What would an exhibition be like if we changed the environment from the gallery, museum, or Kunsthalle, to that of the cinema? (a project by Mathieu Copeland, with Chantal Akerman, Peter Downsbrough, Liam Gillick, John Giorno, Philippe Grandrieux, Isidore Isou, Philippe-Alain Michaud, Meredith Monk, Lee Ranaldo, Susan Stenger, Alan Vega, Jacques Villeglé, Lawrence Weiner, Apichatpong Weerasethakul...).

A piece for voice(s) an dead electronics with Loré Lixenberg (mezzo-soprano).

A presentation of the key figures and the basic concepts of Lettrist cinema, which prefigured the breakthroughs of the nouvelle vague and the experiments of expanded cinema.

A piece for mezzo-soprano, voices, instrumental ensemble, electronics and videos (with a DVD, with no sound, to synchronise, or not, with the CD).

An in depth analysis of one of the most inventive (but also the most misunderstood) post-war avant-garde movements.

A panorama of Ben's conflicting ideas and various activities since 1959.

Venet's writings.

For his first ever conceptual piece from 1990, Frédéric Acquaviva collaborated with Australian pianist Mark Knoop on the recording of all harmonic frequencies using only the damper pedal of a piano.