landmark work by media theorist Friedrich Kittler.

An introduction to media theory.

First French translation of this much noted collection by the London-based writer and performer.

Special feature “Blanchot and the narrative”; a study on Blanchot and photography; Jean-Luc Nancy; Philippe Jaccottet; a poem by the late Michel Butor…

This collection of texts offers a philosophical and textual analysis of the work of butō dance creator, Hijikata Tatsumi. The author, the philosopher and translator Uno Kuniichi, gives a deterritorializing reading of the Japanese dancer and choreographer, linking him to figures like Genet or Artaud, while restoring his own specificity.

Five articles (by René Schérer, Bernard Desmars et Daniel Chérouvrier, Nathalie Brémand, Hélène Guérin, Jérôme Duwa), an unpublished document (a letter from Fourier written in 1834) and a great number of reading notes which demonstrate the significant vitality of the research on Fourier, Fourierism, and utopia.

French translation of the Tulane Drama Review's 1965 issue on the happening (with John Cage, Dick Higgins, Allan Kaprow, George Maciunas, Robert Morris, Claes Oldenburg, Yvonne Rainer, La Monte Young…).

In her brilliant essay, Helen Molesworth pinpoints the significance of the return of the handmade in Duchamp's artistic oeuvre of his later years and, at the same time, and for the very first time, makes this fundamental paradigmatic change the focal point of academic debate.

The essays gathered in this volume explore interactivity in art, in a historical and interdisciplinary perspective.