The continuation of the sound adventures of the duo after "L'impatience des invisibles". A new studio album plus a second CD including the tracks released on vinyl by Mind Records, on mini-CD by Lenka Lente and with a live track in trio with Richard Franès (Pointe du Lac).

The second and final installment of FUTURE, a series of publications by Taiyo Onorato & Nico Krebs, explores the deep watery world.

A reflection on the notions of catch and data.

The third issue of the annual review of the École des arts décoratifs de Paris, placed under the complex and ambivalent sign of "TRANS", covering the various ways of transgressing (identity, textuality, coding, training, etc.).

A sound postcard by eRikm: an instant composition recorded on CD, somewhere between sound performance and radio creation, accompanied by a booklet of photographs.

The first-ever comprehensive overview of Maude Léonard-Contant's universe.

The first book to unveil the main pictorial works (drawings, paintings and collages) of the British film director, the source of his entire cinematic oeuvre (new edition).

Three-volume catalogue raisonné of the work of Alain de la Bourdonnaye.

Issue 36 of the Palais de Tokyo magazine proposes to explore the multiplicity, hybridity and fluidity of identities and the ways of loving, the plurality and complexity of our affects and our sexualities.

The life and work of the precursor of happening and streaking in Japan, Itoi Kanji (aka Dadakan, 1920-2021): the first comprehensive chrono-biographical study in Western language on the great Japanese Dadaist nudist ascetic, with a rare iconography.

A parallel dive into the images of filmmaker Andrei Tarkovsky and photographer Sophie Ristelhueber.

Spike's Autumn issue is decoding AI, beginning with the age-old question of what intelligence is.

Four works based on four performances.

Archivio n°9, the first issue of the third editorial cycle, is entirely dedicated to fashion and its history.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

The first comprehensive monograph and critical survey of American artist Pippa Garner, Act Like You Know Me surveys fifty years of her radical and transdisciplinary art practice, from the late 1960s to the early 2010s, through ca. 400 photographs, illustration, ephemera, and original writings.

A series of rail graffiti by the KCBR collective, renewing the practice with an original reflection on the medium, concealment (including, of course, with regard to police services), the trace, public reception and ephemerality, as the works are obliterated by the artists themselves immediately after completion.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object (also available in English).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have questioned the architecture of the Universe and the hidden laws of physics that govern it (also available in English).

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

An overview of the work of the Paris-based American artist, through a series of exhibitions, installations and performances over a dozen years, three essays and two interviews.

Catalogue devoted to Niki de Saint Phalle's Tableaux éclatés (Burst paintings), a vast series of paintings composed of cut-out shapes set in motion by motorized devices as spectators pass by, created as an homage to Jean Tinguely (the book's pop-up cover allows to recompose the pattern of a painting using pull tabs!).

"Woodwind Multiples" features four pieces for multiples of the same instrument: four bass flutes, nine oboes, nine clarinets, and seven bassoons. Each piece works closely with the unique sound of each instrument, combining pitches that create other, sometimes unexpected, tones, primarily combination and interference tones, as well as rhythmic patterns.

A split album as part of the GRM Portraits series bringing together two pieces by Félicia Atkinson and Richard Chartier.

In Perpetual Slavery, Ciarán Finlayson investigates the relationship of art to freedom in the work of Cameron Rowland and Ralph Lemon, who both utilize imagery of labor haunted and structured by the historical experience of slavery.

A series of 16 photographs documenting an action for house lights performed by Alice Guareschi at the Olympia Music Hall in Paris (leporello).

First monograph of the Franco-Iranian artist.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

The very first completely handmade and almost unreleased recordings of Graham Lambkin and Darren Harris under the name of Cat & Bells Club, prefiguring The Shadow Ring.

A previously unheard archival recording of the legendary improvising ensemble Musica Elettronica Viva (Alvin Curran, Frederic Rzewski and Richard Teitelbaum), captured in concert at Bard College, New York in 2012.

Tucker Nichols' flowers paintings.

The third volume of the artist's book series dedicated to prehistoric cave painting mostly features photographs taken in everyday life and on trips, as well as found illustrations from scientific publications in various disciplines.

A true homage to the low end: six unashamedly melodic improvisational workouts created almost entirely with heavily filtered bass harmonica and electric bass, silky smooth, luxurious, odd and compelling.

370-page book + CD chronicling of a solo tour through North America in 2022, exploring the state of the DIY experimental music scenes.

What does Bergson bring to the history of the concept of "structure" even before the advent of structuralism? Why is his approach still relevant today? Sébastien Miravete proposes a rereading of Bergsonian philosophy to show how it outlines an other structuralist metaphysics, which can inspire all 21st century thought.

A poetic investigation on desire, love and masculinity in the form of a constellation of texts, drawings and photographs.

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

In 100 Hotel Sketches Daniel Arsham compiles 100 drawings made over the last few years as Arsham has travelled for exhibitions and installations worldwide.

Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since 2016, continuing his synthetic-naturalist approach to sound-making, twisting disparate and unique elements together to create the sensation of a coherent sonic space.

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

The second collaboration between Stephen O'Malley and Anthony Pateras, this time entirely acoustic, based around an acoustic guitar and prepared piano: a music that seems suspended, captivating by its almost organic coherence and modal simplicity, behind which resonances and subtle plays of pitch develop.

An exploration into the complexity of sounds drawn exclusively from glass (reissue of the record released in 1970, remastered by Lawrence English).

Navigation and montage in Harun Farocki's work.

The Anti-aesthetic at forty, Chryssa, Sung Neung Kyung, Ed Ruscha...

Interviews with Vivian Xu, Abi Liu, Stephen Cornford, Timo Toots, Egor Kraft; reports: xCoAx 2022, Ars Electronica 2022...

The 56th issue of the design research journal, devoted to the question of writing in design practices.

A collection of essays and a critical attempt to rethink and improve the relationship between artists and art institutions and to give visibility to the precarious, complex, and very often existential reality of the art workers.