An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

A selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

The third issue of the magazine Bagarres, made of constraints and rules of the game.

Issue dedicated to the work of writer, poet, performer and musician Mathias Richard.

Artists in exile; Algiers, capital of politicized soccer; on the human trafficking route in Sierra Leone; the theft of Russian novels from European libraries; interviews with post-punk band Fat White Family and director Sean Price Williams; ecofeminist philosopher Émilie Hache on possible "matriarchies"; Kim Noble; Taysir Batniji; Wonwoo Kim...

Pope.L, Phill Niblock, Cauleen Smith, Thomas Hirschhorn, Paul Pfeiffer, Hurvin Anderson, Bruce LaBruce's Top Ten...

Anniversary issue: 30 artists celebrate 30 years of Neural + 20 of Crónica; interviews with Olga Goriunova, Siegfried Zielinski, Luciana Parisi, Hito Steyerl, Jussi Parikka; The Neural Archive; reports: xcoax 23, Renaissance 3.0 ZKM; books/DVDs & music reviews...

A zine and exercise book about the applied art of questioning, by the writer Cordula Daus and the choreographer Charlotta Ruth.

Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragičević proposes that we analyse sonic phenomena in econo-political terms.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The second volume si devoted to musician mediums.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The first volume is an exploration of spiritualism and haunted houses. It features records of spiritual séances and medium trances, haunting spirits and haunted places, audios of Sir Arthur Conan Doyle, Harry Houdini...

This second project released on Sub Rosa by the Japanese artist Kaoru Tashiro, manages to create a subtle dialogue between four composers, and four musical pieces, mixing a delicate blend of Japanese and European sensibilities. Those different approaches convergence thanks to the highly recognisable sensibility of Kaoru Tashiro's way to play.

The album includes Milan Knížák's 1973 private recording BROKEN MUSIC, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of BROKEN REBROKEN, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra.

Gérard Berréby looks back at the first publishing experience of the man who was to become the director of Allia publishing house: the decision, in the early 1980s, to produce a pirate edition of Aragon's book—at the time opposed to any reprinting—, an unprecedented gesture that provoked numerous reactions in the literary world, and raised a number of questions linked to appropriation and self-publishing.

A collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities.

A comprehensive insight into the images of landscape by the Ethiopian-born artist Robel Temesgen.

A hybrid between travel chronicle and studio process notebook, this artist book tracks the construction of a failed modernist fantasy in the island of La Palma and the hallucinogenic properties of wild plants that grow across the Canary Islands.

A considered examination of ability in our pseudo-post-pandemic era, Interdependencies: Perspectives on Care and Resilience approaches the intersection of artistic practice, accessibility, and activism with heightened cultural nuance and urgent self-examination, focusing on the mutual dependencies that exist between people, societies, and institutions.

An analysis of contemporary artistic practices among artists from Estonia, Latvia, and Lithuania in the context of evolving global networks and art production.

New monograph, featuring a cohesive body of new work, with large-scale paintings and watercolours.

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavor referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

A book about active mythic thinking and scientific storytelling, about fright, trauma, and potentials for transformation.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.

The glass as a listening device.

Klára Hosnedlová; Duval Timothy & Grace Wales Bonner; Diane Severin Nguyen; Rebecca Ackroyd & Kyla McDonald; Dozie Kanu & Precious Okoyomon; Zeinab Saleh & Gea Politi; Gina Fischli; Barbara Kruger; Gino Attwood & Caroline Elbaor; Gray Wielebinski & Philomena Epps; Motoko Ishibashi & Cassidy George; Stella Zhong; Sophie Jung; APERTO '93...

Spanning a pivotal time in Arab art, from the 1950s through to the 1980s, this book celebrates the lives, careers, and personas of some of the region's pioneering artists (from Huguette Caland to Hamed Nada and Etel Adnan) and features archival material, images of artworks as well as of the artists themselves.

The story of the Galerie Janine Rubeiz, a major venue on Beirut's cultural and artistic scene.

A selection of the artist's work from 2020 to 2023, accompanied by a text by Glenn Adamson.

A selection of the artist's drawings and paintings from 2019 to 2023, accompanied by a text by Jennifer Higgie and an interview with Éric Troncy.

A collection of early texts by Reiner Schürmann, on religion, Zen, language, Eckhart and Heidegger.

In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

The first of four diaries written by Anne Truitt (1921-2004), a major figure in 20th-century American art.

Works on paper by the Belgian artist.

A record of outsider music (sound objects and voices) made by patients at Le Havre psychiatric hospital, accompanied by Aude Romary on cello and Nosfell.

Script is the second book of artist J.J. Zana and a continuation of the series started with Cycles. Composed of fragments, it gathers eleven sections—with a central part telling about his experiments with drugs.