The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

Rio, Tokyo, Paris: Oscar Oiwa, Brazilian artist of Japanese origin, draws from these three Olympic cities to which he is personally bound, a matter to question the world of today, inviting us to dive into his half-realistic mid-fantasy universe, where sometimes point humor and nostalgia.

The sixth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

A total and exploded socio-politico-poetic inquiry into the poetic milieu, based on a textual-visual-sound device.

In 28 short poetic devices, the author marks a space of thought where the disenchanted memory strengthens the present word. Because “forgetfulness is also a violence”.

An anthology.

How to explain the intersection, during the twentieth century, of the ideology and theories on violence and creativity?

A transdisciplinary study that sheds new light on the birth of modern architecture in France through its relations with the printed text, vector of the diffusion of the architectural ideal at the scale of the nation, and the emergence of the public sphere between the end of the 17th century and the French Revolution.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

Hans Hartung and the cinema.

A closer reading of the late poetry of Jean Hans Arp (1886-1966), major figure of the Dada movement in Zurich, a friend of the surrealists, painter, sculptor, also author of an important bilingual poetic work, which covers more than half a century of creation (with a choice of poems previously unpublished).

An analysis of the relationship between art and literature over the last six decades.

The letters of Maurice Blanchot to François Dominique, which illuminate one of the last editorial projects of Blanchot; “Maurice Blanchot, writing and power”; an unpublished letter from Blanchot on the Cuban Revolution; the 68 years of Blanchot...

The testamentary work of Jacques Sivan: a graphic poem on the body and its reincarnation through the language.

A pioneering approach to the history of emotions.

Jean Laude's writings on art.

First French edition of an essential manifesto of modern art written by Russian writer, poet and journalist Ilya Ehrenburg in 1921.

The “Sounds Journals” by the composer and visual artist Louis Roquin, made during travels in Asia over twenty years (1998-2016), constitute a kaleidoscopic homage to writing, image, text and sound.

The “Sounds Journals” by the composer and visual artist Louis Roquin, made during travels in Asia over twenty years (1998-2016), constitute a kaleidoscopic homage to writing, image, text and sound. This limited edition, numbered from 1 to 20, contains an unique signed collage.

New monograph, presenting over thirty new works produced specifically for a large-scale curatorial project, with an in-depth essay by Tristan Garcia.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

The fifth issue of the magazine for visual and experimental poetry and works inspired by Dada and Fluxus, directed by Jean-François Bory.

A selection of poems by Jean-François Bory covering more than fifty years of creation (1965-2019), from the most emblematic to the most recent, rare or previously unpublished.

A collective reassessment of Gertrude Stein's relationship to the arts, allowing to understand the complexity of the relationship between writing and visual arts in her work.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Conceived around an anthropology of the object, this book proposes to follow the course of royal objects of Abomey, former capital of the pre-colonial Kingdom of Dahomey (in present-day Benin).

New monograph: a retrospective of Yan Pei-Ming's paintings and watercolors from 2006 to 2019, structured around the figure of disappearance and violence, and around the confrontation with the works of the masters of the past as well as with modern iconography, with essays by Franck Gautherot, David Liot, Xavier Douroux and Fabian Stech.

An original fable at war against the founding books of monotheisms (unpublished text of 1963).

Angéline Neveu, a figure of May '68 then of the French poetic underground, close to the Situationists, tells herself and offers a testimony on the years 1960-70.

The reissue, in a new translation, of one of the most important essays of Latin American poetry from the historical avant-gardes.

A journal of critical and political poetry.

This book traces the career of Kara Walker (born in 1969), the most internationally recognized African-American artist since Jean-Michel Basquiat, and explores the history of the reception of a work that faces the limits of representation, challenging the question of the figuration of the black body.

Can the modern uses of prehistory shed new light on the modern experience of time and, thus, the art of this period?

This hybrid publication's starting point relies in ten years of activities of LiveInYourHead, Geneva School of Art and Design (HEAD)'s exhibition space. Between a catalogue, an archive and a collective publication, this book explores the relationships between art education and curatorial knowledge.

An overview of study programs teaching socially engaged art.

The reconciliation of art and life, at the heart of the reflection and practice of many modern and contemporary movements.

Two texts by New York artist Zoe Beloff, pioneer in the field of “media archeology”, whose works are at the crossroads of avant-garde art, popular cultures and critical theory.

A conversation, accompanied by an introduction by Andrea Soto Calderón, to better understand the crucial role that images occupy in Jacques Rancière's work, and how images are the site of imaginative and reconfiguring operations.

Jean Dubuffet, Art Brut, and the primitivist paradigm.

A critical look at the place and stakes of representations of the war of independence in the contemporary construction of the French and Algerian art scene.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

First monograph dedicated to French artist, videographer, performer and poet Julien Creuzet.