Sonic manifesto by a post-anything quartet featuring multi-instrumentalists from the Mediterranean inland Sea / new folklore for a devastated planet, including members of Oiseaux-Tempête, H, Karkhana, Polyphème.

The trip to Saudi Arabia by photographer Giovanna Silva and curator Emilia Giorgi.

Sonic manifesto by a post-anything quartet featuring multi-instrumentalists from the Mediterranean inland Sea / new folklore for a devastated planet, including members of Oiseaux-Tempête, H, Karkhana, Polyphème.

A complete survey of the cast, forged, and fabricated metal sculptures made by Danish artist Sidsel Meineche Hansen since 2017.

On the occasion of PROVENCE's 15th anniversary, the reader My Alphabet presents 26 texts published by PROVENCE between 2009 and 2024, either in print or digitally in the weekly newsletter. These texts are sorted alphabetically, ranging from A for Amphetamine to N for Ne travaillez jamais to Z for Gen Z.

The cataclysmic meeting between Masami Akita (Merzbow), legend of the Japanese noise scene, and pianist Nicolas Horvath, great connoisseur of the classical repertoire and unparalleled experimenter.

Itinéraires Fantômes is an oracle deck created by Alexandra Grant with Hélène Cixous in celebration of H. Cixous' work.

Issued on LP for the first time, Atrás del Cosmos's Cold Drinks, Hot Dreams,, originally issued on cassette in 1980, is a heady and lush live set by who many consider to be the first free jazz ensemble in Mexico.

Midsummer, London by one of the world's leading voices in field recording explores the different accents, musics, and other sonic phenomenon of London at locations tracing the river Thames, moving from the outskirts in the west to the outskirts in the east.

Through a rich selection of images, this artist's book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari's work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.

Catalogue dedicated to the series of paintings exhibited at the Musée d'Art Moderne de Paris, Wade Guyton's first exhibition in a French museum.

A partly autobiographical novel that the German surrealist artist and author Unica Zürn (1916-1970) wrote for her ten-year-old daughter in 1953, although it would never be published in her lifetime. This is the first translation of the tale from German into English.

A board game and a communal ritual conceived by artist Angelo Plessas to explore self-made sacred spaces and inter-species connections.

A comprehensive overview of the work produced by British musicians Graham Lambkin, Darren Harris, and later Tim Goss over the course of a decade, across eleven CDs and a DVD, accompanied by an nearly five-hundred-page book.

A "score" of drawings that highlights both the continuity and the progressive changes in the Swiss artist's work.

Retrospective monograph.

French artists Christophe Brunnquell and Estelle Hanania celebrate 15 years of collaboration with this book published by the legendary Japanese bookstore Komiyama Tokyo, combining performance, illustration and photography.

Social Engineering brings together thirteen text fragments from so-called phishing emails. Using speech synthesis, they are spoken, sung, and/or transformed into abstract textures. The result is a 36-minute language and sound collage devoted to the dark forces of phishing.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

A major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt's cult 1978 animation Asparagus.

New monograph.

Julien Blaine's rebellious confidences, between the political and the poetic.

Le calendrier des révoltes (Calendar of revolts) is a calendar where the usual information relating to each day (saints, historical events, etc.) leaves room for the only mention of a revolt that took place that same day in history or the near past.

A chronological dive into a decade of production from one of the major representatives of contemporary drawing, with over 500 images and an essay by Catherine Francblin.

Julien Blaine's new collection of poetic, visual and typographic experiments.

A journey through the artist's work and life.

A major work by the American sound artist and composer, the culmination of three years' work inspired by nature and the animal world, introducing her voice, but also drums, into her sound palette.

New monograph.

The French producer's 9th album features two time-stretched, profound analog-textured pieces based on the physical and emotional swaying motion suggested by its title and recorded during some concerts played in the summer of 2019.

A continuation of Jean-Guy Coulange's radio projects and his attempt to "show sound".

The first vinyl release from French composer-performer Léo Dupleix, an active member of the international community of younger musicians working with just intonation.

This book takes the domestic dog as an affective standard, a practical horizon and an index of a moral economy specific to the capitalocene.

Reissue of Charles Pennequin's first book, a lengthy text in which the author's writing is characterized by obsessive repetition, a breathless rhythm, a combination of introspective movement and prosaic elements, and a staging of proferation.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

A stunning look at Stravinski's The Rite of Spring, recreated by choreographer Dominique Brun with thirty dancers in 2013.

A glimpse into the garden—where worry, a lonely bird and others live—of EF+MRA, a collaborative drawing project that Norwegian artists Espen Friberg and Marianne Røthe Arnesen started together in 2014.

The first attempt to map that ensemble of subcultures, popular narratives, and visual and auditory languages we now recognize as "internet aesthetics".

A tricontinental exhibition and publication project that takes the form of a multiauthor monograph to showease an artist whose work creates space to connect with the self; to be in the here and now.

A new poem composed by the legendary dancer, artist and choreographer Simone Forti.

Three pieces spanning free improvisation, noise and extended saxophone technique with Ulrich Krieger, one of the masters of contemporary experimental music.

Baudouin de Jaer pursues his exploration of the geomungo, a traditional six-string Korean bass zither, with a wordless opera in three acts.

This book on the films of Anton Vidokle features essays and conversations by theorists, curators, and artists exploring the themes of technological immortality and resurrection informed by Cosmist philosophy.

New compositions (by Phill Niblock, Klaus Lang, Bernhard Lang, Milan Guštar, Judith Berkson, Idin Samimi Mofakham and Ian Mikyska) for the sixth-tone harmonium conceived by Czech composer and pioneer of microtonal music Alois Hába in the 1920s and '30s, performed by Miroslav Beinhauerr, currently the only player of this unique instrument in the world, who has single-handedly revived it after decades of slumber.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

This critical biography guides readers through artist Magda Stawarska's practice via a series of journeys—from the streets of Istanbul to the canals of Venice and across the waters of Zanzibar.

In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist's theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

Eight pieces of free vocal improvisation by the duo of Jason Kahn and Alice Hui-Sheng Chang, who have been working together since 2015.

How does the world—and the world of visual culture in particular—creates itself in a creative act that knows no economic return.