Contemporary art

A manifesto-as-culinary-innovation.

The first recorded collaboration between Charlemagne Palestine (piano Bösendorfer, orgue Yamaha and voice) and Rhys Chatham (trumpet, loop pedal, electric guitar).

For this artist's book, Izet Sheshivari used three different photographic technologies to produce this selection of landscape images which play with the codes of classic road movies.

A corpus of contemporary Roman inscriptions, which testifies the importance of language—institutional as well as popular—in the collective space of the streets (artist's book).

With Grotesque female creatures, atomic lightbeams, skulls, Pop monsters and ukiyo-e decoration... These polychromic hallucinations of a Master of Psychedelic art were inspired by a near-death experience.

This vinyl edition collects several field-recordings of Matteo Nasini's aeolian instruments, executed by the artist in different places and conditions. Together with the vinyl, the edition presents eight large-format artist's prints related to the same practice.

Based out of Singapore, Kaleidoscope Asia is the first issue of the brand new, biannual and bilingual (Chinese/English) sibling edition of Kaleidoscope dedicated to contemporary art and culture from the Asia Pacific region. Under the art direction of acclaimed Munich-based Bureau Mirko Borsche, the magazine combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update.

L'herbier: marcher, classer, nommer le paysage / Où donc est passé le réel? (Valérie Belin, Damien Cabanes, Philippe Cognée, Esther Ferrer, Christian Lhopital, Philippe Ramette...) / Sophie Matter / Linda Sanchez / Myriam Mihindou / Farah Atassi / DVD Galeries Nomades 2014, Institut d'art contemporain, Villeurbanne (four exhibition films): Adélaïde Feriot, Maxime Lamarche, Nicolas Momein, Daniel Otero Torres.

First monograph.

A special issue dedicated to words written by artists—essays, articles, poetry, scripts, drafts, letters, telegrams, notes and footnotes, and text-based artworks.

The first issue of the magazine dedicated to post-market culture features essays by Marion Maneker, Martin G. Fuller, Steven Shaviro, Taslima Ahmed, Manuel Gnam, Roberto Ohrt, Ben Vickers, Carles, and a visual work by Michael Farin.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

A photographic documentation, with some critical essays, of the artist's exhibition at Galleria Borghese where three multimedia works are displayed on freestanding structures inspired by the paintings of Caravaggio: a meditation on our fondness for contemplating images of mortality or death, and the different ways of manipulating viewer experience.

An anthology surveying the relationship between artistic practices and documents.

A collection of sentences from Wikipedia articles including "trench". The words are engraved by notches in photographs. A kind of eroded field that becomes a graphic novel.

Firenze 77 tells the story of a number of artists who passed through Florence, and Villa Romana, between the second half of the 1970s and the early 1980s. This publication is a collection of heterogeneous, autonomous material—a series of notes, comments, book summaries and various kinds of devices.

Reference monograph.

Curating A-Z.

Artist's book by the avant-garde designer Susan Cianciolo.

The exhibition as a transdisciplinary and transcultural set of spatiotemporal relations.

First monograph.

Artist's book.

A seminal text (and introduction to some 25000 pages of drawings, collages, autobiographical writings and compositions by Adolf Wölfli), this “short autobiography” of a major figure in the history of art brut is accompanied by a mini-CD containing the two interpretations of Wölfli's graphic scores by Nurse With Wound, first published in 1986.

A portrait series with distinctive compositions and colors.

Artist's book.

Artist's book.

New monograph.

Artist's book.

Different “augmented” perspectives from a visit of Giorgio de Chirico's flat.

The reprint of two out-of-print artist's books self-published in the 80's by the Japanese artists collective The Play, with a previously unreleased documentation.

4 leporellos in slipcase: an artist's book that brings together for the first time, as individual leporellos, the four long drawings Saul Steinberg produced for the Children's Labyrinth at the Milan Triennale in 1954.

A comprehensive look at the public artworks that Daniel Buren has made using ephemeral materials.

Kaleidoscope's newest release introduces a completely redesigned and revamped version of the magazine, under the visionary art direction of Munich-based Bureau Mirko Borsche. The magazine's new formula combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update.

Federico Pepe's Magnum opus (limited edition artist's book).

Both an artist's book and Kader Attia's reference monograph, “RepaiR” consists of interviews and texts around Attia's oeuvre, documented through about 1000 b/w reproductions, and the notion of repair, by 13 academics and researchers working in various disciplines. The book also reveals the artist's research and creation process, with a selection of archive texts and images.

Three iconic series of photographs by Juergen Teller.

Facsimile of a book of drawings made between 1979 and 2010.

A collection of 38 short, self-contained episodes (artist's book).

300 drawing by Portuguese artist Gonçalo Pena.

The reissue of the Manifesto of Futurist Musicians (written in 1911), in which the Italian composer, musicologist and ethnographer Francesco Balilla Pratella (1880-1955) explains the "violent and absolute principles" of a futuristic music which inspired Luigi Russolo's The Art of Noises.

A Collector's Edition of 500 copies numbered and authorized by Maurizio Cattelan and Pierpaolo Ferrari. On the back cover of the Collector's Edition are printed the signatures of the authors.

The public art program conceived in the context of the urban development project for the city of Poitiers in France, with commissioned works by Élisabeth Ballet, Pierre Joseph, Didier Marcel, Benoît-Marie Moriceau, and Christian Robert-Tissot.

Artist's book (limited edition).

New monograph, with texts by Quinn Latimer and an extensive interview with the artist by Adam Szymczyk, also including a catalogue raisonné of Auder's video works.