Catalogues

A retrospective of the activities of the alternative art center Le Lieu in Quebec.

Catalogue of the second edition of Manifesta – European Biennal of Contemporary Art, presented in Luxembourg (also available in English).

A collection of images of young women in the city, taken by the great photographers of the world.

Catalogue of the 7th Festival d'in(ter)vention, focused on audio and radio art.

A report of the activities of the art center in 1990-1991.

Exhibition catalogue (Hanne Darboven, Gretchen Faust, Isa Genzken, Marthe Wéry, Laurie Parson, Jessica Stockholder, Judith Barry, Annette Messager, Cindy Sherman, Rosemarie Trockel, François Vergier).

The report of the first Biennale of contemporary art and performance in Quebec.

Catalogue of the 5th Festival d'In(ter)vention curated in Poland by Quebec art center.

Collective exhibition catalogue (Dimitrije Basicevic, Miljenko Horvat, Marjan Jevsovar, Julije Knifer, Josip Vanista).

Catalogue.

Group exhibition catalogue with Bruce Nauman, Niele Toroni and Giulio Paolini.

Exhibition catalogue (Jean-Michel Alberola, John Armleder, Ludger Gerdes, IFP, Hubert Kiecol, Bertrand Lavier, Allan McCollum).

Exhibition catalogue (Daniel Buren, Peter Downsbrough, Sol LeWitt, François Morellet, Claude Rutault, Fred Sandback, Niele Toroni).

Exhibition catalogue of the 1972 show that took place at the occasion of the 5th birthday of the Yvon Lambert gallery.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

The catalog of the fourth edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme in Chaumont, in 2023.

A panorama of the art of ceramics.

The portfolio of the exhibition at the Jeu de Paume in Château de Tours, dedicated to autochrome, a technique patented at the very beginning of the 20th century by the Lumière brothers, which revolutionized the history of photography by introducing color, before falling into oblivion and then being rediscovered in recent decades by historians and collectors.

A retrospective of the first ten years of the NY-based radical art, publishing and multimedia collective 8-Ball Community.

New perspectives on the process of translation from the works of more than thirty international artists.

"Stories of Paper" traces the history of paper as a thousand-year-old material used from antiquity to the present day, and provides an original perspective on the history of graphic arts.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

The catalog of the international exhibition initiated at Les Abattoirs reveals a little-known story that was a milestone in 20th century psychiatry and its new links with art brut and modern art, taking as its starting point the career of the Catalan psychiatrist François Tosquelles (1912-1994).

The portfolio of the exhibition at the Jeu de Paume: a panorama of the visual inventions of the photographic avant-gardes, in the heart of MoMA's modern photography collection.

The catalog of the third edition of the International Graphic Design Biennial, organized by le Signe, centre national du graphisme, questioning the role of virality in today's society (with Fanette Mellier, the Iranian studio Kargah, Michel Le Petit Didier, Michiel Schuurman...).

The exhibition catalogue for the Château d'Oiron presents more than 170 artworks from the collection of Antoine de Galbert, placed in such a way as to dialogue with the permanent collection of contemporary art Curios & Mirabilia, assembled by Jean-Hubert Martin in 1993.

A “minimal encyclopedia” for ideas and visions beyond the pandemic, that also contributes to a polyphonic and polysemous vision of contemporary Italian artistic production.

Catalogue of the double exhibition devoted to the Pattern & Decoration movement, with numerous previously unpublished archives.

Art and feminism in Italy in the Seventies.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

Following the opening up of Japan to the West in the 1850s, artists, designers and makers across Europe became gripped by a new fashion for “Japonism”. The catalogue of the Louvre Abu-Dhabi exhibition focuses on the pioneering group of Parisian artists Les Nabis, their fascination for Japanese prints, and the importance of this cross-cultural influence in the development of the decorative arts.

Catalogue of the exhibition-manifesto curated by Nicolas Bourriaud, which takes as its starting point the integration of the notion of Anthropocene in today's artistic scene: the publication proposes an exploration of the output of a new generation of artists who are working on reality, and doing away with the traditional division between the notions of “culture” and “nature.” The catalogue reviews each exhibited work in detail, and offers an enlightening glossary.

Catalogue of the first Orleans Biennale of Architecture: introduced by a series of texts on Guy Rottier, Demas Nwoko and Patrick Bouchain, the publication offers an intersecting vision from over forty contemporary architects working on building a shared world. The concluding part presents a mapping of the research in architecture.

This catalogue traces the trajectory of Warhol's influence on the work of Wool and Guyton. The innovative print processes deployed by the artists operate as conceptual fibers unifying the diversity of paintings oscillating between abstraction and representation. With an essay by Glenn O'Brien.

Nightfall gives an overview of Gothic imagination in the arts, from the 18th century to the present day. This pocket-sized catalogue examines the persistent influence of the pioneering works of modern gothic fiction through a series of essays and a rich iconography.

Reference catalogue that examines the notion of Art Brut in a time of new technologies. The first section of the volume features a selection of essays by specialists; the second and richly illustrated section introduces the works of 28 iconic or emerging artists.

Exhibition Guide from the Triennal 50JPG 2016 – 50 Days for Photography in Geneva, accompanied by the two artist's books published on the occasion of the exhibitions, Giacomo Bianchetti – Bilderberg 2015 et Sébastien Reuzé – Indian Springs (bundle).

An attempt to define the spirit of an age: exploring how today's myths, identities, and cosmologies relate to current advances in technology—through reference to the material basis to our most developed weapons and tools; a class of seventeen rare earth elements from the periodic table—Rare Earth challenges the rhetoric of immateriality associated with our hypermodern condition.

An unique view into the creative universe and the artistic circle of agnès b. by bringing together major works she has collected and some special contributions (available in

A look at contemporary visual culture and how it has been progressively mutating towards models where seemingly opposite dimensions come together to create hybrid forms: material and virtual, textual and objectual, organic and artificial, consumerism and spirituality have been merging and blurring previously defined boundaries (catalogue).

The European colonial heritage revisited: Meessen invited ten international artists to think the colonial modernity and connect it with the history of avant-garde, political and independence movements (catalogue of the Belgian Pavilion at the 56th Venice Biennale).

Cultural-historical materials and artistic positions that critically address the rise of the image of “One Earth” and the ecological paradigm associated with it.

Art as a combat sport.

This mini, compact catalogue, accompanies the eponymous exhibition at CAPC museum of contemporary art of Bordeaux.

An exploration of the relationship between language and visual arts (works by/essays on Pierre Ardouvin, Art Keller, Julien Audebert, Gérard Collin-Thiébaut, Éric Duyckaerts, Dora García, Mark Geffriaud, Martin Le Chevallier, Claude Lévêque, François Morellet, Christian Robert-Tissot, Charles Sandison, Yann Sérandour, Lawrence Weiner).

Theoretical and artistic reflections on the history and contemporary relevance of animism.

A retrospective of “empty exhibitions”.

A retrospective of “empty exhibitions” (hardcover limited edition).

Limited edition catalogue of the exhibition casting an eye over 25 years of multidisciplinary activities by legendary experimental rock band with plastic/visual artists, film-makers, designers and musicians.