Artist and Purple magazine artistic director Christophe Brunnquell and photographer Grégoire Alexandre continue their long-standing collaboration with a tribute to Picasso on the 50th anniversary of his death.

Sam Dunscombe's second album, Two Forests / Oceanic, uses field recordings and rational tuning practice to reimagine the music used for psychedelic-assisted psychotherapy sessions.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.

Sheet Erosion is the third episode in a series of works based around ideas of audio archaeology and found sounds. The setting this time is the city of Brest in France.

A cultural examination of the enigmatically iconic figure of the Dandy, both in history and as a figure for the future.

The best of 2023: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

A collective reflection on the landscape as an ever-changing social, economic, and ecological construct, addressing questions of power, identity, and natural resources (contributions by T. J. Demos, Tiago Torres-Campos, Tiffany Kaewen Dang, Hagit Keysar and Ariel Caine, Teresa Mendes Flores, Chris Malcolm, Irmgard Emmelhainz...)

Trances, Jules Reidy's follow-up to the celebrated World in World (2022), gathers twelve tracks shifting between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.

Trances, Jules Reidy's follow-up to the celebrated World in World (2022), gathers twelve tracks shifting between fragment and epic, returning to familiar phrases between forays outward into uncertain expanses. Through its exploration of the cyclical movements of grief and emotional turbulence, Trances produces a sonic world as raw, absorbing, and surprising as anything Reidy has created to date.

A photographic exploration of the architecture, history and people of Naples at the time of the fervent Scudetto celebrations.

The fourth volume in a series that documents Tarek Atoui's project Waters' Witness, created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

Reference monograph.

Reference monograph (also available in English edition).

An hour-long piece in four parts, scored for four cellists, featuring Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann.

An ideal introduction to Lucier's late music.

Lucy Railton trusts in the nuance of her own creative instincts on an intensely modern, quietly radical second for Modern Love.

The first extensive survey of Nordic art during the transition from postmodernism to what might be called "the period of contemporary art".

A live, raw, collective sound by Maurice Louca & his band Elephantine.

A photo report in an photo lab (artist's book).

Aurel Schmidt's drawings.

B for the birds is a singular book that aims to rethink the film-form as an open cartography of its lines of enquiry, desire and fabulation.

New monograph.

The largest and most comprehensive monograph on van den Broek's work to date, a complete and monumental survey of 1998 until now, on over 500 pages, presented and analysed by John C. Welchman.

This book retraces Thierry Prat's career as a player and witness to the history of contemporary art in France for over forty years, through a series of interviews that highlight the main issues at stake.

This album retraces ten years of practice by the contemporary mixed choir of sighted and blind people founded by vocalist, improviser, composer and researcher Natacha Muslera, which explores compositional modes distanced from the visual field, drawing inspiration from ecosystems and biotopes and blending ancestral and experimental vocal practices.

This publication is based on an exhibition and research project that foregrounds an ever-incomplete weaving of narratives of artists, curators, writers, and customary knowledge holders. It traces the many worlds that have existed in parallel, often in spite of or against the oppressive visions imagined by successive regimes—the Russian Empire, the USSR, and contemporary Russia—that have controlled areas across Eastern Europe and Central and North Asia.

The first issue of the biannual magazine offering an heterogeneous and multifaceted exploration of approaches to modern and contemporary photography through 12 large-format wall posters, folded and detachable, with Julia Andréone, Roman Cieslewicz, Marie Quéau, Stig De Block, Area Of Work, Aurélien Froment, Fabio Mauri, Thomas Demand, Marie Deteneuille, Simon Menner, Kuba Ryniewicz, and Deborah Turbeville.

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

A reader based on a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

Remedios Varo, Fereydoun Ave, Christopher Kulendran Thomas, Sam Gilliam...

The first volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The ten volumes of the anthology of exhibitions at the Frac Franche-Comté between 2013 and 2022, packaged in a box set.

The second volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The third volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The fourth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The fifth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The sixth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The seventh volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The eighth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The ninth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

The tenth volume of Une décennie, an anthology of ten years of exhibitions at the Frac Franche-Comté, between 2013 and 2022.

Through an extensive investigation of the new searches and work productions of international artists, the new CURA. 41, New World Agency™ raises questions related to the ability of art and artists to have a transformative role as regards the apparent irreversibility of the events that impact our present.

Looking back at a decade of activity of the project space Kinderhook & Caracas, this compendium showcases the work of the 83 Berlin-based artists whose practices have crossed paths through the small room on Kreuzbergstraße and several off-site projects around the city.

Research and creations by a collective of academics and artists on perceptions and practices related to the Romanche river in Isère (France), in a context of massive landscape transformation.

A visual record of a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

A data glitch at the beginning of 2022 was the starting point for the sound art project 60 Seconds Each, as a result of a participatory artistic process initiated by Kristof Georgen: 32 tracks by 32 international artists form a 32-minute listening experience of diverse sound positions, each within minimal "expansion".

Black Truffle label's first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti: four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world.

An overview of John Akomfrah's work, with contributions by Julia Grosse and Nelly Y. Pinkrah, an interview with the artist, along with a foreword by Sebastian Baden.

A text by the painter, writer and poet, begun in 1959 as a student and finalized half a century later.