The "suspensive" artist Chloé Moglia invites authors, illustrators and researchers to write with her what the gesture of standing above the void generates as perceptions and thoughts. This second issue of Les Feuilles (The Leaves) spreads out, explores horizontality, breaks through and perseveres in this perspective. A way of trying not to go backwards, or in reverse.

"Labo d'objet", a research laboratory run by UR Design & Création at the Saint-Étienne Higher School of Art and Design, proposes a visual reflection by creating images that associate concrete with vehicles such as cars, motor homes, tractors and caravans, at the crossroads of industrial culture and creative experimentation.

All television images seem to be the same image. An artist and researcher at the Saint-Étienne Higher School of Art and Design, Lorenza Mannaioni, attempts to prove this with this book of felt-tip pen images.

Alison Flora; Violette Abu Jalad; Ear We Are 2025 by Jérôme Noetinger; Nina Garcia; Eryck Abecassis; Richard Wilson Avena; the Entrefer label & Carbon Sink; Canadian Connection by Pierre Durr...

The collected writings of artist Marc Camille Chaimowicz, along with the stories behind them told by Alexis Vaillant.

69 different personalities share their unique experiences of Laurent Fiévet's work, inviting us to rethink our relationship with images.

An artist’s book, a work to be read, a journey through the history of painting, drawing on the collection of paintings at the Musée des beaux-arts de Rennes.

The debut publication by French, New York-based, photographer Eric Guillemain offers a privileged insider's view into the captivating world of film sets.

Two series of brutal, raw drawings by Miriam Cahn.

The 14th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), with interviews Brian Roettinger, Eliott Grunewald, Aurore Piedigrossi, Jean-Vincent Simonet, Mathilde Agius, Marvin Armand and Cécilia Poupon and a conversation between Erwan Bouroullec and Michel Roset.

The story of La Salle de Bains art center in Lyon since 2013.

Focus on the blockchain digital ecosystem: art on the web of value.

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

Farida Amadou & Martina Berther; Cécile Babiole; LUFF 2024; Fuji|||||||||||ta; Emmanuelle Tornero; Clément Vercelletto; Donald Miller (1958-2024); Sophie Agnel; Annick Nozati & Daunik Lazro...

An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

Architect Patrick Bouchain's reading of the work and his friendship with Pierre Guyotat, as well as an analysis by Bouchain and numerous members of Guyotat's creative community of the power of the alliance between vision and word, image and poem, in the author's work.

Double issue of the journal of popular music studies, with a feature on the sound factories of the global South, and a look back at the 20th anniversary of Volume!.

The 22 exhibitions programmed by Philippe Piguet at La chapelle de la Visitation art center in Thonon-les-Bains since 2018, in 400 pages.

The cross-generational literary journal Luvah continues its comeback with an eclectic mix of fashion-related offerings.

A visual corpus that brings together one hundred and thirty-two artists' books collected and reproduced as part of an artistic residency conducted at the Centre des livres d'artistes (Saint-Yrieix-la-Perche).

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

A philosopher's journey into the heart of New York artistic life.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

An essay by Yoann Sarrat on two works by Jean-François Bory and Kathy Acker.

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

The new volume of an experimental series on historiography, about toys.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

How AI can be used in the creative process in art and design.

Jean-Christophe Thomas analyzes François Bayle's complete work in 52 recurring features (book augmented with 151 sound examples to download).

A performance by Jérôme Lorichon (Buchla, electronics), Thierry Müller (electric guitar, iPad) and Quentin Rollet (saxophones), recorded live on May 5, 2016 at Le Détail, Paris.

Four veterans of experimental music get together for a sunny studio improvisation.

Three long poems by American writer, artist and actor Rene Ricard (1946-2014), an icon of the New York underground in the 1970s, accompanied by a series of drawings by American painter Robert Hawkins.

Gathering reflections and testimonies of exhibitions realized by Yann Annicchiarico in various countries, this looks back at a unique state of perception, related to the experience of emptiness and to the suspension of attention, an essential element in the artist's research.

Two revenant stories by Léon Bloy (1846-1917), with music by Nurse With Wound.

The facsimile of a never-before-published catalogue, documenting a Milanese exhibition banned by the police in 1992, renders the productions and stances of a group of Italian artists in the artistic context of the time.

To mark the centenary of Surrealism, this ephemeral journal, featuring 150 contemporary voices from literature, art, cinema, poetry, theater, and civil society, brings together over 200 unpublished contributions, responding to the surrealist enquiries.

Kiki Jones; Fady Joudah; Mica Levi; Pascale Ciapp; Kasper T. Toeplitz; Graham Lambkin; Risaripa; Steve Albini; David Grubbs; DASDAS...

Book-object: a collection of fifty drawings made on a train, within the meanders of a straight line.

A first major monograph on Thierry Fournier's practice, French visual artist, with an extensive documentation of many recent works and a collection of texts and interviews.

The first monograph dedicated to the ceramic works of Anaïs Lelièvre.

A collective exploration of the relationship between contemporary art and archeology.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.