A layered graphic novel, conceived as a video-game trailer, weaving together diverse imaginaries, from Flaubert's The Temptation of St. Anthony to H.G. Wells' short stories, from brutalist architecture to generative artificial intelligence.

South African, Amsterdam-based artist Simnikiwe Buhlungu's most expansive publication to date.

The debut publication by French, New York-based, photographer Eric Guillemain offers a privileged insider's view into the captivating world of film sets.

Writer Véronique Vassiliou is an author associated with the 2023 exhibition season of La Kunsthalle Mulhouse. She immersed herself in the universe of three exhibitions, composed freely around the works and ideas she perceived there.

Artist's book, produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop.

A critical reflection on colonial spaces initiated by the Portuguese artist.

New monograph.

A series of propositions and encounters in service to an aesthetic, critical, and poetic experience of living life led by death.

A look back at the poetic, political and anthropological dimensions of the collective performance initiated by artist Giorgio Andreotta Calò around a mining plant in Sardinia.

John Armleder delivers a series of drawings for his “autobiography”.

One minute of dance a day for a decade: a look back at choreographer Nadia Vadori-Gauthier's daily act of poetic resistance, on the edge of situated dance, philosophy and performance.

This artist's book collects the series "All the ambition in the world" (2024) by Ryan Gander, a series of posters for fictitious group exhibitions that never took place, but were imagined by the artist's mind.

Short Circuits features essays, interviews, and documentation that highlight Dubai based artist Vikram Divecha's interest in the often invisible structures of planning, construction, demolition and maintenance. It centres on his long-term collaborations with workers, contractors and decision-makers who shape the cities of the United Arab Emirates and beyond.

Rirkrit Tiravanija's methods for making less.

A critical exploration of the values and qualities inherent in independent educational organizations and the hurdles in the way of remaining "alternative" with the passing of time.

Two lectures from art historian and curator Griselda Pollock address feminist questions and art education in the 1980s and today.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

Reference monograph of the Surrealist painter, one of the most important women artist in Spain in the 20th century.

A dialogue between two avant-garde figures, one poetic, the other musical.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

Retrospective monograph.

Residencies Reflected looks at international artist residencies with a societal and ecological mind shift.

The first vinyl reissue of this legendary EP, released in 1981 on the Japanese "Chaos International Series" label.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

PhD and postdoc supervisors from Europe and beyond interrogate the existing formal educational pathways for artistic and practice-based research.

An overview of the pictorial work of a leading figure on the Saudi art scene.

An overview of the pictorial work of a leading figure on the Saudi art scene.

First monograph.

The richness of cultural exchanges between Italy and Switzerland, especially in terms of architectural culture, is the framework within which this publication was conceived and structured. The editorial project retraces and expands some of the themes addressed during the first seven years of the Swiss Talks, born in 2017 as a cultural partnership between the Istituto Svizzero and the architecture magazine Casabella.

In this prophetic 1978 essay, legendary science fiction author Philip K. Dick explores the nature of reality, the power of media, and the authenticity of human experience, offering startling insights that resonate eerily with our modern world.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

The images shot on Egyptian film sets by prominent photographer Fouad ElKoury over more than a decade capture the essence of Arab cinema.

A chorus of voices on notions of Black social life, public communion and humanities of the Indian Ocean.

First monograph.

Stefano Arienti's photographic "autobiography" (artist's book).

This monograph explores the work and the artistic activities of Italian radical performer, poet, visual artist and feminist Tomaso Binga through a specific lexicon, and also features a selection of her poems.

Comprehensive monograph.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

A tribute to Derek Jarman manifold and vital practice.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

Contested Landscapes is dedicated to different rural regions—their landscapes, their producers, and their work. The paths of the family of the artist Sandra Schäfer and those of the famous German photographer August Sander cross in the Westerwald, a rural area in Germany shaped by farming and mining.

This edition presents the research of Brazilian choreographer, performer, teacher, visual artist, gardener, craftswoman and "post-pornographer" Acauã Shereya during her Master's degree in choreography and performance at ICI/CCN Montpellier.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida's "Vocal Trio" represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.

This volume brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010.