First monograph.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

The cross-generational literary journal Luvah continues its comeback with an eclectic mix of fashion-related offerings.

The outcome of in-depth research into the work of Bruno Richard and Pascal Doury, this anthology of the legendary magazine Elles sont de sortie (ESDS) retraces five decades of a corpus of nearly three hundred publications.

The first vinyl reissue of this legendary EP, released in 1981 on the Japanese "Chaos International Series" label.

A philosopher's journey into the heart of New York artistic life.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

Tribute to philosopher René Schérer (1922-2023), a great Charles Fourier specialist.

A new collection of writings by the composer and mathematician Spencer Gerhardt, considering among other topics the rich points of contact between minimalist musical aesthetics and intuitionistic mathematics.

Garrett Bradley, Maija Peeples-Bright, Tarik Kiswanson, Matthew Barney, Charles Atlas, Tracey Emin...

An exploration of the various paths of ecodesign, from material environments to our imaginations, from concern for uses to new narratives.

Issue 38 of the magazine of the Palais de Tokyo calls upon ancestries, be they intimate or political, transgenerational and historical, human or more-than-human, symbolic or material.

A performance by Jérôme Lorichon (Buchla, electronics), Thierry Müller (electric guitar, iPad) and Quentin Rollet (saxophones), recorded live on May 5, 2016 at Le Détail, Paris.

Four veterans of experimental music get together for a sunny studio improvisation.

The fourth issue of the annual magazine that promotes know-how and technique in design, craft or industry, looks at the cut.

To mark the centenary of Surrealism, this ephemeral journal, featuring 150 contemporary voices from literature, art, cinema, poetry, theater, and civil society, brings together over 200 unpublished contributions, responding to the surrealist enquiries.

Aboard the lifeboat Ocean Viking; Jérôme Ferrari; Quebec poetry; Florentina Holzinger; Corsican cinema; investigation in the Kodak factories...

The first monograph dedicated to the ceramic works of Anaïs Lelièvre.

A collective exploration of the relationship between contemporary art and archeology.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

Archivio n°10, exclusively devoted to design and its history, is edited by designer Jasper Morrison and Marco Sammicheli, director of the Museo del Design Italiano at Triennale Milano.

The soundtrack to Murnau's Nosferatu composed / improvised / played by the trioof Emmanuelle Parrenin, Quentin Rollet and Jérôme Lorichon. The book accompanying the CD contains four versions of the Nosferatu story by four French artists: Marie-Pierre Brunel, Foolz, Caroline Sury and Alexios Tjoyas.

A poetic conversation, in five acts, between Yvon Lambert (Paris), Marie-Charlotte Calafat (director of the Mucem collections), Stéphane Ibars (artistic director of the Lambert collection), and numerous artists, accompanies the exhibition, which brings together works from the Yvon Lambert collection and Mucem folk art objects.

The debut studio album from the Montreal supergroup Pangea de Futura, an octet that has been exploring since 2019, the many ways of—slowly—constructing massive textural musical shapes and droning tribal post-rock ambiances.

71 contributions from 74 authors, artists, architects, and educators published by e-flux between February–March 2024: Charles Tonderai Mudede, Anna Kornbluh, Adeline Chia, Juan José Santos, Xin Wang, Eugene Yiu Nam Cheung, Salmaan Craig, Maddie Hampton, Jamila Squire, Seth Wheeler, Evan Calder Williams, Anya Sirota, Claudio Medeiros, Victor Galdino, Jason Read, Luis Camnitzer, Ecosistema Urbano, Noah Simblist, Hide and Seek Audiovisual Art, Denny Mwaura, Oriab Toukan, Antonia Majaca, Sylvie Fortin, Hallie Ayres...

A chronological dive into a decade of production from one of the major representatives of contemporary drawing, with over 500 images and an essay by Catherine Francblin.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

Jordan Nassar, Whitney Biennal, Martha Jungwirth, Saj Issa...

Extensive survey of the politically outward-looking Conceptualism emerging from Art & Language in the UK. Especially considering its critique of the norms of Modernist art practices in contemporary art, particularly practices of art education.

CURA. turns 15 and celebrates this important milestone with We Monsters, a special "horror" issue dedicated to the exploration of the revolutionary role of monsters in modern civilization, and contemporary art.

Unreleased tapes from the 70s and 80s.

Charles Fourier or utopia as reality.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

The album includes Milan Knížák's 1973 private recording BROKEN MUSIC, released as a multiple of forty copies by Armin Hundertmark in 1983 on Edition Hundertmark, and a live version of BROKEN REBROKEN, performed in January 2020 at the Museum of Czech Music in Prague by Milan Knížák, Petr Ferenc (aka Phaerentz) and Opening Performance Orchestra.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.

Eight Seconds: Black Rodeo Culture, the first book by Ivan McClellan, offers an inside look at Black cowboy culture across the United States in the 21st century, creating a bridge between present and past through sports, community, and love of the land.

After Laughter Comes Tears, in its exhibition and book forms, brings together artists from different generations who are experimenting with the idea of the performative.

Gilles Aillaud, Andy Robert, Marisol, Ellen Gallagher, Giovanni Anselmo, Marjorie Welish...

This double issue aims to provide an "out of placeness" by looking beyond Western-centricity to a transnational, pluralist horizon, exploring the new imaginaries created by artists and thinkers from the "Global South", from Brazil to the Democratic Republic of Congo.

Through more than 500 images by 95 photographers, the Musée de Grenoble's collection of photographs from Antoine de Galbert's collection and his foundation offers an impressive panorama of our times and the decisive role played by photography in shaping our perceptions and contemporary mythologies.

Two monumental pieces for flutes and additional voices.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

How queer theory can wed its critically anti-normative impulses to the empirical need for a state.