Anthologies

The art scene for collectors, and art and economics.

Conceived as a textbook with images rather than an exhibition catalogue, the book reflects on the diversity of fundamentalisms, a phenomenon that is not confined to particular cultures or modes of thought; its intention is to explore the concept in its many forms and multiple origins.

A transcript of lectures on culture and globalization by artists and cultural analysts.

A selection of unfavourable articles on Gauguin.

Exhibition catalogue (texts by Christophe Cherix, Sarah Lombardi, Olivier Mosset, Caroline Nicod, Bernard Wyder, interviews by John Armleder, Rene Berger, Pierre Keller).

The Fluxus anthology.

A collection of texts and interviews of artists, musicians and art critics (Kim Gordon, Mike Kelley, Christian Marclay, John Miller, Bob Nickas...) based on the relationship between art, "rock" music and culture in the largest sense of the word.

A selection of essays by the artist, poet, writer, happening-maker, cinematographer, art and literary critic.

An anthology of texts around issues such as spatial politics of representation and identity, the public and the private, the space of art and culture, the memory of places and the inscription of remembrance, and the relations between utopias, heterotopias and the real.

A collection of entirely revised or previously unpublished texts.

A selection of unfavourable, violent, conformist, sceptic or narrow judgments on Picasso, published in French and international newspapers (Le Figaro, The Daily Mail, Les Lettres françaises, Life...) between 1917 and 1973.

Five or six contains texts selected from more than 100 reviews, articles, and catalogue essays published by Liam Gillick since 1989.

Bob Nickas' writings (English edition).

The texts in Group.sex discuss political groups and languages, abstract radicalism and art, feminism and bohemianism, social hierarchies, and telematic friendship.

Architecture of the Territory examines the role that national narratives have in defining the Arab world through the use of architecture and urban planning, through 30 essays, by contributors of each region.

A crossdisciplinary inquiry into the practices and forms of assembly making, through multiple times and geographies.

A conversation about science fiction and robotics, ecology and gender, Indigenous Futurisms and what it means to be human.

The necessary new paradigms to invent in architecture and design in the context of the environmental crises.

Michel Henritzi's collection of interviews provides a rich portrait of the experimental music scene in Japan.

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (hardcover edition).

The reprint of an unjustly forgotten book edited by renowned historian E. P. Thompson, detailing the experience of socialist British youth volunteers working on constructing the railway from Šamac to Sarajevo in Yugoslavia in 1947.

A curated collection of essays by art critics, philosophers, curators, designers, researchers and conservators, whose considerations address the transformations in the contemporary landscape of fruition and production of art.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both “Greeks” and “Experimentalists”.

This anthology aspires to map the heterogenous landscape of Greek Experimental Electronic Music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception, it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both “Greeks” and “Experimentalists”.

A landscape of Japanese playgrounds, at the intersection of architecture, urbanism, design, pedagogy and contemporary art.

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today.

An anthology of texts by writers, artists, choreographers, poets and performers who think about the relationships between body, writing and textuality.

Originally resealed in 1975, Poesia Sonora is one of the first international compilation of sound poetry. Edited by Maurizio Nannucci, the anthology gathers pieces by some of the most important pioneers of the Sound Poetry movement: Bob Cobbing, François Dufrêne, Henri Chopin, Ernst Jandl, Franz Mon, Arthur Petronio, Arrigo Lora-Totino, Brion Gysin, Bernard Heidsieck, Sten Hanson, and Paul De Vree.

Since 2009, need and care and desire and admiration have been cross-examined, called as witness, put on parole, and made the subject of caring inquiry by e-flux journal authors. These writings have now been collected to form this comprehensive volume.

Recounting a partial history of our relation with matter, this reader explores how the crossover between cosmological narratives, the spatial revolutions of concrete poetry, and hypertextual and territorial fictions might have an impact on the recognition of human agency in a time that calls for our action on environmental policies.

A musical anthology gathering a collection of recordings featuring traditional instruments from Asia and Oceania—from New Zealand to the Philippines, from India to Burma.

An anthology of original recordings from Java, Sumatra, and Bali: a collection of ecstatic and hypnotic sounds, featuring a large panel of musical influences and traditional instruments that represent Indonesia's large heritage of profound cultural differences.

A two-record album of 21 original sound works by artists who exhibited at the Ronald Feldman Gallery in New York—including Eleanor Antin, Joseph Beuys, Chris Burden, Terry Fox, William Burroughs…

At the heart of this collection of short writings are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism.

This collection of more than thirty texts, which were originally published between 1790 and the present day, explores man's rich relationship with material things. Devised largely in response to the gradual breakdown of the divide between art and design that began over a century ago, this book sheds light on the ways that the concept of the thing as idea has been considered over time.

This collection of essays by Martin Herbert considers various artists who have withdrawn from the art world or adopted an antagonistic position toward its mechanisms (essays on Lutz Bacher, Stanley Brouwn, Christopher D'Arcangelo, Trisha Donnelly, David Hammons, Agnes Martin, Cady Noland, Laurie Parsons, Charlotte Posenenske, and Albert York).

The third volume of the experimental and electronic music anthology (1952-2004), for the first time on vinyl (3 discs with a poster booklet).

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

An anthology surveying the relationship between artistic practices and documents.

Aesthetic Politics in Fashion outlines critical studies in the present cross-sections of fashion, art, politics, and global capitalism.

Performing the Sentence brings into dialogue the ways that “performative thinking” has developed in different national and institutional contexts, within different disciplines in the arts, and the conditions under which it has developed in experimental art schools.

A collection of texts by Voltairine de Cleyre and Emma Goldman, two visionary anarchist women at the turn of the twentieth century.

Avant-garde in Italy between 1968 and 1976.

This volume brings together multidisciplinary essays dedicated to the question of how dance, both in its historical and in its contemporary manifestations, is intricately linked to conceptualisations of the political.

The work of Raymond Roussel as a point of departure for an oblique and transversal reading of 20th century art.

The seventh and last volume of the experimental and electronic music anthology (1930-2012), including unreleased material and rarities (Henry Jacobs, Tziga Vertov, Luciano Berio, Bülent Arel, Don Preston, Helmut Schäfer, E-L Scott de Martinville, John Oswald, Justin K. Broadrick, Storm Bugs, Henry Cow, Osso Exotico, Eugeniusz Rudnik, Cabaret Voltaire, Mika Vainio, New GX Jupitter-Larsen...), and a 84 pages booklet of critical and biographic notes.

How ongoing transformations in social housing are reflected in the aspirations and practices of artists.