The series of photomontages on canvas made by Eulàlia Grau in the early 1970s, a transgressive response of a young Spanish feminist artist to the authoritarian Franco society that conditions thoughts and bodies.

A series of reflections on major contemporary issues in the framework of feminism, individual and collective emancipation and self-organization, based on the film Scuola senza fine (1983) by Adriana Monti, figurehead of Italian feminist cinema.

The seventh and last issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif is dedicated to the character of an Acrobats ("who are two but together as one," as Thomas Clerc says in his play, The Heptahedron).

An expanded edition of Ballen’s debut photobook—a charming homage to the spirit of boyhood around the world.

The Italian artist's research around the issues of normativity and the institutional stigmatization of mental illness.

Reference publication dedicated to the practice of Lubaina Himid, one of the leading figures of British Black Art since the 1980s.

Everyday life on the Haight: previously unseen portraits from the hippie epicenter by the acclaimed documentarian.

A body of fragmented images and views that draw their iconography from public spaces or from motifs specific to modernity.

The new album of composer Loren Rush is inspired by poems from "L'allegria", the collection of poetry by Giuseppe Ungaretti written in the trenches of World War I.

A conversation between the political geographer Sinthujan Varatharajah and the artist Moshtari Hilal on gentrification, asylum policy and double standards of the German majority society. Both authors have become leading voices of a new generation on topics such as racism, having ceated a strong counterpublic through their social media in the last years.

Issues 39 to 41 of the critical review dedicated to graphic design.

Dewa Alit, Bali's master of contemporary Gamelan composition, returns to Black Truffle with Chasing the Phantom, presenting two recent works played by the composer's Gamelan Salukat, a large ensemble that performs on instruments specially built to his designs, using a unique tuning system that combines notes from two traditional Balinese Gamelan scales.

Second pressing of Recital's vinyl edition from 2015, perhaps the most approachable and beautiful in all of Loren Connors' catalog.

A masterstroke of contemporary musique concrète and auditory conceptualism, dense with metaphor, allegory and meaning.

This first meticulous revision of the artistic work by Guadeloupean artist Minia Biabiany points the reasons why her practice has become unavoidable to reflect on the continuous process of Caribbean colonization, by destabilizing colonial structures within the territory, body and language.

The long term project of the Italian artistic duo around the trajectories of sound through the Mediterranean sea.

Adam McEwen's inkjet-on-sponge paintings, collected here in their entirety for the first time.

Collection of recordings made at the Friedrichshof commune between 1982 and 1990. Includes actionist group-music, improvised conceptual pieces, and barpianist-songs.

Persistence of Sound presents a new album from one of British sound art's most original voices.

A series of drawings made during a field visit by the filmmaker, writer and artist Ahmed Bouanani. Here ethnographer and illustrator, Bouanani analyzes the construction of Berber jewelry by sketching a taxonomy and a geography of formal symbolism of Berber groups in Morocco.

A retrospective of immersive performances and installations with which the Israeli sound and visual artist, composer and musician explores the physicality of sound.

Autobiography by Ignasi Aballí is made up of 64 "años" (years), one for each of the 64 pages. Casually, the artist was born in 1958, it means that he has 64 years old at the time of the publication of the book.

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

The third volume of the Wattis Institute's annual reader is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

The first collaboration between the GRM and new label-partner Shelter Press, continuing the Portraits GRM record series which Peter Rehberg of Editions MEGO set the foundation for in 2012, Living Torch is a major piece by Kali Malone adds a significant milestone to an already fascinating repertoire.

A retrospective of the "retinal" painter's work, since the early 1980s.

Julia Reidy's 7th album is an intimate set of songforms using just intonation guitar, electronics and voice: both rigorously experimental and emotive, World in World is undoubtedly the finest work yet of the prolific Berlin-based guitarist-composer.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

The first in a series of publications emerging from the transoceanic platform Kal, Kal Rituals proposes queer and trans feminist ecologies, embodiments and mythmaking.

The height entry in Blank Forms' ongoing series of anthologies is devoted to the Amercian experimental musician/composer/intermedia artist Jerry Hunt.

On textstar+ Jan Jelinek brings together the material from the CMYK series, four seminal EPs he released between 1999 and 2002 under the pseudonym Farben, on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period.

Premodern acoustic traces as the basis for new communities of thought in the present (a project responding to the work of the self-taught acoustic archaeologist Umashankar Manthravadi).

Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s.

A radio creation around the materiality of sound and air.

Tennis Courts IV completes the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places.

Brunhild Ferrari returns to Black Truffle with her first duo with the legendary figure in underground music Christoph Heemann.

Autobiography by Thomas Hirschhorn is a visual autobiography that through some selected images, narrates the story of the life and career of the artist.

The final album released by the composer-performer Jerry Hunt before his death, Ground: Five Mechanic Convention Streams is a rare and foundational audio document of Hunt's compositional process.

A proposition opened up by Umashankar Manthravadi in his practice as an acoustic archaeologist, bringing together writers, choreographers, composers, actors, dancers, musicians, field recordists and sound, light, and graphic designers who engage and transform each other's work.

First monograph.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A collection of photographs from the archives of the icon of underground and alternative Parisian nights Dora Diamant.

A how-to manual for free improvisation music.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if this word came from the origins.

Through a message of love, the writer evokes the memories and places of his own childhood and expresses a pessimistic and painful thought of a Tunisia adrift, which currently offers to its youth a dark future—while hoping that the light returns.