The Futures of Screen: an aesthetic and technical analysis.

Digital technologies and interactivity in the artistic field, in an historic and experimental perspective (new edition).

The fourth issue of Le Signe Design (the Cahiers of the National Graphic Design Center), under the sign of Japan.

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

Micromégas (Boch, Callot, Favier, Limone, Mazabraud, Moninot, Jean-Pierre Pincemin, Rousseau, Soulhiol, Torres) / Bertrand Gadenne / Marie-Anita Gaube / Ubiquité, Reconnaissance des formes / Anne Laure Sacriste / Variables Aléatoires (Graduates from ESADTPM).

The groundbreaking work of Masaki Fujihata presented as an immersive intermedia experience through augmented reality technology (retrospective monograph under the form of a ring binder, with a dedicated AR application).

A collection of texts on contemporary experimental practices in art.

Catalogue of three exhibitions about interactivity in digital arts: theoretical texts, notes, ionterviews and documents.